Pure Sunshine

From the Publisher

This compact, first-person confessional by debut novelist James is an acid trip. Literally. Teenage Brendon--good student, eccentric dresser, shy around girls--trips regularly with his friends Kevin and Will. The story covers 48 hours of their lives as they wander the streets of Philadelphia, after scoring some tabs of “pure sunshine" ("a sheet of California Acid [with] little yellow suns illustrated on each tab") from their dealer. As the others revel in excess, Brendon begins to feel alienated from his clique and disillusioned with the path he's been taking. “I could feel the ghosts in my spine," he says. "Kicking and whining. I couldn't keep it up much longer.... I headed to the park and toward the promise of recovery. Had to detox." James's airy, hallucinogenic imagery and nonjudgmental portraits of teenage behavior will appeal to fans of Melvin Burgess and Chris Lynch. "We emerged from that candlelit extravagance like nuclear holocaust survivors from their backyard bomb shelter. The pupils of our eyes were in full eclipse." There's not much of a conclusion-- Brendon finally talks to the girl he likes, figures his conflicts with his friends will blow over, and decides to take a long walk. Unlike Smack, there is no clear anti-drug message, either. Instead, readers may close the novel with the uncanny feeling that they've just come down off a couple tabs of acid.--Publishers Weekly, Dec. 10th, 2001

The story follows Brendon through two days that include an LSD trip where he engages in impish behavior and giggles with his buddies and an outing gone wrong in a garish club. The required day of school is sandwiched in between. The teen's fear of talking to a girl he really wants to connect with rings poignant as he muses: "I used to think that I could pass through life in a fantasy, that if I did enough drugs and dreamed hard enough then I could leave this hellish world on a permanent psychedelic holiday." He wanders with his friends, characters who are appropriately developed, through excellent descriptions of the streets of Philadelphia. Brendon learns: "-how carried away I'd gotten as tends to happen when the highs and the drugs exceed pleasure and become motivations-bring you to the extremes of fun and leave you down and bored and disinterested in the things that suck. But I guess you gotta be part of some of the things that suck if you are going to ever enjoy the highs again." Language is raw and gritty, but true to Brendon's voice. The conclusion may not be grounded in reality, but sustains the mood and plot created. Although the subject of drugs may appeal to reluctant readers, they may find Brendon's journeys too meandering and philosophical. The style and subject matter may appeal to teens who liked Stephen Chbosky's The Perks of Being a Wallflower (MTV, 1999) and Melvin Burgess's Smack (Holt, 1998).--School Library Journal, July 1st, 2002
This novel is supposed to be about everything being the same and nothing being the same, about the contradictions of growing up and finding one's self, and about two drug-filled nights in the life of a teenager. The acid trip is the real main character in the book, not the narrator, seventeen-year-old Brendon. There is only a glimpse into Brendon's life before the trip and most of it is superficial. He has a crush on his friend's ex-girlfriend, he has known his best friend since they both trashed a bathroom in the sixth-grade, and as long as he goes to school in the morning, his mom is happy. Brendon experiences an intense trip after two nights of dropping acid, alienating his friends who want to continue the party despite his increasing discomfort. Even his best friend lets him down when he looks to him for support. There is interesting potential in Brendon's story but not enough to build it up. With no in-depth character development, Brendon never becomes a meaningful, interesting person. Because much of the book focuses on the acid trip, which could have be

Publishers Weekly

This compact, first-person confessional by debut novelist James is an acid trip. Literally. Teenage Brendon good student, eccentric dresser, shy around girls trips regularly with his friends Kevin and Will. The story covers 48 hours of their lives as they wander the streets of Philadelphia, after scoring some tabs of "pure sunshine" ("a sheet of California acid [with] little yellow suns illustrated on each tab") from their dealer. As the others revel in excess, Brendon begins to feel alienated from his clique and disillusioned with the path he's been taking. "I could feel the ghosts in my spine," he says. "Kicking and whining. I couldn't keep it up much longer. I headed to the park and toward the promise of recovery. Had to detox." James's airy, hallucinogenic imagery and nonjudgmental portraits of teenage behavior will appeal to fans of Melvin Burgess and Chris Lynch. "We emerged from that candlelit extravagance like nuclear holocaust survivors from their backyard bomb shelter. The pupils of our eyes were in full eclipse." There's not much of a conclusion Brendon finally talks to the girl he likes, figures his conflicts with his friends will blow over, and decides to take a long walk. Unlike Smack, there is no clear anti-drug message, either. Instead, readers may close the novel with the uncanny feeling that they've just come down off a couple tabs of acid. Ages 13-up. (Feb.) Copyright 2001 Cahners Business Information.

Publishers Weekly - Publisher's Weekly

This compact, first-person confessional by debut novelist James is an acid trip. Literally. Teenage Brendon good student, eccentric dresser, shy around girls trips regularly with his friends Kevin and Will. The story covers 48 hours of their lives as they wander the streets of Philadelphia, after scoring some tabs of "pure sunshine" ("a sheet of California acid [with] little yellow suns illustrated on each tab") from their dealer. As the others revel in excess, Brendon begins to feel alienated from his clique and disillusioned with the path he's been taking. "I could feel the ghosts in my spine," he says. "Kicking and whining. I couldn't keep it up much longer. I headed to the park and toward the promise of recovery. Had to detox." James's airy, hallucinogenic imagery and nonjudgmental portraits of teenage behavior will appeal to fans of Melvin Burgess and Chris Lynch. "We emerged from that candlelit extravagance like nuclear holocaust survivors from their backyard bomb shelter. The pupils of our eyes were in full eclipse." There's not much of a conclusion Brendon finally talks to the girl he likes, figures his conflicts with his friends will blow over, and decides to take a long walk. Unlike Smack, there is no clear anti-drug message, either. Instead, readers may close the novel with the uncanny feeling that they've just come down off a couple tabs of acid. Ages 13-up. (Feb.) Copyright 2001 Cahners Business Information.

VOYA

This novel is supposed to be about everything being the same and nothing being the same, about the contradictions of growing up and finding one's self, and about two drug-filled nights in the life of a teenager. The acid trip is the real main character in the book, not the narrator, seventeen-year-old Brendon. There is only a glimpse into Brendon's life before the trip and most of it is superficial. He has a crush on his friend's ex-girlfriend, he has known his best friend since they both trashed a bathroom in the sixth-grade, and as long as he goes to school in the morning, his mom is happy. Brendon experiences an intense trip after two nights of dropping acid, alienating his friends who want to continue the party despite his increasing discomfort. Even his best friend lets him down when he looks to him for support. There is interesting potential in Brendon's story but not enough to build it up. With no in-depth character development, Brendon never becomes a meaningful, interesting person. Because much of the book focuses on the acid trip, which could have been more interesting, the characters get lost in the shuffle. James just scratches the surface of Brendon's world, and his book reads more like a short story than a fully developed novel. Teens looking for a book about drugs would be better off reading Melvin Burgess' Smack (Henry Holt, 1998/VOYA February 1998). [Editor's Note: This new Scholastic imprint combines reprints and original publications of debut authors, many of whom are quite young. The target audience is older teens, those who have outgrown middle-grade books.] VOYA CODES: 2Q 2P J S (Better editing or work by the author might have warranted a 3Q; For the YA with aspecial interest in the subject; Junior High, defined as grades 7 to 9; Senior High, defined as grades 10 to 12). 2002, Push/Scholastic, 165p,
— Jennifer Rice

Children's Literature

Brendon is a seventeen year old high-school student who drops acid with a couple of his friends in an attempt to experience as much life as possible before they grow to old to enjoy it. While James only provides commentary on two consecutive nights of Brendon's life, he gives the impression that Brendon and his friends have already experienced everything else and that acid gives them an opportunity to view their life through its effects. On the second night, not all goes as planned and Brendon is abandoned by his friends. It is during this abandonment that Brendon sees the direction that his life has taken and determines to choose a different path. James is a very talented writer; his words provide striking detail and visual images that make the reader want to continue reading long after the novel is completed. However, the story that James tells seems to glamorize drug use, especially since it is under the influence of acid that Brendon determines what direction his life needs to take. 2001, Scholastic, $6.99. Ages 15 to 18. Reviewer: Danielle Williams

KLIATT

Brendon and his high school chums ingest LSD on two successive evenings, roam the streets of Philadelphia, and make valiant attempts to be cool. While the author has done an excellent job of depicting both the paranoia and self-conscious wittiness to which teen boys under the influence can be prone, Brendon and his world remain for too many passages here a collection of journalist's sketches rather than a novelist's cast of characters. The alienation evoked in the reader suits the storyline, but not enough happens to keep that reader engaged and caring: Brendon clearly is intelligent, analytically inclined, and uncertain of his status in the herd of his less conscious and equally stoned peers, but that doesn't go anywhere in and of itself. The author's youth, skillful and sophisticated style, and subject matter will attract bright young readers, especially those who also write. But there is more style here than substance, a disappointing departure from this new imprint's other offerings. KLIATT Codes: SA—Recommended for senior high school students, advanced students, and adults. 2002, Scholastic, Push, 160p.,
— Francisca Goldsmith

School Library Journal

Gr 10-Up The story follows Brendon through two days that include an LSD trip where he engages in impish behavior and giggles with his buddies and an outing gone wrong in a garish club. The required day of school is sandwiched in between. The teen's fear of talking to a girl he really wants to connect with rings poignant as he muses: "I used to think that I could pass through life in a fantasy, that if I did enough drugs and dreamed hard enough then I could leave this hellish world on a permanent psychedelic holiday." He wanders with his friends, characters who are appropriately developed, through excellent descriptions of the streets of Philadelphia. Brendon learns: "-how carried away I'd gotten as tends to happen when the highs and the drugs exceed pleasure and become motivations-bring you to the extremes of fun and leave you down and bored and disinterested in the things that suck. But I guess you gotta be part of some of the things that suck if you are going to ever enjoy the highs again." Language is raw and gritty, but true to Brendon's voice. The conclusion may not be grounded in reality, but sustains the mood and plot created. Although the subject of drugs may appeal to reluctant readers, they may find Brendon's journeys too meandering and philosophical. The style and subject matter may appeal to teens who liked Stephen Chbosky's The Perks of Being a Wallflower (MTV, 1999) and Melvin Burgess's Smack (Holt, 1998).-Debbie Stewart, Grand Rapids Public Library, MI Copyright 2002 Cahners Business Information.