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Overview
". . . All things whate'er they beHave order among themselves: and this is Form,
That makes the universe resemble God."
Henry Wadsworth Longfellow (1807-82) was America's most widely read poet of the 19th century. Yet little remembered today is the ambitious and laborious project of his middle years: his translation for New World readers of Dante Alighieri's epic trilogy of a journey through Hell, Purgatory, and Heaven.
In Paradiso, the third and final book, Dante enters the realms of the upper Heavens, where he and others rail against the avarice, luxury and corruption of ecclesiastics -- and where no less than Saints Peter, James and John challenge Dante on questions of Faith, Hope, and Charity.
Dante learns of the creation of the angels, the fall of Lucifer, and gains final insight into the mystery of human and divine nature, in this fitting sequel to Inferno and Purgatorio.
This title contains The Inferno, Purgatory, and Paradise.
Synopsis
." . . All things whate'er they be
Have order among themselves: and this is Form,
That makes the universe resemble God."
Henry Wadsworth Longfellow (1807-82) was America's most widely read poet of the 19th century. Yet little remembered today is the ambitious and laborious project of his middle years: his translation for New World readers of Dante Alighieri's epic trilogy of a journey through Hell, Purgatory, and Heaven.
In "Paradiso," the third and final book, Dante enters the realms of the upper Heavens, where he and others rail against the avarice, luxury and corruption of ecclesiastics -- and where no less than Saints Peter, James and John challenge Dante on questions of Faith, Hope, and Charity.
Dante learns of the creation of the angels, the fall of Lucifer, and gains final insight into the mystery of human and divine nature, in this fitting sequel to "Inferno" and "Purgatorio."
Library Journal
Dante's Divine Comedy has inspired artists from Giotto down to the present. Perhaps among the most beautiful illustrations are those of the 15th-century Sienese painter Giovanni di Paolo, who illuminated a Paradiso manuscript for the library of the King of Naples, now in the British Library as Yates-Thompson MS 36. Pope-Hennessy, the noted British art historian, presents reproductions of di Paolo's 61 illuminations in a large format and in full color. He includes a lucid historical introduction and a commentary on the content of each of the miniatures. This book also includes Charles Singleton's prose translation of the Paradiso . This is a wonderful gift for the student of Dante and the lover of art.-- T.L. Cooksey, Armstrong State Coll., Savannah, Ga.