Overview
Documentary history or gripping literature? One Life is both. Lampert's reconstruction of the lives of eight real people in Nazi Germany explores the difficult choices faced by a wide range of individuals.
Among them is Miriam P., a juvenile delinquent who finds herself on a path to the gas chamber. And then there is the rabid Nazi Wihelm K., who assumes the position of commissioner general in White Ruthenia only to fight for the lives of Jews in the Minsk ghetto; a retiree who is sentenced to death for scribbling a few words of anti-Hitler graffiti in a public toilet; and a family man turned SS murderer. As the stories of people on both sides of the terrible rift unfold, their interconnected lives branch out in astonishing patterns, shaped by the logic of racism as well as by accidents and coincidences.
Based on exhaustive research in archives all over the world, Lampert's stories re-create the horrors and terrible choices of that time in a way no conventional history could.
Synopsis
Documentary history or gripping literature? One Life is both. Lampert's reconstruction of the lives of eight real people in Nazi Germany explores the difficult choices faced by a wide range of individuals.
Among them is Miriam P., a juvenile delinquent who finds herself on a path to the gas chamber. And then there is the rabid Nazi Wihelm K., who assumes the position of commissioner general in White Ruthenia only to fight for the lives of Jews in the Minsk ghetto; a retiree who is sentenced to death for scribbling a few words of anti-Hitler graffiti in a public toilet; and a family man turned SS murderer. As the stories of people on both sides of the terrible rift unfold, their interconnected lives branch out in astonishing patterns, shaped by the logic of racism as well as by accidents and coincidences.
Based on exhaustive research in archives all over the world, Lampert's stories re-create the horrors and terrible choices of that time in a way no conventional history could.
Publishers Weekly
The author, an American-born scholar living in Berlin, documents the Nazi era in Germany through eight largely unconnected stories of lesser-known figures-some perpetrators, some victims, one a vicious dog at Treblinka (or perhaps it's really about Konrad Lorenz, a former Nazi party member and later Nobelist who testifies on the dog's behalf). Despite Lampert's prodigious research, he is less than successful in meeting his intent "to alleviate some of the moralizing pressure... that make[s] it impossible to think concretely about... the Holocaust." He wants readers to see that not all perpetrators were evil, nor all victims innocent. Miriam P. is a young, criminally destructive Jewish psychopath executed by the Nazis in their roundup of mental patients. Erich B. is a ruthless SS executioner who loved his children and suffered greatly from physical ailments. The most nuanced and compelling chronicle is that of Karl L., who headed the Jewish police in Theresienstadt, obsessively pursuing stealing and corruption by prisoners; later, when accused of Nazi collaboration, he defended his actions as in the best interest of the inmates. But it's not news that some Nazis, like Wilhelm K. in the title piece, tried to save some Jews, or that some Jews may have collaborated with the Nazis. Does knowledge of this interfere with clear moral thinking about the Holocaust? Though his tales are fascinating, Lampert's purpose in telling them seems muddled. (Nov.) Copyright 2004 Reed Business Information.