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Overview
Afterword by Peter Glassman. Completed in 1938 by the beloved artist of Corduroy, these superb illustrations were recently uncovered and are published for the first time in this lavish gift edition of one of Dickens's most popular novels. The memorable story of the orphan Oliver, the infamous Fagin, and his apprentice, the Artful Dodger, come vividly to life in this glorious volume. "Still grand to read aloud."—New York Times Book Review. A Books of Wonder Classic.
Editorials
School Library Journal
Gr6–8—A graphic retelling of the classic, Great Expectations is rushed, confusing, and an unpleasant read. At times it is difficult to tell the characters apart, mainly because of the lack of depth in the secondary players, and because the artwork is flat and impassive. The plot is without focus, so struggling readers will have an issue with continuity. Oliver Twist has similar problems. The flow is choppy, characterization is nonexistent, and the compression of the story line adds to the confusion. The artwork, black-and-white rough sketching, is inconsistent. Panels range from clean and distinct to dark and busy. As in the first book, some characters are indistinguishable from page to page. The combination of story and artwork will not create new fans of graphic novels.—Mariela Siegert, Westfield Middle School, Bloomingdale, ILPublishers Weekly
The inimitable Martin Jarvis brings his talents to bear on Charles Dickens's classic in an audiobook that will delight listeners with its superb recreations of gritty 19th-century London. To escape Mr. Bumble and life in the workhouse, Oliver flees to London where he meets the Artful Dodger and becomes embroiled with Fagin's ragtag band of thieves. Jarvis simply dazzles: his performance captures both the humor and sorrow of the text, his narration is crisp, and his characterizations--his rendition of the terrifying district magistrate, Mr. Fang, is particularly memorable--are as varied as they are energetic, befitting, and enjoyable. (June)From the Publisher
"The image of little Oliver Twist victimised by poverty, almost seduced by the specious excitement of crime, and then offered the possibility of a lucrative career in authorship is always compelling."—Guardian
"We leave him most reluctantly, and so will every reader who has any capacity to see and feel whatsoever is most loveable, hateful, or laughable, in the character of the everyday life about him."
—Examiner
"He deals truly with human nature, which never can degrade; he takes up everything, good, bad, or indifferent, which he works up into a rich alluvial deposit. He is natural, and that never can be ridiculous."
—Quarterly Review
Matt Travers
The countless admirers of Charles Dickens will be delighted by the appearance of this lavishly produced twenty-first century edition of Oliver Twist.—Matt Travers