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One Amazing Thing by Chitra Banerjee Divakaruni — book cover

One Amazing Thing

by Chitra Banerjee Divakaruni
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Overview

"Divakaruni is a brilliant storyteller; she illuminates the world with her artistry; and shakes the reader with her love."
—Junot Diaz

Late afternoon sun sneaks through the windows of a passport and visa office in an unnamed American city. Most customers and even most office workers have come and gone, but nine people remain. A punky teenager with an unexpected gift. An upper-class Caucasian couple whose relationship is disintegrating. A young Muslim-American man struggling with the fallout of 9/11. A graduate student haunted by a question about love. An African-American ex-soldier searching for redemption. A Chinese grandmother with a secret past. And two visa office workers on the verge of an adulterous affair.

When an earthquake rips through the afternoon lull, trapping these nine characters together, their focus first jolts to their collective struggle to survive. There's little food. The office begins to flood. Then, at a moment when the psychological and emotional stress seems nearly too much for them to bear, the young graduate student suggests that each tell a personal tale, "one amazing thing" from their lives, which they have never told anyone before. And as their surprising stories of romance, marriage, family, political upheaval, and self-discovery unfold against the urgency of their life-or-death circumstances, the novel proves the transcendent power of stories and the meaningfulness of human expression itself. From Chitra Divakaruni, author of such finely wrought, bestselling novels as Sister of My Heart, The Palace of Illusions, and The Mistress of Spices, comes her most compelling and transporting story to date. One Amazing Thing is a passionate creation about survival—and about the reasons to survive.

Synopsis

"Divakaruni is a brilliant storyteller; she illuminates the world with her artistry; and shakes the reader with her love." — Junot Diaz

Late afternoon sun sneaks through the windows of a passport and visa office in an unnamed American city. Most customers and even most office workers have come and gone, but nine people remain. A punky teenager with an unexpected gift. An upper-class Caucasian couple whose relationship is disintegrating. A young Muslim-American man struggling with the fallout of 9/11. A graduate student haunted by a question about love. An African-American ex-soldier searching for redemption. A Chinese grandmother with a secret past. And two visa office workers on the verge of an adulterous affair.

When an earthquake rips through the afternoon lull, trapping these nine characters together, their focus first jolts to their collective struggle to survive.

There's little food. The office begins to flood. Then, at a moment when the psychological and emotional stress seems nearly too much for them to bear, the young graduate student suggests that each tell a personal tale, "one amazing thing" from their lives, which they have never told anyone before. And as their surprising stories of romance, marriage, family, political upheaval, and self- discovery unfold against the urgency of their life-or-death circumstances, the novel proves the transcendent power of stories and the meaningfulness of human expression itself. From Chitra Divakaruni, author of such finely wrought, bestselling novels as Sister of My Heart, The Palace of Illusions, and The Mistress of Spices, comes her most compelling and transporting story to date. One AmazingThing is a passionate creation about survival—and about the reasons to survive.

Publishers Weekly

In a soggy treatment of catastrophe and enlightenment, Divakaruni (The Mistress of Spices) traps a group of nine diverse people in the basement of an Indian consulate in an unidentified American city after an earthquake. Two are émigrés who work for the consulate; the others are in the building to apply for visas. With very little food, rising flood water, dwindling oxygen, and no electricity or phone service, the victims fend off panic by taking turns at sharing the central stories of their lives. Oddly, the group spends little time brainstorming ways to escape, even when they run out of food and water, and sections of ceiling collapse around them. They wait in fatalistic resignation and tell their tales. Some are fable-like, with captivating scene-setting and rush-to-moral conclusions, but the most powerful are intimate, such as the revelations an accountant shares about his impoverished childhood with an exhausted mother, her boyfriend, and a beloved kitten. Despite moments of brilliance, this uneven novel, while vigorously plumbing themes of class struggle, disillusionment, and guilt, disappoints with careless and unearned epiphanies. (Feb.)

About the Author, Chitra Banerjee Divakaruni

Award-winning author and poet Chitra Banerjee Divakaruni was born in India and came to the United States at 19. She put herself through Berkeley doing odd jobs, from working at an Indian boutique to slicing bread in a bakery -- nowadays, she's enjoying the raves for her latest novel, Queen of Dreams.

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Editorials

Publishers Weekly

In a soggy treatment of catastrophe and enlightenment, Divakaruni (The Mistress of Spices) traps a group of nine diverse people in the basement of an Indian consulate in an unidentified American city after an earthquake. Two are émigrés who work for the consulate; the others are in the building to apply for visas. With very little food, rising flood water, dwindling oxygen, and no electricity or phone service, the victims fend off panic by taking turns at sharing the central stories of their lives. Oddly, the group spends little time brainstorming ways to escape, even when they run out of food and water, and sections of ceiling collapse around them. They wait in fatalistic resignation and tell their tales. Some are fable-like, with captivating scene-setting and rush-to-moral conclusions, but the most powerful are intimate, such as the revelations an accountant shares about his impoverished childhood with an exhausted mother, her boyfriend, and a beloved kitten. Despite moments of brilliance, this uneven novel, while vigorously plumbing themes of class struggle, disillusionment, and guilt, disappoints with careless and unearned epiphanies. (Feb.)

Washington Post

The appeal of these life stories, like that of Chaucer's Canterbury Tales, is that they throw the spotlight onto varied lives, each with its own joys and miseries. Together, the stories show how easy it is to divert young lives into unforeseen and restrictive channels, and how hard it is for people to realize their early dreams. Their shared experiences and fears form the frame that holds together this compendium of short stories into an absorbing novel....At the end of her novel, her readers are fully engaged in what will happen to those nine people.

Seattle Times

Her fiction is so intimate that it often seems as if cultural context is irrelevant. Her character's dreams and disappointments are paramount... The karmic energy of One Amazing Thing revolves around Divakaruni's gifts as a novelist.

Miami Herald

Masterful storyteller Chitra Banerjee Divakaruni examines such stories in an apropos novel for our times. Her suspenseful tale of nine souls who suddenly don't know if they will live or die is a tribute -- on many levels -- to hope and survival. But it is also, most successfully, a ringing rebuke to rushes to judgment. It's an adult, literary version of The Breakfast Club, with dire circumstances. 'Hell is other people,' Uma thinks as she looks at one of her fellow distraught victims. But redemption can be other people, too, Uma and the others soon understand.One more amazing thing we've learned from Divakaruni.

Huffington Post

Divakaruni portrays in beautiful prose, haunting characters, and a luminously and ominously developed plot, the universal and individual qualities of the search for meaning in life, as well as the search's timelessness. We see the parallel as soon as Uma does: as in The Canterbury Tales, where Chaucer's characters are pilgrims to a holy site, the visa applicants are also pilgrims, on their way to India. Divakaruni is a beautiful writer, using words as lithely and effortlessly as breathing, and while she breathes, she sings.

Lisa See

Chitra Divakaruni understands the power of stories to heal us, make us laugh, and comfort us in the most difficult of circumstances. One Amazing Thing is one powerful and beautifully written book. I loved it, and I'm sure that readers everywhere will embrace it too. (Lisa See, author of Shanghai Girls)

Texas Monthly

One Amazing Thing is a beautiful novel, a tapestry of nine stories. . . . A passionate, intelligent book that sings with humanity.

Houston Chronicle

Hauntingly beautiful....One Amazing Thing is a page-turner with high drama, elegant writing, and lots of helpful tips for teamwork in a crisis.

USA Today

The plot of Chitra Banerjee Divakaruni's new novel could be ripped from the horrifying headlines about Haiti in a strange case of art imitating life....One Amazing Thing, which was written well before the Haiti earthquake, is receiving high praise.

Good Times Newspaper (Santa Cruz)

Not only a captivating read but also a testament to the redeeming power of human love and connection.

Booklist

A wise and beautifully refined drama. . . . A storyteller of exquisite lyricism and compassion, Divakaruni weaves a suspenseful, astute, and unforgettable survivors' tale.

Library Journal

Nine people of diverse backgrounds trapped by an earthquake in the basement of the Indian consulate in an unidentified American city—that's the situation Divakaruni (The Palace of Illusions) sets for herself here. The thoroughly American Uma immigrated with her parents as an infant and is now a graduate student. She tries to concentrate on reading Chaucer while waiting to apply for a visa to visit her parents, who have moved back to India, but spends more time speculating about the people around her. When the earthquake hits, African American army veteran Cameron takes charge, while Uma encourages each of these modern-day pilgrims to share a story of "one amazing thing." The pilgrims range from a young Muslim man hoping that he can visit his parents' ancestral home to an upper-class Caucasian couple planning a trip to the Taj Mahal. As the stories unfold, they tell as much about the diversity of Indian culture as they do about the American "melting pot," which lets some groups Americanize more successfully than others. VERDICT Writing with great sensitivity, Divarkaruni presents snapshots that speak volumes about the characters, so unexpectedly drawn together. Highly recommended.—Debbie Bogenschutz, Cincinnati State Technical & Community Coll.

Kirkus Reviews

A diverse group trapped in the aftermath of a disaster shares tales of love, loss and desire. Divakaruni's latest (The Palace of Illusions, 2008, etc.) harkens back to her earlier collections of short stories more than it coalesces as a convincing novel. Seven visa applicants wait for the services of two bureaucrats in the basement-level visa office of an Indian consulate somewhere in America. "It was not uncommon, in this city, to find persons of different races thrown together," Divakaruni writes. "Still, Uma thought, it was like a mini UN summit in here. Whatever were all these people planning to do in India?" Suddenly, a massive earthquake strikes, trapping them in the dark and forcing them to confront each other. An angry young man named Tariq Husein seethes as Cameron Grant, an African-American veteran, assumes leadership of the trapped group. Mr. Pritchett, who had hoped a trip to India would lift his wife's depression, endangers them all by trying to light a cigarette despite a gas leak. Malathi, a clerk at the consulate, stands up to him when he takes away Mrs. Pritchett's medication. Jiang, an elderly Chinese woman injured in the quake, tries to protect her granddaughter Lily. In the midst of their ordeal, Uma, a grad student first glimpsed reading "The Wife of Bath's Tale," comes up with the idea of having each person relate an incident from his or her life. "Everyone has a story," she says. "I don't believe anyone can go through life without encountering at least one amazing thing." The individual tales are engaging, but the mechanical setup and the lack of resolution in the primary narrative make it difficult to fully embrace all that follows. Compassionate stories, many ofthem inspired, suspended in half of a novel.

Library Journal

Nine diverse characters trapped in the basement of an Indian consulate during an earthquake and its after-tremors tell their individual life stories within the framework of this shared, destabilizing experience in Pushcart Prize/American Book Award winner Divakruni's (www.chitradivakaruni.com) latest novel. Each prospective traveler sheds light on unique cultural and personal issues ranging from spirituality and arranged marriages to selfishness and hidden disputes. The novel is often uneven, and the characters appear too easily resigned to their circumstances for the situation to seem real, but their stories add much depth and insight to what is ultimately a multidimensional work. Recommended for expanding multicultural collections. [The Voice: Hyperion hc received a starred review, LJ 2/15/10.—Ed.]—Joyce Kessel, Villa Maria Coll., Buffalo

Book Details

Published
December 21, 2010
Publisher
Hyperion
Pages
240
Format
Paperback
ISBN
9781401341589

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