Oswald's Tale: An American Mystery

"MARVELOUS . . . BREATHTAKING."
—The New York Times Book Review
"MAILER SHINES . . . Explaining Kennedy's assassination through the flaws in Oswald's character has been attempted before, notably by Gerald Posner in Case Closed and Don Delillo in Libra. But neither handled Oswald with the kind of dexterity and literary imagination that Mailer here supplies in great force. . . . Oswald's Tale weaves a story not only about Oswald or Kennedy's death but about the culture surrounding the assassination, one that remains replete with miscomprehensions, unraveled threads and lack of resolution: All of which makes Oswald's Tale more true-to-life than any fact-driven treatise could hope to be. . . . Vintage Mailer."
—The Philadelphia Inquirer
"FASCINATING . . . A MASTER STORYTELLER . . . Mailer gives us our clearest, deepest view of Oswald yet. . . . Inside three pages you are utterly absorbed."
—Detroit Free Press
"MAILER AT HIS BEST . . . LIVELY AND CONVINCING . . . EXTREMELY LUCID . . . Mailer is fierce, courageous, and reckless and nearly everything he writes has sections of headlong brilliance. . . . [He] has found a way to make the dry bones of KGB tapes and his own interviews stand up and perform. . . . From the American master conjurer of dark and swirling purpose, a moving reflection."
—Robert Stone The New York Review of Books
"THIS IS A NARRATIVE OF TREMENDOUS ENERGY AND PANACHE; THE AUTHOR AT THE TOP OF HIS FORM."
—Christopher Hitchens Financial Times
"Mailer has written some pretty crazy books in his time, but this isn't one of them. Like its predecessor, Harlot's Ghost, it is the performance of an author relishing the force and reach of his own acuity."
—Martin Amis The London Sunday Times

Publishers Weekly

Mailer opines that Lee Harvey Oswald was a sincere Marxist, a nihilist and an inveterate liar who was motivated to assassinate John F. Kennedy in order to shake up the world, to create the conditions for a new kind of society superior to American capitalism or Soviet-style communism. Oswald, he suggests, was quite possibly the lone gunman, or at least may have thought he was-in Mailer's scenario, there may have been other assassins present, unbeknownst to Oswald, conspirators working for some other group. His unconvincing analysis emerges from a labyrinthine pastiche of KGB and FBI transcripts, recorded dialogues, speculations, Oswald's letters and diary excerpts, and government memos. Mailer interviewed Oswald's widow, Marina, and also spent months in Minsk interviewing Oswald's Russian acquaintances and co-workers as well as KGB officers. Pretentiously applying the novelistic techniques used to better effect in The Executioner's Song, Mailer ploddingly recreates Oswald's day-to-day existence in the Soviet Union, then in New Orleans and Dallas in the months leading up to Kennedy's assassination. He hypothesizes that Oswald was a provocateur playing a double-edged game with the U.S. and Russian intelligence communities to further his own self-styled mission. Author tour. (May)

One of the most provocative authors of the 20th century, Norman Mailer stood at the forefront of the New Journalism, a form of creative nonfiction that wove autobiography, real events, and political commentary into unconventional novels.