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Open House by Mark Doty — book cover

Open House

by Mark Doty
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Overview

Twenty Writers Define Home In All of Its Complexity and Variety

"Where do I live? I don’t have a ready answer, not really, but I’ve realized there’s something I like about not having an answer. And indeed something of that spirit—a curious, open engagement with the now, in its slippery and uncertain character—animates this book."

—Mark Doty, from his Introduction

In a shifting world, concepts of place and home take many forms. Mark Doty gathers an impressive group of writers to describe their contemporary sense of home. Victoria Redel lives her teenage years from inside a fifteen-pound body cast—loving and hating the loss of her body; Barbara Hurd finds that within a cave, the absence of all light allows for clarity of vision; and Andrea Barrett wipes filth from a sill in her Brooklyn apartment only to realize that the dirt is actually “ash of buildings, ash of planes. Ash of people.” Surroundings—walls, trees, or states of mind—are defined by our reactions to them. These essays are about how the mind can create a home—for a moment, or for a lifetime.

Contributors include Bernard Cooper, Carol Muske-Dukes, Deborah Lott, Elizabeth McCracken, Mary Morris, and Terry Tempest Williams.

Synopsis

Twenty Writers Define Home In All of Its Complexity and Variety

"Where do I live? I don’t have a ready answer, not really, but I’ve realized there’s something I like about not having an answer. And indeed something of that spirit—a curious, open engagement with the now, in its slippery and uncertain character—animates this book."

—Mark Doty, from his Introduction

In a shifting world, concepts of place and home take many forms. Mark Doty gathers an impressive group of writers to describe their contemporary sense of home. Victoria Redel lives her teenage years from inside a fifteen-pound body cast—loving and hating the loss of her body; Barbara Hurd finds that within a cave, the absence of all light allows for clarity of vision; and Andrea Barrett wipes filth from a sill in her Brooklyn apartment only to realize that the dirt is actually “ash of buildings, ash of planes. Ash of people.” Surroundings—walls, trees, or states of mind—are defined by our reactions to them. These essays are about how the mind can create a home—for a moment, or for a lifetime.

Contributors include Bernard Cooper, Carol Muske-Dukes, Deborah Lott, Elizabeth McCracken, Mary Morris, and Terry Tempest Williams.

Publishers Weekly

Describing the chaotic, polyglot world we live in now, one that disconnects us from the past and from one another, Doty asks, "So where do I live? I don't have an answer, but I've realized there's something I like about not having an answer... Sometimes home is found in unexpected places." National Book Critics Circle award-winner Doty has gathered 17 writers to consider those unexpected places, among them Andrea Barrett, Carol Muske-Dukes, Mary Morris and Paul Lisicky. For Morris, a sometime travel writer, the answer is the subways beneath New York City's streets. Barbara Hurd writes of caves, of finding herself "squeezed into a cleft in 350-million-year-old limestone...sixty feet under the earth," where she experiences a moment of sudden, unexpected intimacy with another caver. Other equally surprising "homes" are gracefully described in this fine collection. (June) Copyright 2003 Reed Business Information.

About the Author, Mark Doty

Mark Doty has received many awards and honors for his poetry, including the National Book Critics Circle Award and a Guggenheim Fellowship. He divides his time between New York City and Provincetown, Massachusetts.

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Editorials

Publishers Weekly

Describing the chaotic, polyglot world we live in now, one that disconnects us from the past and from one another, Doty asks, "So where do I live? I don't have an answer, but I've realized there's something I like about not having an answer... Sometimes home is found in unexpected places." National Book Critics Circle award-winner Doty has gathered 17 writers to consider those unexpected places, among them Andrea Barrett, Carol Muske-Dukes, Mary Morris and Paul Lisicky. For Morris, a sometime travel writer, the answer is the subways beneath New York City's streets. Barbara Hurd writes of caves, of finding herself "squeezed into a cleft in 350-million-year-old limestone...sixty feet under the earth," where she experiences a moment of sudden, unexpected intimacy with another caver. Other equally surprising "homes" are gracefully described in this fine collection. (June) Copyright 2003 Reed Business Information.

Library Journal

What is home? Ancestral land? A secure place? A state of mind? In this collection of eclectic essays, contemporary writers explore the concept of home and the meaning of location amid a new world of blurred boundaries. Essays range from Andrea Barrett's reaction to cleaning the ash from her Brooklyn windowsill after September 11 to Victoria Redel's thoughts about spending her teen years confined to a strangely comforting 15-pound body brace. Feeling at home in unusual places, Mary Morris finds that riding subways eases her tensions and stimulates her writing, while Derick Burleson and his wife, Anita, recount their experiences as Peace Corps volunteers living in Rwanda just prior to the 1993 war. After a stay of nearly two years, they are evacuated and return to Kansas City. While glad to be safe, they feel strangely displaced upon returning to the United States. Often fleeting and difficult to explain, the sense of home for these writers dwells in the spirit. A thought-provoking collection, these essays will pique the interest of anyone who has wondered about the meaning of home. Recommended for large public libraries.-Nancy R. Ives, SUNY at Geneseo Copyright 2003 Reed Business Information.

Kirkus Reviews

A variety of writers present different definitions of "home" in this uneven assortment of essays, some previously published. As editor of the fifth installment in Graywolf’s Forum series, poet Doty gives himself the first and nearly the last word. (One short essay follows his at the end.) He begins by observing that we’re all trying to find "home," whatever that may mean to each of us, and ends with a piece about how a 19th-century painted panorama in the Netherlands serves as a metaphor for Life. Elizabeth McCracken lovingly describes the Des Moines homes of her grandparents. Honor Moore writes about leaving an old house in Connecticut where she lived for 30 years and finding a new home in New York City. She is one of several writers who allude to 9/11, with Mary Morris providing the most effective image: from a subway crossing the Manhattan bridge on September 12, "people stare at the space where the Twin Towers stood and they begin to cry. Inexplicably, silently, the entire car is filled with weeping people." Morris’s "home," by the way, is the subway; it’s where she reads, writes, thinks. For a number of the writers, Doty included, sexuality and home are inextricably entwined. Michael Joseph Gross finds he’s more at home having sex with strangers than he is being in the home of his parents, who had difficulty accepting his homosexuality. Reginald Shepherd—in an overlong, overwrought rumination—discovers that his home is Robert, his lover. Spunky spelunker Barbara Hurd considers caves and the comfort conferred by hidden spaces. Bernard Cooper defines home as the passions you pursue and eventually inhabit—in his case, pop art. Sensibly, the editor ends with a poignant,provocative piece by Victoria Redel, whose severe scoliosis forced her to inhabit a Milwaukee body brace 23 hours a day throughout her teenage years. Unremarkable variations on an unremarkable theme: Home is where you feel at home.

Book Details

Published
June 1, 2003
Publisher
Graywolf Press
Pages
304
Format
Paperback
ISBN
9781555973827

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