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Old Gringo by Carlos Fuentes β€” book cover

Old Gringo

by Carlos Fuentes, Margaret Sayers Peden
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Overview

One of Carlos Fuentes's greatest works, The Old Gringo tells the story of Ambrose Bierce, the American writer, soldier, and journalist, and of his last mysterious days in Mexico living among Pancho Villa's soldiers, particularly his encounter with General Tomas Arroyo. In the end, the incompatibility of the two countries (or, paradoxically, their intimacy) claims both men, in a novel that is, most of all, about the tragic history of two cultures in conflict.

The fate of journalist Ambrose Bierce...Fuentes has spun an opalescent novel around the mystery.

Synopsis

The celebrated American writer and journalist Ambrose Bierce mysteriously disapeared in Mexico during its civil war. In this brilliant novel, Carlos Fuentes imagines the fate of Bierce among Pancho Villa's troops and dramatizes the conflict of North America's two cultures locked in deadly embrace.

Earl Shorris

The genius of ''The Old Gringo'' is the choice of a character as rich as Ambrose Bierce, who is at the center of a famous mystery....The novel has the magical form invented by the Mexican novelist Juan Rulfo and carried on by Gabriel Garcia Marquez, Mario Vargas Llosa, Mr. Fuentes and others. In this form, roles change, characters exist and speak in more than one frame of time on the same page, dream and reality are interchangeable, inconsistencies abound and lead to revelations....The only serious flaw for me is that the book may be too concise; I wished for details to more fully realize the characters, to limit them less by their symbolic roles. Perhaps that would have obscured the depth of the novel; I don't know; the book is a siege of echoes, it goes by in a moment, and that is enough. -- New York Times

About the Author, Carlos Fuentes

Carlos Fuentes, born in Panama in 1928, has received many awards for his accomplishments as a novelist, essayist, and commentator, among them the Cervantes Prize. He is the author of more than twenty books, most recently (in the United States) Inez. Other Fuentes titles from FSG include Aura, The Death of Artemio Cruz, and The Good Conscience. He divides his time between Mexico City and London.

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Editorials

Earl Shorris

The genius of ''The Old Gringo'' is the choice of a character as rich as Ambrose Bierce, who is at the center of a famous mystery....The novel has the magical form invented by the Mexican novelist Juan Rulfo and carried on by Gabriel Garcia Marquez, Mario Vargas Llosa, Mr. Fuentes and others. In this form, roles change, characters exist and speak in more than one frame of time on the same page, dream and reality are interchangeable, inconsistencies abound and lead to revelations....The only serious flaw for me is that the book may be too concise; I wished for details to more fully realize the characters, to limit them less by their symbolic roles. Perhaps that would have obscured the depth of the novel; I don't know; the book is a siege of echoes, it goes by in a moment, and that is enough. -- New York Times

Publishers Weekly - Publisher's Weekly

Fuentes, Mexico's leading novelist (author of Terra Nostra), invents here a lyrical and philosophical tale about the times of Pancho Villa and the Revolution in Mexico. The old gringo of the title is Ambrose Bierce, the Ameican journalist and writer who disappeared in the Mexican dust. Bierce went to Mexico to die, Fuentes speculates, because he could not bear to reflect on the pain and sacrifices his sanctimonious moral rectitude had caused his family. He joins the troops of the young revolutionary Tomas Arroyo, one of Villa's generals, who, as a ``child of misfortune'' (``bastard'' in the servant quarters) was trapped in the hacienda and is now trapped by the revolution. Both the old gringo and the young revolutionary fall in love with Harriet Winslow, an American who had come to Mexico as teacher for the children on a hacienda which no longer exists, having been burned by the revolutionaries. Fuentes examines the borders between men and women, dreams and reality, Mexico and the U.S. (``a scar'' rather than a border). Doomed never to understand each other, the two men inevitably die as they cross the frontier of their differences: the old gringo killed by Arroyo (whom he provoked by burning the papers of the history of Mexico) and Arroyo, in his turn, shot by Villa for overstepping his boundaries of power. In this fine short novel, Fuentes remains, as usual, wisely suspicious of both American politics and those of the Revolution. The problem here is that the author's posturing, his dramatic flourishes, never let us forget that this is all fakean invention, a meditation. November

Library Journal

Clues scattered through this brief but intense novel gradually reveal the identity of the title character, an aging American writer who disappeared in revolutionary Mexico in 1913. Fuentes has made clever fictional use of an actual literary mystery, but his more remarkable achievement here is the portrait of the writer as a father figure to an American governess and to a general in Pancho Villa's army, each of whom has been betrayed by a real father. The tempestuous intimacy between governess and general and the complex relationship each has with the old gringo reflect the links and contradictions between Mexican and American cultures. This is a novel to be savored; it deserves more than a single reading. L.M. Lewis, Social Science Dept., Eastern Kentucky Univ., Richmond

Book Details

Published
February 1, 2007
Publisher
Farrar, Straus and Giroux
Pages
208
Format
Paperback
ISBN
9780374530525

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