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Asian Americans - Fiction & Literature, Family & Friendship - Fiction
One Hundred and One Ways by Mako Yoshikawa — book cover

One Hundred and One Ways

by Mako Yoshikawa
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Overview

"I have spent most of my life in New Jersey, but the blood of a geisha courses through me yet."

If Kiki Takehashi's life is dramatically different from that of her reserved Japanese-American mother, it is light-years away from that of her grandmother, whom she knows only through old family stories. Kiki has recently become engaged to Eric, a handsome, successful New York City lawyer. But at the same time she is haunted--quite literally--by the memory of her friend Phillip, killed the previous year in a mountaineering accident.

Kiki has never met her grandmother Yukiko, for whom she is named. Still, thoroughly American though she is, she feels a secret kinship with her. Kiki is swept up by the story of this strong, proud, passionate woman who, against all odds, in a time and place far different from her own, was sold by her impoverished family, became a famous geisha, and found the love that has so far eluded the rest of the Takehashi women.

Lyrical, haunting, and stunningly evocative, One Hundred and One Ways introduces a powerful and exciting new voice in contemporary fiction.

Synopsis

"I have spent most of my life in New Jersey, but the blood of a geisha courses through me yet."

If Kiki Takehashi's life is dramatically different from that of her reserved Japanese-American mother, it is light-years away from that of her grandmother, whom she knows only through old family stories. Kiki has recently become engaged to Eric, a handsome, successful New York City lawyer. But at the same time she is haunted—quite literally—by the memory of her friend Phillip, killed the previous year in a mountaineering accident.

Kiki has never met her grandmother Yukiko, for whom she is named. Still, thoroughly American though she is, she feels a secret kinship with her. Kiki is swept up by the story of this strong, proud, passionate woman who, against all odds, in a time and place far different from her own, was sold by her impoverished family, became a famous geisha, and found the love that has so far eluded the rest of the Takehashi women.

Lyrical, haunting, and stunningly evocative, One Hundred and One Ways introduces a powerful and exciting new voice in contemporary fiction.

Greensboro News & Record

An absorbing tale of three generations of women seeking to make peace with the past and form loving relationships ... Yoshikawa is a graceful and lyrical writer ... a promising new literary voice.

About the Author, Mako Yoshikawa

Mako Yoshikawa has studied at Columbia University and Oxford. She has been the Vera M. Schuyler Fellow of Creative Writing at the Bunting Institute at Harvard University, and she is a doctoral candidate in English literature at the University of Michigan.  Her great-grandmother was a geisha.

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Editorials

Greensboro News & Record

An absorbing tale of three generations of women seeking to make peace with the past and form loving relationships....Yoshikawa is a graceful and lyrical writer ... a promising new literary voice.

Greensboro News & Record

An absorbing tale of three generations of women seeking to make peace with the past and form loving relationships ... Yoshikawa is a graceful and lyrical writer ... a promising new literary voice.

Los Angeles Times

When we call a novel 'cinematic,' we usually refer to its quick jumps from one fragmentary scene to another....Mako Yoshikawa's debut novel is cinematic in quite a different way: through its handling of focus.

Time Out New York

Geishas seems to be the It girls of the moment....[Yoshikawa] has more legitimate claim to this trend than most....[She] challenges the sexual \ stereotypes of Asian women.

Library Journal

This promising first novel is a beautifully written story about a young Japanese American woman who tries to understand her relationships with her lovers by examining the lives of her mother and grandmother. Kiki Takehashi is a young graduate student living in New York City who questions her engagement to Eric as she continues to mourn the death of her former lover, Phillip, who literally comes back to haunt her. Although she does not talk to her mother about her problems, she is close to her and is fascinated by her mother's stories of her grandmother, a former geisha. She processes her thoughts about the loss of Phillip and her future with Eric by imagining the conversations she'll have with her grandmother when she visits from Japan in the fall. Yoshikawa weaves together the stories of three generations of women with wonderful detail and graceful style. Highly recommended for all libraries.--Judith Ann Akalaitis, Supreme Court of Illinois Lib., Chicago Copyright 1999 Cahners Business Information.

Los Angeles Times

"When we call an novel 'cinematic,' we usually refer to its quick jumps from one fragmentary scene to another ... Mako Yoshikawa's debut novel is cinematic in quite a different way: through its handling of focus."

Los Angeles Times

When we call a novel 'cinematic,' we usually refer to its quick jumps from one fragmentary scene to another....Mako Yoshikawa's debut novel is cinematic in quite a different way: through its handling of focus.

Greensboro News & Record

An absorbing tale of three generations of women seeking to make peace with the past and form loving relationships....Yoshikawa is a graceful and lyrical writer ... a promising new literary voice.

Kirkus Reviews

Newcomer Yoshikawa tries but fails to weave the story of a young woman's doomed love affair in Manhattan seamlessly together with the tale of her Japanese grandmother who was once a geisha. Kiki, the narrator, is a graduate student in English at Columbia and, as the story begins, thinks she may be in love with Eric, a handsome young Jewish lawyer she met at a concert. But she is also literally haunted by Phillip, the love of her life, who was killed while climbing in the Himalayas. Kiki keeps seeing Phillip in her apartment—on the window sill, in the kitchen, on a shelf—which doesn't help her affair with Eric, though she soon accepts his proposal of marriage. As Kiki recalls how she met Phillip, a young man born to wander and charm, and as she worries that Eric may have a fetish about Asian women, she writes imaginary letters to her grandmother Yukiko, who, now a widow, has promised to visit Kiki and her mother, Akiko, in the fall. Kiki identifies strongly with her grandmother and looks forward to hearing Yukiko herself tell the story of her life. Meanwhile, Kiki relates the tales Akiko has previously told her. Sold by her parents to a geisha house, beautiful young Yukiko used guile and sex to marry a rich businessman and become a respectable member of society. Akiko defied her mother and married for love, but her brilliant, unstable husband later abandoned her. As the past and present stories move awkwardly in tandem, Yukiko cancels her travel plans, and Kiki, still mourning Phillip, breaks up with Eric. Watching Akiko with a new love on a visit home, Kiki realizes that someday she too will move on from Phillip—and that, like Yukiko and Akiko, she will always be gratefulfor having loved at all. Trendy Asian elements do little to gussy up an unconvincing love story. .

Book Details

Published
May 1, 2000
Publisher
Random House Publishing Group
Pages
288
Format
Paperback
ISBN
9780553379693

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