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Teen Fiction
Our Noise by Jeff Gomez β€” book cover

Our Noise

by Jeff Gomez, Irving Perkins Assoc.
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Overview

Craig is armed with a college degree that has so far brought him nothing, certain that something better is just around the corner but unable to encounter it. He's been cohabiting with Ashley since college, and is caught in the dilemma of whether to break up with her or give in to marriage. Meanwhile, Ashley's efforts to earn a graduate degree seem futile considering that her diploma has taken up residence under the sofa cushions. Stuck in dead-end jobs; weary of commercial, corporate, and parental influences; searching for their own identities; Ashley, Craig, and the other characters of Our Noise find refuge in the brash world of indie rock, thrift stores, coffee houses, zines, and cheap beers. There are Eileen, who ends up in Kitty, Virginia, by accident and forgets to leave, and the members of Bottlecap, Kitty's hometown band, trying to decide whether to sell out and go to the West Coast or continue in the life of a small band. Chipp and Randy start a zine as a way to get their blood flowing for the first time even as Dave, the struggling founder of Violent Revolution Records, works as a waiter to fund his record label.

Originally published as a serial 'zine of interelated stories, Our Noise quickly became popular as a cult favorite, garnering rave reviews from unde rground magazines around the country. Funny, poignant, and fearless, this wry and telling novel captures the lives, loves, and record collections of a group of disaffected youths in a small Virginia town.

Synopsis

Craig is armed with a college degree that has so far brought him nothing, certain that something better is just around the corner but unable to encounter it. He's been cohabiting with Ashley since college, and is caught in the dilemma of whether to break up with her or give in to marriage. Meanwhile, Ashley's efforts to earn a graduate degree seem futile considering that her diploma has taken up residence under the sofa cushions. Stuck in dead-end jobs; weary of commercial, corporate, and parental influences; searching for their own identities; Ashley, Craig, and the other characters of Our Noise find refuge in the brash world of indie rock, thrift stores, coffee houses, zines, and cheap beers. There are Eileen, who ends up in Kitty, Virginia, by accident and forgets to leave, and the members of Bottlecap, Kitty's hometown band, trying to decide whether to sell out and go to the West Coast or continue in the life of a small band. Chipp and Randy start a zine as a way to get their blood flowing for the first time even as Dave, the struggling founder of Violent Revolution Records, works as a waiter to fund his record label.

Publishers Weekly

Gomez's first novel was originally published as a serialized 'zine distributed through mail-order venues and Tower Records. Then it was noticed-and brought to the attention of publishers-by Bret Easton Ellis. Unfortunately, this tale of a young writer's ingenuity is more interesting than the novel itself, which is low on momentum but well-stocked with Generation X stereotypes. Set in Kitty, a small town in Virginia, an ensemble of post-collegiate characters engage in unsatisfying personal relationships, dead-end jobs, labyrinthine discussions of alternative music and the future. Included are laid-back Eileen, who decides to stay in Kitty after her car happens to break down there; the members of a struggling local band called Bottlecap; and slackers Randy and Chipp, roommates who start an alternative music 'zine. The narrative is determinedly straightforward, often detailing every movement a character makes (e.g., every mouse click of logging into the Internet is described).It lacks the insight or humor that might separate the reader's experience of the book from the apparent dullness of these characters' lives. Instead, there are many 1980s teenage cultural reminiscences (the decade when the group would have been in high school), which comprise the novel's most vivid passages. (Sept.)

About the Author, Jeff Gomez

Jeff Gomez was born in 1970. He currently lives in Los Angeles.

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Editorials

Publishers Weekly - Publisher's Weekly

Gomez's first novel was originally published as a serialized 'zine distributed through mail-order venues and Tower Records. Then it was noticed-and brought to the attention of publishers-by Bret Easton Ellis. Unfortunately, this tale of a young writer's ingenuity is more interesting than the novel itself, which is low on momentum but well-stocked with Generation X stereotypes. Set in Kitty, a small town in Virginia, an ensemble of post-collegiate characters engage in unsatisfying personal relationships, dead-end jobs, labyrinthine discussions of alternative music and the future. Included are laid-back Eileen, who decides to stay in Kitty after her car happens to break down there; the members of a struggling local band called Bottlecap; and slackers Randy and Chipp, roommates who start an alternative music 'zine. The narrative is determinedly straightforward, often detailing every movement a character makes (e.g., every mouse click of logging into the Internet is described).It lacks the insight or humor that might separate the reader's experience of the book from the apparent dullness of these characters' lives. Instead, there are many 1980s teenage cultural reminiscences (the decade when the group would have been in high school), which comprise the novel's most vivid passages. (Sept.)

Library Journal

The action of Gomez's debut novel is set in the small town of Kitty, Virginia, and flits among five sets of young characters, including a local band set to sign with a major label, a couple on the verge of relationship meltdown, two friends who start a zine, the owner of a failing record label, and a young woman whose car breaks down in Kitty and decides to stay. Unlike Douglas Coupland (from whom Gomez clearly hopes to steal the mantle of generational spokesperson), this work takes delight in the banal-down to a blow-by-blow description of the powdery soup mix that is a dietary staple of the underemployed players. This overabundance of detail is not mere long-windedness-Our Noise was written as a serial and distributed by mail to loyal subscribers. It is the resulting episodic flavor, complete with chapter-ending cliff-hangers, that makes Gomez less a successor to Bret Easton Ellis than a Generation X Dickens, bringing to life the aching doubt that is the handmaiden of bad planning. Like most novels aimed at today's twentysomethings, teens will love it, too. Recommended for popular fiction collections.-Adam Mazmanian, "Library Journal"

Book Details

Published
September 1, 1995
Publisher
Simon & Schuster Adult Publishing Group
Pages
384
Format
Paperback
ISBN
9780684800998

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