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Pieces of Payne by Albert Goldbarth — book cover

Pieces of Payne

by Albert Goldbarth
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Overview

Albert Goldbarth is “a dazzling virtuoso who can break your heart” (Joyce Carol Oates)

How is Eliza’s divorce connected to the rise of twentieth-century quantum physics? Why does the steamy promise of “a key unlocking a door at a cheap motel along I-35” lead us to a consideration of Moby-Dick? What does one physician’s fake appointment book have to do with Columbus, werewolves, and Fanny Burney’s famously excruciating nineteenth-century mastectomy? Albert Goldbarth sets his story of love’s daily pleasures and griefs upon a foundation of ever-branching footnotes—from the strange worlds of supermarket tabloids and the Legion of Super-Heroes to more contemplative forays into gender politics, Dickens scholarship, and medical anomalies. By taking us on this mind-bending journey, he shows us how our lives are both confused and empowered by the multilayered universe around us.

Pieces of Payne is the first novel by Goldbarth, a two-time winner of the National Book Critics Circle Award.

Synopsis

Albert Goldbarth is “a dazzling virtuoso who can break your heart” (Joyce Carol Oates)

How is Eliza’s divorce connected to the rise of twentieth-century quantum physics? Why does the steamy promise of “a key unlocking a door at a cheap motel along I-35” lead us to a consideration of Moby-Dick? What does one physician’s fake appointment book have to do with Columbus, werewolves, and Fanny Burney’s famously excruciating nineteenth-century mastectomy? Albert Goldbarth sets his story of love’s daily pleasures and griefs upon a foundation of ever-branching footnotes—from the strange worlds of supermarket tabloids and the Legion of Super-Heroes to more contemplative forays into gender politics, Dickens scholarship, and medical anomalies. By taking us on this mind-bending journey, he shows us how our lives are both confused and empowered by the multilayered universe around us.

Pieces of Payne is the first novel by Goldbarth, a two-time winner of the National Book Critics Circle Award.

Publishers Weekly

In his first foray into fiction, prize-winning poet (Saving Lives) and essayist (Many Circles) Goldbarth offers a wide-ranging exploration of ideas, incorporating concepts and tidbits from science, references to the arts, snippets of history and a gallimaufry of contemporary news stories. Goldbarth himself, in his day-job role as a college professor, serves as narrator of the novel's first section, telling the story of his friend Eliza Phillips, a woman dealing with memories of her father, a surgeon who zealously performed mastectomies, and the circumstances of her difficult divorce. Early on, Eliza found mental equilibrium in the discoveries of astronomer Cecilia Payne, who identified "parts of the universe I could count on not to change unrecognizably...." Episodic and elliptical, this short opening section is intriguing, if deliberately lacking in coherence. The second, longer portion of the book, captioned "Notes," consists entirely of 50 footnotes to the first section. Here, Goldbarth begins to poke around in the banalities and truths of what he calls our "Ramada Inn and baconburger lives," trying to outline larger issues by examining quotes and events from the lives of Melville, Dickens, Jack London, Walt Whitman and other prominent literary figures. His theory, according to which the presence of a higher consciousness plays a significant role in the seemingly random events of daily life, is also supported by tidbits of bizarre contemporary news stories. There is humor aplenty in these often incredible slices of "reality." Riffing on the paradoxical tragedies and miracles of our civilization, Goldbarth has produced a thought-provoking book that offers the reader ample recompense for its challenging format. (Apr.) Forecast: While the market for avant-garde fiction is not large, Goldbarth's reputation as a poet and essayist should get this novel some notice. Copyright 2003 Reed Business Information.

About the Author, Albert Goldbarth

Albert Goldbarth recently received the National Book Critics Circle Award for his poetry collection Saving Lives and the PEN West Award for his essay collection Many Circles. He is Distinguished Professor of Humanities at Wichita State University.

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Editorials

From the Publisher

“No one else now is writing what Albert Goldbarth gives us because no one else can.” —Frederick Busch

Publishers Weekly

In his first foray into fiction, prize-winning poet (Saving Lives) and essayist (Many Circles) Goldbarth offers a wide-ranging exploration of ideas, incorporating concepts and tidbits from science, references to the arts, snippets of history and a gallimaufry of contemporary news stories. Goldbarth himself, in his day-job role as a college professor, serves as narrator of the novel's first section, telling the story of his friend Eliza Phillips, a woman dealing with memories of her father, a surgeon who zealously performed mastectomies, and the circumstances of her difficult divorce. Early on, Eliza found mental equilibrium in the discoveries of astronomer Cecilia Payne, who identified "parts of the universe I could count on not to change unrecognizably...." Episodic and elliptical, this short opening section is intriguing, if deliberately lacking in coherence. The second, longer portion of the book, captioned "Notes," consists entirely of 50 footnotes to the first section. Here, Goldbarth begins to poke around in the banalities and truths of what he calls our "Ramada Inn and baconburger lives," trying to outline larger issues by examining quotes and events from the lives of Melville, Dickens, Jack London, Walt Whitman and other prominent literary figures. His theory, according to which the presence of a higher consciousness plays a significant role in the seemingly random events of daily life, is also supported by tidbits of bizarre contemporary news stories. There is humor aplenty in these often incredible slices of "reality." Riffing on the paradoxical tragedies and miracles of our civilization, Goldbarth has produced a thought-provoking book that offers the reader ample recompense for its challenging format. (Apr.) Forecast: While the market for avant-garde fiction is not large, Goldbarth's reputation as a poet and essayist should get this novel some notice. Copyright 2003 Reed Business Information.

Kirkus Reviews

Sophisticated albeit highly elliptical account of a young woman struggling with an unhappy past in the face of present illness. Award-winning poet and essayist Goldbarth (Many Circles, 2001, etc.) has always appealed to those with rarefied tastes, since his narratives, which are invariably obscure and rambling, require a good deal of work on the reader's part. Here, we're told (eventually) the story of Eliza Phillips, a young astronomer who may or may not have breast cancer. The narrator is one "Professor Goldbarth," who (like the author) teaches English at a college in Wichita, Kansas. He meets Eliza in one of his classes, and, although not a historian, she is very much haunted by the past-both generally (she studies the account of English novelist Fanny Burney's 1811 mastectomy) and personally (her father, Randolph Phillips, was a celebrated surgeon who specialized in breast cancer). A great deal of the story is taken up by meditations, fragmentary notes, and musings on art, literature, and philosophy. We learn of the strange career of the Victorian painter Albert Pinkham Ryder (a friend of Kahlil Gibran's), for example, and of the unusual similarities between the lives of Eliza and one Cecilia Payne-Gaposchkin (a 19th-century botanist who read Shakespeare and married a Russian astronomer). Eliza's life unfolds slowly in flashback (her parents' divorce, her own unhappy marriage to a Russian astronomer, her interest in quantum physics), but Goldbarth seems more concerned with quoting people like John Cowper Powys or compiling alphabetical lists of breast nicknames (from "apples" to "zingers") than in creating a more conventional narrative. There is a helpful chapter of acknowledgementsat the end that allows the author to list the sources (from Pliny the Elder to the National Examiner) that inspired many of his musings. Borges meets David Foster Wallace: Many interesting patches, but otherwise little more than an unengaging meander.

Book Details

Published
March 1, 2003
Publisher
Graywolf Press
Pages
208
Format
Paperback
ISBN
9781555973780

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