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One Train Later: A Memoir by Andy Summers — book cover
Musical Instrumentalists - Biography, Guitar - General & Miscellaneous, Pop, Rock, & Soul Musicians - Biography, Rock Music - Biography

One Train Later: A Memoir

by Andy Summers, Edge, The Edge
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Overview

"A disarming, surprising literary memoir by the ex-Police guitarist . . . A rollicking you-are-there history of the 60s-80s rock era."—-Entertainment Weekly

In this extraordinary memoir, world-renowned guitarist Andy Summers provides the revealing and passionate account of a life dedicated to music. From his first guitar at age thirteen and his early days on the English music scene to the ascendancy of his band, the Police, Summers recounts his relationships and encounters with the Big Roll Band, Jimi Hendrix, Eric Clapton, the Animals, John Belushi, and others, all the while proving himself a master of telling detail and dramatic anecdote.

Andy's account of his role as guitarist for the Police—-a gig that was only confirmed by a chance encounter with drummer Stewart Copeland on a London train—-has been long-awaited by music fans worldwide. The heights of fame that the Police achieved have rarely been duplicated, and the band's triumphs were rivaled only by the personal chaos that such success brought about, an insight never lost on Summers in the telling. Complete with never-before-published photos from Summers's personal collection, One Train Later is a constantly surprising and poignant memoir, and the work of a world-class musician and a first-class writer.

Synopsis

“A disarming, surprising literary memoir by the ex-Police guitarist . . . A rollicking you-are-there history of the 60s–80s rock era.”---Entertainment Weekly
 
In this extraordinary memoir, world-renowned guitarist Andy Summers provides the revealing and passionate account of a life dedicated to music. From his first guitar at age thirteen and his early days on the English music scene to the ascendancy of his band, the Police, Summers recounts his relationships and encounters with the Big Roll Band, Jimi Hendrix, Eric Clapton, the Animals, John Belushi, and others, all the while proving himself a master of telling detail and dramatic anecdote.
 Andy’s account of his role as guitarist for the Police---a gig that was only confirmed by a chance encounter with drummer Stewart Copeland on a London train---has been long-awaited by music fans worldwide. The heights of fame that the Police achieved have rarely been duplicated, and the band’s triumphs were rivaled only by the personal chaos that such success brought about, an insight never lost on Summers in the telling. Complete with never-before-published photos from Summers’s personal collection, One Train Later is a constantly surprising and poignant memoir, and the work of a world-class musician and a first-class writer.

 

“A lucid account. Tells the dreamlike story of the Police’s rise and fall, which Summers recounts with wit and sharp detail.”--Rolling Stone 

“Witty and impressionistic . . . Police guitarist Andy Summers writes engagingly.”--The New York Post
 
“There are many great rock moments that dazzle. This is a stage-side account of the birth, rise, and dissipation of the Police.”--Publishers Weekly

 

Andy Summers is a Grammy Award winner and an inductee in both the Rock and Roll Hall of Fame and the Guitar Player Hall of Fame. He has followed his work with the Police with a career that encompasses more than twelve solo albums, soundtracks, and collaborations in addition to concerts and exhibitions of his photography around the world. He lives in California, and his Web site is www.andysummers.com.

Publishers Weekly

Summers a musician best known for playing guitar in the seminal 1980s band the Police recounts the details of his time in the spotlight and his circuitous and fantastic journey toward fame in a memoir that is just as generous (and sometimes meticulous) in providing details as it is in exploring the human toll of living out the "collective fantasy" of being a "rock god." There are many great rock moments that dazzle hanging with Clapton, jamming with Hendrix, hallucinating with John Belushi but the less extraordinary memories make for a more compelling narrative: he recalls his childhood in England, where, after an "immediate bond" with the guitar, "the spiritual side of life slowly fills with music." Narrated in the present tense and with occasionally vivid language (Summers recounts "the familiar backstage" as "the taste of Jack stuck on a Wheat Thin"), every rock clich is described (drugs, sex, ego), but, refreshingly, little is romanticized. This is a stage-side account of the birth, rise and dissipation of the Police and fans of the band will not be disappointed but it is also an honest travelogue of a British kid who, subsisting "on a diet of music and hope," traversed the most coveted landscapes of pop culture and lived to write about it. (Oct.) Copyright 2006 Reed Business Information.

About the Author, Andy Summers

Andy Summers is a Grammy Award winner and an inductee in both the Rock and Roll Hall of Fame and the Guitar Player Hall of Fame. He has followed his work with the Police with a career that encompasses more than twelve solo albums, soundtracks, and collaborations in addition to concerts and exhibitions of his photography around the world. He lives in California, and his Web site is www.andysummers.com.

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Editorials

From the Publisher

"A disarming, surprising literary memoir by the ex-Police guitarist . . . A rollicking you-are-there history of the 60s-80s rock era."—Entertainment Weekly "A lucid account. Tells the dreamlike story of the Police's rise and fall, which Summers recounts with wit and sharp detail."—Rolling Stone "Witty and impressionistic . . . Police guitarist Andy Summers writes engagingly."—The New York Post

"There are many great rock moments that dazzle. This is a stage-side account of the birth, rise, and dissipation of the Police."—Publishers Weekly

Publishers Weekly

Summers a musician best known for playing guitar in the seminal 1980s band the Police recounts the details of his time in the spotlight and his circuitous and fantastic journey toward fame in a memoir that is just as generous (and sometimes meticulous) in providing details as it is in exploring the human toll of living out the "collective fantasy" of being a "rock god." There are many great rock moments that dazzle hanging with Clapton, jamming with Hendrix, hallucinating with John Belushi but the less extraordinary memories make for a more compelling narrative: he recalls his childhood in England, where, after an "immediate bond" with the guitar, "the spiritual side of life slowly fills with music." Narrated in the present tense and with occasionally vivid language (Summers recounts "the familiar backstage" as "the taste of Jack stuck on a Wheat Thin"), every rock clich is described (drugs, sex, ego), but, refreshingly, little is romanticized. This is a stage-side account of the birth, rise and dissipation of the Police and fans of the band will not be disappointed but it is also an honest travelogue of a British kid who, subsisting "on a diet of music and hope," traversed the most coveted landscapes of pop culture and lived to write about it. (Oct.) Copyright 2006 Reed Business Information.

Library Journal

Summers is best known as the guitar player for the Police, one of the best-loved and most enduring bands of the 1980s. But he was also part of the British rock scene of the 1960s and 1970s-friends, in fact, with icons like Eric Clapton, Jimi Hendrix, and Eric Burdon of the Animals (with whom he shortly played). In this finely written memoir, Summers details growing up in 1950s England; discovering the guitar, jazz, and Zen Buddhism; rambling around the London and Hollywood drug scenes of the 1970s; and his playing with the Police. The narrative ends six months after their last performance together at New York's Shea Stadium, following the band's decision to split up at the peak of their popularity. Readers curious about the dissolution will find lots of insight, at least from Summers's point of view. This terrific book should be in demand in public libraries. For academic libraries collecting rock'n'roll history, it is essential.-Todd Spires, Bradley Univ. Lib., Peoria, IL Copyright 2006 Reed Business Information.

Kirkus Reviews

Engaging memoir by the guitarist for megaselling rock band The Police. Summers's account of his eventful career as a journeyman musician focuses squarely on his devotion to music and the process of mastering his instrument; those hoping for a lurid, behind-the-scenes tell-all will be disappointed. For the record, he paints Police front man Sting as self-involved and high-handed, drummer Stewart Copeland as motor-mouthed and overbearing-but he doesn't dwell on these traits. Nor does he dwell on drugs consumed and groupies enjoyed, describing such diversions as mundane aspects of the itinerant musician's life. More interesting is his life as a perennial cusp-of-fame British Invasion utility man in a career that included stints with the Animals; Zoot Money's Big Roll Band; and Neil Sedaka. He rubbed shoulders with Clapton and Hendrix, toured relentlessly and practiced, practiced, practiced, finding himself at the end of it broke and giving guitar lessons to survive for an extended period in the 1970s. But then he met Sting and Copeland. The author analyzes incisively the unique sound of The Police, which benefited greatly from his past forays into jazz and classical guitar, bringing an unprecedented degree of musicianship to the era's requisite "punk" sound. The most arresting passages here describe the group's mammoth world tours: He sharply observes the cultural strangeness of Japan (where he runs afoul of the yakuza) and his experiences in Eastern Europe and the military dictatorships of Argentina and Chile-simultaneously terrifying and surreally amusing, as are his adventures as John Belushi's drug buddy. Summers is refreshingly endearing, with a self-deprecating wit, brisk pacing andelegant turns of phrase. A pleasant journey through some of pop music's more interesting times.

Book Details

Published
May 1, 2007
Publisher
St. Martin's Press
Pages
368
Format
Paperback
ISBN
9780312374815

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