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Overview
There were many staff at Kensington Palace, fulfilling many roles; a man who was employed to catch rats, another whose job it was to sweep the chimneys. That there was someone expected to hunt demons did not shock the new Queen; that it was to be her was something of a surprise.
London, 1838. Queen Victoria is crowned; she receives the orb, the scepter, and an arsenal of bloodstained weaponry. If Britain is about to become the greatest power of the age, there’s the small matter of the undead to take care of first. Demons stalk the crown, and political ambitions have unleashed ravening hordes of zombies even within the nobility itself.
But rather than dreams of demon hunting, Queen Victoria’s thoughts are occupied by Prince Albert. Can she dedicate her life to saving her country when her heart belongs elsewhere? With lashings of glistening entrails, decapitations, zombies, and foul demons, this masterly new portrait will give a fresh understanding of a remarkable woman, a legendary monarch, and quite possibly the best demon hunter the world has ever seen.
In another incarnation as a more serious (though still satirical) author, A. E. MOORAT has won critical acclaim and been shortlisted for awards. Here, however, he was chained in the dungeon, fed tea and ghost stories, and kept busy writing the adventures of Queen Victoria, Demon Hunter.
Synopsis
There were many staff at Kensington Palace, fulfilling many roles; a man who was employed to catch rats, another whose job it was to sweep the chimneys. That there was someone expected to hunt demons did not shock the new Queen; that it was to be her was something of a surprise.
London, 1838. Queen Victoria is crowned; she receives the orb, the scepter, and an arsenal of bloodstained weaponry. If Britain is about to become the greatest power of the age, there s the small matter of the undead to take care of first. Demons stalk the crown, and political ambitions have unleashed ravening hordes of zombies even within the nobility itself.
But rather than dreams of demon hunting, Queen Victoria s thoughts are occupied by Prince Albert. Can she dedicate her life to saving her country when her heart belongs elsewhere? With lashings of glistening entrails, decapitations, zombies, and foul demons, this masterly new portrait will give a fresh understanding of a remarkable woman, a legendary monarch, and quite possibly the best demon hunter the world has ever seen.
In another incarnation as a more serious (though still satirical) author, A. E. MOORAT has won critical acclaim and been shortlisted for awards. Here, however, he was chained in the dungeon, fed tea and ghost stories, and kept busy writing the adventures of Queen Victoria, Demon Hunter.
The Washington Post - Elizabeth Hand
…fun. It's a freewheeling account of Great Britain under siege by succubi, zombies and various other of Lucifer's minions, all nicely turned out in frock coats and crinolines. Moorat…crowds so many charactershistorical, fictional, supernaturalonto his Victorian stage that the effect is that of a lost Gilbert and Sullivan operetta written under the influence of opium, absinthe and black pudding.
Editorials
Los Angeles Times
"Wildly entertaining . . . Moorat’s story rises above mere gimmick."Washington Post
"[T]he effect is that of a lost Gilbert and Sullivan operetta written under the influence of opium, absinthe and black pudding."Library Journal
In the pseudonymous Moorat's fantasy, June 19, 1837, heralds an auspicious night. The young Princess Victoria, only 18, becomes England's new monarch. Demon forces hatch a plan to take down the queen and usurp her empire. The story, told with delightful, understated British humor, is not for the squeamish. The zombie scenes are especially disgusting, as zombies have appalling table manners. Yet within this gory tale lurks a beautiful romance between Victoria and Albert proving that love can conquer all. VERDICT Recommended for historical urban fantasy and paranormal romance fans.—Patricia Altner, Biblioinfo.com, Columbia, MDElizabeth Hand
…fun. It's a freewheeling account of Great Britain under siege by succubi, zombies and various other of Lucifer's minions, all nicely turned out in frock coats and crinolines. Moorat…crowds so many characters—historical, fictional, supernatural—onto his Victorian stage that the effect is that of a lost Gilbert and Sullivan operetta written under the influence of opium, absinthe and black pudding.—The Washington Post