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On Whale Island: Notes from a Place I Never Meant to Leave by Daniel Hays β€” book cover

On Whale Island: Notes from a Place I Never Meant to Leave

by Daniel Hays
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Overview

After Daniel Hays and his father built a twenty-five-foot boat and sailed it around Cape Horn, he thought he'd finally put his wanderlust to rest. He went back to school, bought a house, took a job, got married.

But as it turned out, in the real world Daniel Hays felt lost. So he took his love for the sea and his need to escape civilization and pushed it further: he bought an island off the coast of Nova Scotia; built a tiny house; packed up his wife and stepson, two dogs, and three boatloads of supplies; and moved there.

This is the story of fulfilling a fantasy: to live by your own rules and your own wits. And Daniel Hays, as readers of My Old Man and the Sea will remember, is well equipped to do both. He generates electricity from solar power and a terrifying windmill, funnels rainwater for their showers, creates a toilet seat out of a whale vertebra, strings their bed up on pulleys so that by day it can be lifted out of the way. For him, every morning is a wonder and every storm a blood-coursing thrill.

But while Daniel loves this permanent boy's life, his wife longs for the life they left behind, and his spirited stepson is feeling isolated. Soon, their Swiss Family Robinson existence becomes a vision only Daniel can see.

Funny, tender, and fascinating, filled with the details of an unconventional life, this is the story of how the Hays family lived on Whale Island, and how, finally, they had to leave.

Synopsis

As chronicled in the bestselling book My Old Man and the Sea, the thirst for living an unconventional life led Daniel Hays to sail around Cape Horn with his father in a boat they built themselves. Thinking his wanderlust satisfied, Hays married and settled down, only to find himself restless for adventure once again. On Whale Island tells the story of how he packed up three boatloads of supplies, his wife, stepson, and two dogs and moved to a remote island off the coast of Nova Scotia, fulfilling a lifelong fantasy of escaping from the confines of civilization and living by his wits.

Publishers Weekly

In his previous book, My Old Man and the Sea, Hays and his father built a sailing boat and navigated around Cape Horn. Theirs was a heartfelt tale of adventure, family and the good old days. Hoping to pull those same heartstrings here, Hays places himself in a Walden-like wilderness. Bored with convention and surviving on diminishing royalty checks, Hays decides to move his family wife, stepson, dogs and all to the middle of nowhere for a year. Handily, he already owns a 50-acre wilderness called Whale Island, just off the coast of Nova Scotia and the perfect venue for such an enterprise. The text chronicles those 365 days (wife Wendy refused any more) and is as self-conscious as the move itself, comprising Hays's condescending accounts of his efforts to live deliberately, Thoreau-style, despite the objections of the Tupperware and latt -loving Wendy. Her own writings, and those of his son, are peppered throughout. Not that Hays thinks he is perfect but he casts himself so enthusiastically as the wronged Woody Allen or John Kennedy Toole hero, he seems a self-perpetuating stereotype. (June 7) Copyright 2002 Cahners Business Information.

About the Author, Daniel Hays

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Editorials

Publishers Weekly

In his previous book, My Old Man and the Sea, Hays and his father built a sailing boat and navigated around Cape Horn. Theirs was a heartfelt tale of adventure, family and the good old days. Hoping to pull those same heartstrings here, Hays places himself in a Walden-like wilderness. Bored with convention and surviving on diminishing royalty checks, Hays decides to move his family wife, stepson, dogs and all to the middle of nowhere for a year. Handily, he already owns a 50-acre wilderness called Whale Island, just off the coast of Nova Scotia and the perfect venue for such an enterprise. The text chronicles those 365 days (wife Wendy refused any more) and is as self-conscious as the move itself, comprising Hays's condescending accounts of his efforts to live deliberately, Thoreau-style, despite the objections of the Tupperware and latt -loving Wendy. Her own writings, and those of his son, are peppered throughout. Not that Hays thinks he is perfect but he casts himself so enthusiastically as the wronged Woody Allen or John Kennedy Toole hero, he seems a self-perpetuating stereotype. (June 7) Copyright 2002 Cahners Business Information.

Library Journal

A writer, sometime teacher, sailor/sea captain, tae kwon do black belt, and general misfit, Idahoan Hays wanted to own and live on his own island. He locates an island off Nova Scotia, and his wife and stepson agree to honor his wish for one year. The purchase, planning, and execution of his plan provide the basis for this program. While nothing tremendously exciting really happens, the story is well told, and the day-to-day issues are approached with humor and resourcefulness. Written as a diary, this work is logically organized, easy to follow, and usually interesting. Spending much time on his worries about his relationship with his stepson, Hays also variously muses about the nature of his relationship with his wife, dogs, and the world. When he starts describing his dreams in great detail, many listeners will reach for the fast forward; unfortunately, he does this five or six stupefying times. Well read by Bruce Altman, this program will intrigue those yearning to escape contemporary society and return to nature. Hays's report will be of interest to those who share some version of that dream.-Carolyn Alexander, Brigadoon Lib., Corral de Tierra, CA Copyright 2003 Cahners Business Information.

Kirkus Reviews

A fleshed-out diary of a year spent on an island-man, woman, child, dogs-that, in its reflection of the quotidian, isn't always totally engaging. With a piece of the cash from his bestselling My Old Man and the Sea (1995), Hays purchased an island off the Canadian coast, 50 acres of unedited earth surrounded by the North Atlantic. It's a place, as Hays tells it in his plainspoken, intelligent voice, to escape civilization, a wild land where he can find himself. Except now he has a wife and Stephan, her 11-year-old son, with all that age's bright and dim spots. So what Hays must do is find himself within the matrix of family as he basks in the glory of the island landscape, a task he chronicles in this catalogue of days. Much of the material, though nicely shaped, is simply a recounting of activities: putting up wood for winter (though how they burn all that unseasoned wood is a mystery), making a dock, building and rebuilding all the stuff they need (and, killing time, don't need: "Now comes the really stupid part: having forgotten why I am putting an unneeded shelf nowhere useful"). There is the process of getting to know Stephan, perhaps the most captivating aspect of the story, and the incessant bickering with his wife, perhaps the least captivating, though certainly the most pervasive. The island itself, which appears in fits and starts throughout the narrative, is an enigma-its heart an impenetrable spruce thicket-and readers must accept Hays's love of the place rather than share it. What does come intensely across are those blood-red skies, all that weather, shrieking winds, stormy seas, and bell-clear days. A taste of living theater, with all its entanglements, fragments, anddoldrums. Author tour

Book Details

Published
May 1, 2002
Publisher
Algonquin Books of Chapel Hill
Pages
240
Format
Hardcover
ISBN
9781565123458

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