Books.org participates in affiliate programs including Bookshop.org and the Amazon Services LLC Associates Program. We may earn a commission from qualifying purchases made through links on this page, at no additional cost to you.
Overview
The lives of Catullus and Horace overlap by a dozen years in the first century BC. Yet, though they are the undisputed masters of the lyric voice in Roman poetry, Horace directly mentions his great predecessor, Catullus, only once, and this reference has often been taken as mocking. In fact, Horace's allusion, far from disparaging Catullus, pays him a discreet compliment by suggesting the challenge that his accomplishment presented to his successors, including Horace himself. In Poetic Interplay, the first book-length study of Catullus's influence on Horace, Michael Putnam shows that the earlier poet was probably the single most important source of inspiration for Horace's Odes, the later author's magnum opus.
Except in some half-dozen poems, Catullus is not, technically, writing lyric because his favored meters do not fall into that category. Nonetheless, however disparate their preferred genres and their stylistic usage, Horace found in the poetry of Catullus, whatever its mode of presentation, a constant stimulus for his imagination. And, despite the differences between the two poets, Putnam's close readings reveal that many of Horace's poems echo Catullus verbally, thematically, or both. By illustrating how Horace often found his own voice even as he acknowledged Catullus's genius, Putnam guides us to a deeper appreciation of the earlier poet as well.
Synopsis
The lives of Catullus and Horace overlap by a dozen years in the first century BC. Yet, though they are the undisputed masters of the lyric voice in Roman poetry, Horace directly mentions his great predecessor, Catullus, only once, and this reference has often been taken as mocking. In fact, Horace's allusion, far from disparaging Catullus, pays him a discreet compliment by suggesting the challenge that his accomplishment presented to his successors, including Horace himself. In Poetic Interplay, the first book-length study of Catullus's influence on Horace, Michael Putnam shows that the earlier poet was probably the single most important source of inspiration for Horace's Odes, the later author's magnum opus. Except in some half-dozen poems, Catullus is not, technically, writing lyric because his favored meters do not fall into that category. Nonetheless, however disparate their preferred genres and their stylistic usage, Horace found in the poetry of Catullus, whatever its mode of presentation, a constant stimulus for his imagination. And, despite the differences between the two poets, Putnam's close readings reveal that many of Horace's poems echo Catullus verbally, thematically, or both. By illustrating how Horace often found his own voice even as he acknowledged Catullus's genius, Putnam guides us to a deeper appreciation of the earlier poet as well.Editorials
The Classical Outlook -
Scholars in particular may profit a lot from such a detailed treatment of the subject, but for anyone who is intrigued by the allusions to Catullus that continually surface in Horace, this is the book to consult.Classical World -
This new book is thought provoking and persuasive in its argument for 'the ubiquity of Catullus as a presence' in the Horatian lyric corpus. It is also a work that should be of considerable interest not only for students of Horace but also for those who study the relationship between Augustan literature and the literature of the late Republic.Journal of Roman Studies
P.'s groundbreaking work on Catullus and Horace in the 1960s and 70s finds its complement in his new book, which puts flesh on an old connection that has never been systematically explored. This expanded version of the Charles Beebe Martin Classical Lectures, delivered at Oberlin College in March 2004, provides a fascinating close-up on the way one poet inhabits another.Choice
This study makes an important contribution to classical scholarship in its reassessment of Horace's engagement with Catullan lyric by reminding the reader of the extent of Horace's formal and thematic debts to Catullus and the range of strategies he employs for diffusing the visibility of the earlier poet's influence.Classical World
This new book is thought provoking and persuasive in its argument for 'the ubiquity of Catullus as a presence' in the Horatian lyric corpus. It is also a work that should be of considerable interest not only for students of Horace but also for those who study the relationship between Augustan literature and the literature of the late Republic.— Grigory Starikovsky
Journal of Roman Studies
P.'s groundbreaking work on Catullus and Horace in the 1960s and 70s finds its complement in his new book, which puts flesh on an old connection that has never been systematically explored. This expanded version of the Charles Beebe Martin Classical Lectures, delivered at Oberlin College in March 2004, provides a fascinating close-up on the way one poet inhabits another.— William Fitzgerald
The Classical Outlook
Scholars in particular may profit a lot from such a detailed treatment of the subject, but for anyone who is intrigued by the allusions to Catullus that continually surface in Horace, this is the book to consult.— Bruce Arnold