Synopsis
In People Like Us, which became a bestseller in Holland, Joris Luyendijk tells the story of his five years as a correspondent in the Middle East. Extremely young for a correspondent but fluent in Arabic, he spoke with stone throwers and terrorists, taxi drivers and professors, victims and aggressors, and all of their families. He chronicles first-hand experiences of dictatorship, occupation, terror, and war. His stories cast light on a number of major crises, from the Iraq War to the Israeli-Palestinian conflict, along with less-reported issues such as underage orphan trash-collectors in Cairo.
The more he witnessed, the less he understood, and he became increasingly aware of the yawning gap between what he saw on the ground and what was later reported in the media. As a correspondent, he was privy to a multitude of narratives with conflicting implications, and he saw over and over again that the media favored the stories that would be sure to confirm the popularly held, oversimplified beliefs of westerners. In People Like Us, Luyendijk deploys powerful examples, leavened with humor, to demonstrate the ways in which the media gives us a filtered, altered, and manipulated image of reality in the Middle East.
Publishers Weekly
Starred Review.
In his commanding debut, Dutch journalist Luyendijk describes the curious five years he spent as a correspondent in the Middle East, stationed out of Cairo. Sent traipsing around the Middle East, Luyendijk struggles to find newsworthy (and trustworthy) stories, usually involving bribery and less-than-honest people. Luyendijk also delivers example after example of oppression and brainwashing techniques used by dictatorships on their citizens, which comes through clearly in his conversations with ordinary people like cab drivers, as well as with high-profile public figures. Sent to the Middle East not for his journalism skills but for his ability to speak Arabic, Luyendijk had to learn on the job, an all-too-literal trial by fire. He takes advantage of his outsider position to break down the myths of war journalism and the very real limitations reporters face outside the Western bubble of free speech. The author also weighs in on 9/11 and Saddam Hussein's regime, making this an eye-opening account with special relevance for American readers.
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