Rescue: A Novel

Peter Webster is a rookie paramedic when he pulls a young woman out of a car wreck that should have killed her. Sheila Arsenault haunts his thoughts, and despite his misgivings Peter is soon embroiled in an intense love affair—and in Sheila's troubled world.

Eighteen years later, Sheila is long gone and Peter is raising their daughter, Rowan, alone. But Rowan is veering dangerously off course, and for the first time in their quiet life together Peter fears for her future. He seeks out the only person who may be able to help Rowan, although Sheila's return is sure to unleash all the questions he has carefully been keeping at bay: Why did a mother leave her family? How did the marriage of two people so deeply in love unravel?

A story about trespass and forgiveness, secrets and the seismic force of the truth, Rescue is a masterful portrayal of a family trying to understand its fractured past and begin again.

Anita Shreve is the author of many widely praised and bestselling novels, including A Change in Altitude; Testimony; The Pilot's Wife, which was a selection of Oprah's Book Club; and The Weight of Water, which was a finalist for England's Orange prize. She lives in Massachusetts.

Biography

Shreve’s novels draw on her diverse experiences as a teacher and journalist: she began writing fiction while teaching high school, and was awarded an O. Henry Prize in 1975 for her story, “Past the Island, Drifting.” She then spent several years working as a journalist in Africa, and later returned to the States to raise her children. In the 1980s, she wrote about women’s issues, which resulted in two nonfiction books -- Remaking Motherhood and Women Together, Women Alone -- before breaking into mainstream fiction with Eden Close in 1989.

This interest in women’s lives -- their struggles and success, families and friendships -- informs all of Shreve’s fiction. The combination of her journalist’s eye for detail and her literary ear for the telling turn of phrase mean that Shreve can spin a story that is dense, atmospheric, and believable. Shreve incorporates the pull of the sea -- the inexorable tides, the unpredictable surf -- into her characters’ lives the way Willa Cather worked the beauty and wildness of the Midwestern plains into her fiction. In Fortune’s Rocks and The Weight of Water, the sea becomes a character itself, evocative and ultimately consuming. In Sea Glass, Shreve takes the metaphor as far as she can, where characters are tested again and again, only to emerge stronger by surviving the ravages of life.

A domestic sensualist, Shreve makes use of the emblems of household life to a high degree, letting a home tell its stories just as much as its inhabitants do, and even recycling the same house through different books and periods of time, giving it a sort of palimpsest effect, in which old stories burn through the newer ones, creating a historical montage. "A house with any kind of age will have dozens of stories to tell," she says. "I suppose if a novelist could live long enough, one could base an entire oeuvre on the lives that weave in and out of an antique house."

Shreve’s work is sometimes categorized as “women’s fiction,” because of her focus on women’s sensibilties and plights. But her evocative and precise language and imagery take her beyond category fiction, and moderate the vein of sentimentality which threads through her books. Moreover, her kaleidoscopic view of history, her iron grip on the details and detritus of 19th-century life (which she sometimes intersperses with a 20th-century story), and her uncanny ability to replicate 19th-century dialogue without sounding fusty or fussy, make for novels that that are always absorbing and often riveting. If she has a flaw, it is that her imagery is sometimes too cinematic, but one can hardly fault her for that: after all, the call of Hollywood is surely as strong as the call of the sea for a writer as talented as Shreve.