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Overview
Displaced by Britten and later by Tippett after failing to fulfill the promise of his early masterpieces, composer William Walton was once regarded as a promising experimentalist and successor to Elgar. Here, Kennedy illuminates the complex and contradictory personality of Walton, whose moods ranged from self-critical, depressive, and jealous to witty, generous, and forgiving. Drawing on the composer's correspondence with friends and colleagues--including Britten, Malcolm Arnold, and André Previn, and assessing his compositions, Kennedy provides a compassionate and perceptive study of the life and music of this notable twentieth-century artist.
Synopsis
In this biography by one of England's foremost writers on music, William Walton's personality emerges in all its complexity and self-contradiction. Michael Kennedy portrays a creative artist completely committed to his art yet plagued by misgiving and doubts, prey to insecurity and frustration, vulnerable to criticism, and jealous of the achievement of others. At the same time he was witty and generous, bore no grudges, and enjoyed the loyalty of a host of friends. Appointed his biographer by the composer himself, Kennedy has had access to correspondence with many of the friends and colleagues who were important in Walton's life, among them Siegfried Sassoon, Benjamin Britten, Malcolm Arnold, and André Previn.