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Pop Goes the Weasel by James Patterson β€” book cover

Pop Goes the Weasel

by James Patterson
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Overview

Detective Alex Cross is back-and he's in love. But his happiness is threatened by a series of chilling murders in Washington, D.C., murders with a pattern so twisted they leave investigators reeling. Cross's pursuit of the killer produces a suspect, a British diplomat named Geoffrey Shafer. But proving he's the murderer becomes a potentially deadly task. As Shafer engages in a brilliant series of surprising countermoves, Alex and his fiancee become hopelessly entangled with the most memorable nemesis Cross has ever faced.

About the Author, James Patterson

James Patterson has had more New York Times bestsellers than any other writer, ever, according to Guinness World Records. Since his first novel won the Edgar Award in 1977 James Patterson's books have sold more than 240 million copies. He is the author of the Alex Cross novels, the most popular detective series of the past twenty-five years, including Kiss the Girls and Along Came a Spider. Mr. Patterson also writes the bestselling Women's Murder Club novels, set in San Francisco, and the top-selling New York detective series of all time, featuring Detective Michael Bennett. He writes full-time and lives in Florida with his family.

Biography

James Patterson had been working as a very successful advertising copywriter when he decided to put his Masters degree in English to a somewhat different use. Inspired by bestselling hair-raising thrillers like The Day of the Jackal and The Exorcist, Patterson went to work on his first novel. Published in 1976, The Thomas Berryman Number established him as a writer of tightly constructed mysteries that move forward with the velocity of a bullet. For his startling debut, Patterson was awarded the prestigious Edgar Award for Best First Mystery Novel—an auspicious beginning to one of the most successful careers in publishing.

A string of gripping standalone mysteries followed, but it was the 1992 release of Along Came a Spider that elevated Patterson to superstar status. Introducing Alex Cross, a brilliant black police detective/forensic psychologist, the novel was the first installment in a series of bestselling thrillers that has proved to be a cash cow for the author and his publisher.

Examining Patterson's track record, it's obvious that he believes one good series deserves another…maybe even a third! In 2001, he debuted the Women's Murder Club with 1st to Die, a fast-paced thriller featuring four female crime fighters living in San Francisco—a homicide detective, a medical examiner, an assistant D.A., and a cub reporter. The successful series has continued with other numerically titled installments. Then, spinning off a set of characters from a previous novel (1998's When the Wind Blows), in 2005 he published Maximum Ride: The Angel Experiment. Featuring a "flock" of genetically engineered flying children, the novel was a huge hit, especially with teen readers, and spawned a series of vastly popular fantasy adventures.

In addition to continuing his bestselling literary franchises, Patterson has also found time to co-author thrillers with other writers—including Peter de Jonge, Andrew Gross, Maxine Paetro, and Howard Roughan—and has even ventured into romance (Suzanne's Diary for Nicholas, Sam's Letters to Jennifer) and children's literature (santaKid). Writing at an astonishing pace, this prolific author has turned himself into a one-man publishing juggernaut, fulfilling his clearly stated ambition to become "the king of the page-turners."

Good To Know

Patterson's Suzanne's Diary For Nicholas was inspired by a diary his wife kept that tracked the development of their toddler son.

Two of Patterson's Alex Cross mysteries (Along Came a Spider and Kiss the Girls) have been turned into films starring Morgan Freeman; in 2007, a weekly television series premiered, based on the bestselling Women's Murder Club novels.

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Editorials

From Barnes & Noble

The Barnes & Noble Review

Death Is on the Loose

James Patterson, bestselling author of Cat & Mouse, Along Came a Spider, and Kiss the Girls, returns with Pop Goes the Weasel, his latest gripping dark-crime tale featuring brilliant profiler Alex Cross. While resembling the gritty psychological works of John Sandford and Thomas Harris, Patterson has firmly wedged his own easy-flowing, spine-tingling niche in the genre, and has mined an area of suspense that is clearly all his own.

A serial killer called the Weasel is slaughtering women in the slums of D.C. And family man Geoffrey Shafer is much more than he appears. Not only is Shafer a diplomat with the British Embassy β€” and so has diplomatic immunity β€” but he also takes himself to the edge of sanity with hallucinogenic drugs, disguises himself as a black cab driver, and rolls the dice to decide the life-or-death fates of his black female fares. Soon Alex Cross and his partner, John Sampson, are hunting the elusive killer, but before they are even able to properly begin their investigation, their racist police chief forces them to look into the by-the-numbers murder of a rich white man instead.

When the Weasel, who is also a former MI-6 agent, begins sending email messages to three of his former cohorts concerning a demented online role-playing game, the situation grows even more deranged. To make matters worse, Sampson's ex-wife is found murdered in a ghetto, and the angry detectives willingly disregard their ordersandagain return to tracking the Weasel. When Cross's fiancΓ©e, Christine, is kidnapped while vacationing in Bermuda, and Cross is emailed to quit the hunt, his resolve to continue the pursuit is reinforced. But when Shafer is caught, the real battle of wits begins as a high-profile trial puts Cross's reputation, his life, and perhaps his very sanity, on the line.

The subplots in Pop Goes the Weasel are what capably tightens the novel to the breaking point as the story quickly progresses through a series of brutal crimes, which continue to move closer and closer to home. Not only do we witness Cross's search for one maniacal killer, but three other homicidal maniacs are at work over the Internet. The mix of British charm and a cold indifference to murder brews an aperitif of bloodthirsty characterization not found in fiction for a long while. As a master of lies, Shafer can dupe a jury and also take advantage of the grief-stricken to help sway events in his favor, casting doubts not only into the minds of the police, but also into those of the readers who already know the truth of the situation.

Patterson's attention to the seamy side of Washington, D.C., is also a powerful draw, since its perverse yet politically potent aspects add credible facets to both our protagonist and our psychotic villain. The author knows how to stretch out his suspense factor β€” his use of incredibly short chapters and increasingly taut plot elements is superior. The story flies by with such speed that you'll suffer from friction burns from turning the pages so quickly. Once again, James Patterson proves that he's more than capable of conceiving engaging, cunning stories that transcend the serial killer subgenre. Pop Goes the Weasel works as an intense character portrait that will leave readers moved and electrified.

β€”Tom Piccirilli

Tom Piccirilli is the author of the critically acclaimed supernatural novel Pentacle, as well as the dark-suspense mysteries Shards and The Dead Past. His short fiction has appeared in many anthologies, including The Conspiracy Files. His two latest, an exciting mystery called Sorrow's Crown and a horror novel called Hexes, have just been released.

Publishers Weekly - Publisher's Weekly

Patterson dedicates his latest (after 1998's When the Wind Blows) to "the millions of Alex Cross readers who so frequently ask 'Can't you write faster?'" Those readers won't be disappointed: the successful formula is in high gear, with the Washington, D.C., psychologist/homicide detective up to his ears in unsolved murders. This tale features a duplicitous villain, a glut of dirty office politics and the inevitable threat to someone Cross just can't live without. A highly moral character, Cross is now firmly rooted in many imaginations as Morgan Freeman, who played him in the film version of Kiss the Girls. When he's not caring for Damon and Jannie, his two young children, Cross takes boys to visit their fathers in prison and works in a soup kitchen. After his boss, Chief Pittman, refuses to believe that a serial killer is striking in the neglected Southeast section, Cross and four other officers work extra hours on their own, the only ones who really care. Readers learn early on that the killer is a British diplomat, Geoffrey Shafer, a chilling madman ostensibly holding his sanity together with drugs. Shafer is obsessed with a real-life version of a computer game called the Four Horsemen, during which he masquerades as a taxi driver who kills his unsuspecting passengers. If Shafer is almost too good to be true--another fictional psychopath with infinite resources--Patterson is shrewd enough to show him making mistakes (like forgetting to wash) as he comes apart at the seams. The killer is caught in the middle of the narrative, setting the scene for a bold courtroom drama. Even the disappearance of Cross's new lady love (his wife was killed in a previous book) is less of a clich d device than a ritual sacrifice as Patterson's well-oiled suspense machine grinds away with solid precision. (Oct.) Copyright 1999 Cahners Business Information.

Library Journal

Alex Cross, last seen in Cat & Mouse, returns in Patterson's best book to date. With his fiancee, Christine, by his side, Alex has regained the happiness he lost. He can't stay happy for long, of course, and his nemesis this time is Geoffrey Shafer, the Weasel. Shafer is a British diplomat who lives a secret life; he murders people during a fantasy game he plays with three other men around the globe. Alex doesn't know it, but he and the people he cares about are the newest pawns in the game. Even with implausible situations and an absurdly evil villain, the book is impossible to put down. Patterson has another guaranteed best seller on his hands, and fans will be clamoring for the next Alex Cross adventure.--Jeff Ayers, Seattle P.L. Copyright 1999 Cahners Business Information.

Kirkus Reviews

After a flight in fantasy with When the Wind Blows, Patterson goes to ground with another slash-and-squirm psychokiller page-turner, this one dedicated to "the millions of Alex Cross readers, who so frequently ask, can't you write faster?" By day, Geoffrey Shafer is a charming, 42-year-old British Embassy paper-pusher with a picture-perfect family and a shady past as an MI-6 secret agent. Come sundown, he swallows a pharmacy of psychoactive pills, gulps three black coffees loaded with sugar, and roams the streets of Washington, D.C., in a battered cab, where, disguised as a black man, he rolls dice to determine which among his black female fares he'll murder. Afterwards he dumps his naked victims in crime-infested back alleys of black-slum neighborhoods, then sends e-mails boasting of his accomplishments to three other former MI-6 agents involved in a hellish Internet role-playing game. "I sensed I was at the start of another homicide mess," sighs forensic-psychologist turned homicide-detective Alex Cross. Cross yearns to catch the "Jane Doe murderer" but is thwarted by Det. Chief George Pittman, who assigns sexy Det. Patsy Hampton to investigate Cross and come up with a reason for dismissing him. Meanwhile, Cross's fiancee is kidnaped during a Bermuda vacation, and an anonymous e-mail warns him to back off. He doesn't, of course, and just when it appears that Patterson is sleep-walking through his story, Cross nabs Shafer minutes after Shafer kills Det. Hampton. During the subsequent high-visibility trail, Shafer manages to make the jury believe that he's innocent and that Cross was trying to frame him. When all seems lost, a sympathetic British intelligence chief offersto help Cross bring down Shafer, and the other homicidal game-players, during a showdown on the breezy beaches of Jamaica. Kinky mayhem, a cartoonish villain, regular glimpses of the kindly Cross caring for his loved ones, and an ending that spells a sequel: Patterson's fans couldn't ask for more.

Book Details

Published
October 1, 2000
Publisher
Warner Books
Pages
480
Format
Mass Market Paperback
ISBN
9780446608817

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