Modernism - Literary Movements, English Fiction & Prose Literature - General & Miscellaneous - Literary Criticism, English Poetry - 20th Century - Literary Criticism, English Fiction & Prose Literature - 20th Century - Literary Criticism, Psychology & Lit
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Overview
Modernist aesthetics have been identified with a sense of cultural crisis, defined by its distance from an ideal of unified, 'undissociated' consciousness attributed to primitive man. This original study of the problem of consciousness in modern poetry examines the struggle towards that ideal of 'unitary' subjective experience, through close readings of British and Irish poets from Hardy and the Georgian poets, through D. H. Lawrence, Edward Thomas, Yeats, Eliot, MacNeice and Auden, to Ted Hughes. Hugh Underhill argues that the poetry's emphasis on inner states and 'the experience itself' underrepresents the extent to which the crisis is socio-historically determined. Acknowledging the Romantic inheritance of a myth of 'poetry', Underhill embraces both modern poetry's resistance to positivist reductions of the mystery of consciousness, and the clarification of poetry's socio-cultural role (co-ordinating 'inner' and 'outer' worlds) provided by contemporary theories of subjectivity and the text. The problematic status of any notion of the unitary in the twentieth century is shown to give space at least for experiencing indeterminacy as a field of creative choice and freedom.Synopsis
Modernist aesthetics have been identified with a sense of cultural crisis, defined by its distance from an ideal of unified consciousness. This original study examines the struggle toward that ideal of unitary subjective experience in modern British and Irish poetry from Hardy to Ted Hughes. Hugh Underhill argues that the poetry's emphasis on inner states underrepresents the extent to which the crisis is in fact socio-historically determined.Book Details
Published
June 1, 2008
Publisher
Cambridge University Press
Pages
356
Format
Paperback
ISBN
9780521066518