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Dancers & Choreographers - Biography, Modern Dance
Private Domain: An Autobiography by Paul D. Taylor — book cover

Private Domain: An Autobiography

by Paul D. Taylor
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Overview

Taylor explores aspects of himself that have affected his work. He delves into the creation of Aureole and From Sea to Shining Sea, from their initial inception to the ways in which specific dancers influenced the choreography, including such notables as Pina Bausch, Laura Dean, David Parsons, Twyla Tharp, Dan Wagoner, Senta Driver—all of whom went on to form their own companies—and others—Bettie de Jong, Nicholas Gunn, and Carolyn Adams—who remained as much a part of the Taylor style as the choreography itself. Taylor writes with sincerity, wit, and charm of his associations with Martha Graham, Merce Cunningham, Jerome Robbins, Anthony Tudor, George Balanchine, and many others.

The memoirs of the famed dancer and choreographer. "One of the best and most candid theater books to appear in a long time." Time

Synopsis

In this autobiography, noted dancer Paul Taylor explores aspects of himself that have affected his work. He delves into the creation of his major works from their initial inception to the ways in which specific dancers influenced the choreography. His discussion of the various aspects of his work, his various dance roles, and his associations with other major dance figures (Martha Graham, Merce Cunningham, Jerome Robbins, George Balanchine, and others) will interest dance afficionados. The book contains many b&w photographs. Originally published in 1987 by Alfred A. Knopf. Annotation c. Book News, Inc., Portland, OR

Washington Post Book World - Marcia B. Siegal

An exceptionally virtuoso performance as a writer—controlled, textured, elegant, funny, and at all times fascinating. It's one of the best dance books I've ever read.

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Editorials

From the Publisher

“An exceptionally virtuoso performance as a writer—controlled, textured, elegant, funny, and at all times fascinating. It’s one of the best dance books I’ve ever read.”
--Washington Post Book World

Marcia B. Siegal

An exceptionally virtuoso performance as a writer—controlled, textured, elegant, funny, and at all times fascinating. It's one of the best dance books I've ever read.
Washington Post Book World

Publishers Weekly

Knowing that their career days and minutes on stage are numbered, dancers should live moment to moment. Heeding his own advice, Taylor writes his autobiography in the present tense. Explaining the longevity of his well-known dance troupe as a mixture of luck and hard work, he recreates his early struggling years when often he couldn't afford to buy food. He describes in depth his work with Merce Cunningham, Pearl Lang, George Balanchine, Martha Graham, Twyla Tharp and others in a footloose career that took him from Burma to Mexico. Dance, for Taylor, is above all a means of communicating, whether a performer shares private dreams or mimics daily gestures. This lyrical autobiography conveys the joys and frustrations of a life in dance, culminating in Taylor's wrenching decision to abandon performance for choreography when his body failed him. Photos. (April 21)

Book Details

Published
April 1, 1999
Publisher
University of Pittsburgh Press
Pages
371
Format
Paperback
ISBN
9780822956990

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