Raymond Chandler Speaking

Tough-minded and typically idiosyncratic, here is Chandler on Chandler, the mystery novel, writing, Hollywood, TV, publishing, cats, and famous crimes. This skillfully edited selection of letters, articles, and notes also includes the short story "A Couple of Writers" and the first chapters of Chandler's last Philip Marlowe novel, The Poodle Springs Story, left unfinished at his death. Paul Skenazy has provided a new introduction for this edition as well as a new selected bibliography.

Tough-minded and typically idiosyncratic, here is Chandler on Chandler, the mystery novel, writing, Hollywood, TV, publishing, cats, and famous crimes. This skillfully edited selection of letters, articles, and notes also includes the short story "A Couple of Writers" and the first chapters of Chandler's last Philip Marlowe novel, The Poodle Springs Story, left unfinished at his death. Paul Skenazy has provided a new introduction for this edition as well as a new selected bibliography.

Publishers Weekly

Hiney, a journalist for the Spectator and the London Observer, offers a prismatic view into the life of novelist Raymond Thornton Chandler (1888-1959). In addition to using previously published material by and about Chandler from both familiar and little-known sources, Hiney peered into university archives for a close inspection of Chandler's correspondence and notebooks. Hiney traces the writer's nomadic childhood from pre-Mafia Chicago to pre-telephone Nebraska, from Quaker Ireland and Edwardian England to his education south of London at Dulwich College and his 1913 arrival in the "mean streets" of Los Angeles, the later setting for his crime fiction. As recluse, oil executive, poet, screenwriter and gentlemen charmer, Chandler was "beyond eccentric" to those who came in contact with him. Living at over 100 addresses, he sustained no long friendships, and was "variously rich, poor, drunk, teetotal, sacked, married and suicidal." Not until age 50 did he move from pulps to Alfred Knopf, where the 1939 debut of streetwise Philip Marlowe in The Big Sleep attracted some notice in the press. Hiney contrasts critical dismissals with later acclaim, noting that the current popularity of "Chandleresque writers" (James Ellroy, Elmore Leonard) and filmmakers (Quentin Tarantino) has triggered a reappraisal of hardboiled roots. No rough edges have been filed off for this revealing, well-written biography, and Hiney's fast-paced prose, punctuated with the voices of those who knew him well, often evoke edgy atmospherics and dark moods reminiscent of Chandler's own fiction. (May) FYI: In April, University of California will release Raymond Chandler Speaking, a collection of the writer's letters, articles and notes on publishing, cats, crime and more edited by Dorothy Gardiner and Kathrine Sorley Walker ($12.95 paper, 275p ISBN 0-520-20835-8)

Nobody but Chandler could have created a private eye hero as cool as Philip Marlowe, but writers have been trying ever since the author's precedent-setting '40s crime novels were published. Along with Dashiell Hammett, Chandler is revered as a noir father figure; his creation of a romantic L.A. full of dangerous women and crooked characters is so woven into modern consciousness that it's easy to forget that it was fictional.