The Bulletin for the Center for Children's Books
"Rain's observations are appealingly wry, and readers …will find food for thought in this exploration of cultural identity. "
Bulletin for the Center for Children's Books
Rain's observations are appealingly wry, and readers . . . will find food for thought in this exploration of cultural identity.
Publishers Weekly
Multiple plot lines and nonlinear storytelling may make it difficult to enter Smith's (Jingle Dancer) complex novel, but the warmth and texture of the writing eventually serve as ample reward for readers. The sensitive yet witty narrator, 14-year-old Cassidy Rain Berghoff, grows up in a small Kansas town as one of the few people with some Native American heritage. That experience alone might challenge Rain, but Smith creates a welter of conflicts. Rain's mother is dead (she was struck by lightning), and as the novel opens, her best friend is killed in a car accident just after he and Rain realize their friendship has grown into romance. Six months later, her older brother urges her to go to her great-aunt's Indian Camp. At first she shrugs it off, but later volunteers to photograph the camp for the town paper and begins to share her Aunt Georgia's commitment to it. When public funding for the camp becomes a contested issue in the city council, Rain decides to enroll. Some of Smith's devices such as opening each chapter with a snippet from Rain's journal add depth and clarify Rain's relationships for readers, although other elements (the detailing of song lyrics playing in the background, for instance) seem stilted. Even so, readers will feel the affection of Rain's loose-knit family and admire the way that they, like the author with the audience, allow Rain to draw her own conclusions about who she is and what her heritage means to her. Ages 10-14. (July) Copyright 2001 Cahners Business Information.
Children's Literature
Fourteen-year-old Rain decides to get herself a teen life, little knowing that disaster awaits her best friend Galen, about whom she is only just beginning to experience the first tingles of romantic promise. Ridden with guilt and misery, Rain closes her world in upon itself. But then her Aunt Georgia decides to run an Indian Camp, and Rain's reluctant actions on her behalf threaten to drastically backfire. What follows is a summer of turmoil and realization, in which Rain is forced to come to terms with the tragic events she has lived through, the world in which she lives and her sense of self. Smith (author of Jingle Dancer) portrays a protagonist with a genuine voice and an appealing sense of humor. Aunt Georgia's red hair, Grampa's notes from Las Vegas, pasta bridges and all, this rendering of a contemporary family of Native American heritage is wonderfully far from stereotypical "dreamcatchers, the kind with fakelore gift tags." 2001, HarperCollins, $15.95 and $15.89. Ages 10 to 14. Reviewer: Uma Krishnaswami
VOYA
Cassidy Rain Berghoff—Creek-Cherokee, Ojibwa, Scots-Irish, and German—celebrates her fourteenth birthday with her best friend, Galen Owen. Both have sworn always to remember each other's birthday. Running through their small Kansas town, they do not know that their frolics on the playground, where they exchange a single, first kiss, are observed and misinterpreted. When Galen is hit by a car and killed while hurrying home after midnight, Rain barricades herself in grief and is spared the gossip. Still recovering from her mother's death two years earlier, she even avoids Galen's funeral. When her brother, Fynn, and his pregnant girlfriend, Natalie, encourage Rain to join the Indian craft camp run by their Aunt Georgia, Rain is unenthusiastic. A lifelong shutterbug, she agrees to photograph the meetings for the local paper. There Rain meets three other part-Indian teens and starts to recover a lost friendship with Black Queenie, once Galen's girlfriend. Various family and community conflicts impact Rain, but they do not deter her from her journey toward recovery. On Galen's birthday, she visits her mother's grave at the cemetery, not quite ready to visit Galen's, but she is definitely ready for life. A quick and easy read that will appeal to preteen and young teen girls, this novel is especially suited to ethnically mixed, Native American, or reluctant readers. Except for Rain, who deals with racial and emotional issues, character development and plot are superficial. The story's focus on death and grief recovery is a popular subject with young teens, and the open-ended conclusion is well suited for a sequel. Readers might see more of Rain. PLB . VOYA CODES: 3Q 4P J S(Readable without serious defects; Broad general YA appeal; Junior High, defined as grades 7 to 9; Senior High, defined as grades 10 to 12). 2001, HarperCollins, 139p, . Ages 13 to 18. Reviewer: Laura Woodruff SOURCE: VOYA, June 2001 (Vol. 24, No. 2)
School Library Journal
Gr 6-10-Cassidy Rain Berghoff has sustained some powerful losses in her young life. The tragic accidents that claimed the lives of her mother and, more recently, her best friend, Galen, have made this middle schooler introspective, but she's still got her sense of humor. While her Kansas community discusses the funding for her aunt's Indian Camp, and her older brother faces marriage and parenthood, Rain is trying to sort out who she is in this novel by Cynthia Leitich Smith (HarperCollins, 2001). The author brings many of her own life experiences to this multifaceted, coming-of-age novel. Jenna Lamia's nuanced narration balances the story's comic and serious elements. The sound quality is good, and there is helpful information on the cassettes and case. Though this story may be a bit top heavy on problems, there are enough light-hearted moments to keep readers from getting bogged down. It will fit well in libraries serving multicultural, middle school audiences.-Barbara Wysocki, Cora J. Belden Library, Rocky Hill, CT Copyright 2001 Cahners Business Information.
Kirkus Reviews
PLB: 0-06-029504-X Tender, funny, and full of sharp wordplay, Smith's first novel deals with a whole host of interconnecting issues, but the center is Rain herself. At just 14, Rain and her best friend Galen promise always to celebrate their birthdays; hers on New Year's Day, his on the Fourth of July. They had just begun to see themselves not just as best friends but as girl and boy that New Year's Eve night, when Galen is killed in a freak accident. Rain has already lost her mother and her Dad's stationed in Guam. She's close to her Grandpa, her older brother, and his girlfriend, who realize her loss and sorrow but have complicated lives of their own. Her response to Galen's death is tied to her tentative explorations of her own mixed Native American and German/Irish heritage, her need and desire to learn photography and to wield it well, and the general stirrings of self and sex common to her age. Rain has to maneuver all of this through local politics involving Galen's mother and the local American Indian Youth Camp (with its handful of local Indian teens, and Rain's erstwhile "second-best friend" who is black). What's amazing here is Rain's insight into her own pain, and how cleanly she uses language to contain it. (Fiction. 11-14)