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Resolution (Garnethill Series #3) by Denise Mina β€” book cover

Resolution (Garnethill Series #3)

by Denise Mina
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Overview

A New York Times Notable Book of the Year

"Resolution can stand alone, battered and proud, as a class-conscious crime novel that dares to tell the ugly truth." -New York Times Book Review

Just as Maureen O'Donnell is struggling to give up drinking, she faces her most formidable challenges yet: testifying against her boyfriend's murderer and the return of her abusive father. Irresistibly blending suspense, compassion, raw instinct, and grim wit, Resolution provides a wrenching conclusion to Denise Mina's universally acclaimed Garnethill trilogy.

"For anyone who thinks Western civilization too comfortable or crime novels no more than entertainment, Denise Mina's Garnethill trilogy will come as a salutary surprise. It will also make them laugh and keep them reading. It is a great achievement." -Times Literary Supplement

"If you want a reason to try the crime genre, get yourself a novel by Denise Mina." -Rocky Mountain News

"Mina depicts a Scotland so hard that merely living there can cut you like a shard of glass." -Baltimore Sun

Synopsis

Blending suspense, compassion, raw instinct, and grim wit, Denise Mina’s Resolution completes her compelling Garnethill trilogy (which includes two New York Times Book Review Notable Books of the Year) that Val McDermid, author of A Place of Execution, calls “head and shoulders above much of contemporary crime fiction.” In her gripping new crime novel, Mina returns once more to the seamier precincts of Glasgow and the untidy world of the hapless but resolute Maureen O’Donnell. Maureen’s abusive father has shown up again in Glasgow; and Angus Farrell, the psychologist who so gruesomely murdered her therapist-boyfriend, is going on trial—with Maureen as the star witness. Meanwhile, she’s embroiled in another hard-bitten family’s feud when Ella McGee, an elderly stallholder at the flea market where Maureen sells illegally imported cigarettes, decides to take her son to small-claims court over unpaid wages and then turns up beaten brutally in Albert Hospital. Violence hovers in the most familiar precincts of Maureen’s Garnethill, and Denise Mina once again proves herself to be an award-winning writer.

Publishers Weekly

In this powerful, disturbing, wrenching conclusion to the Scottish author's Garnethill trilogy (Garnethill; Exile), the sense of everydayness renders the horrors Mina's Glaswegians confront even more terrible. Forced prostitution, child sexual abuse, alcoholism, dysfunctionality of every kindall are not so much spotlighted as they are integral parts of the fabric of the characters' lives. But for Maureen O'Donnell, whose continued existence is a triumph of will, there's also a strong sense of family and friendships forged in the crucible of survival. Maureen and her friends Leslie and Kilty are as unlikely a trio of dragon-slayers as one might find. With trepidation, Maureen awaits the trial of her lover's murderer, Angus Farrell, whose evil threatens her even while he's in jail. And Maureen's abusive father, Michael, has returned to Glasgow and she fears for her sister's soon-to-be-born baby. Maureen's efforts to help an illiterate old woman fill out a legal complaint against her son lead her into more danger and ugliness. The sordidness and the seemingly insuperable odds Maureen faces make her retreat into alcoholism seem appropriate. Thanks to Mina's considerable narrative skills, the Glasgow of Paddy's flea market, Albert Hospital and the area near the bus station where street prostitutes hang out emerges in gritty clarity. The novel culminates in a startling crescendo of violence, vengeance and resolution. (June 7) Forecast: Blurbs from some big American mystery/thriller names could give this author a lift, but even with them her realistic, unglamorous characters and setting are likely to keep her out of bestseller territory. Copyright 2002 Cahners Business Information.

About the Author, Denise Mina

Denise Mina is the author of Deception, the Garnethill trilogy, and Field of Blood. She lives in Glasgow, Scotland, with her family.

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Editorials

Publishers Weekly

In this powerful, disturbing, wrenching conclusion to the Scottish author's Garnethill trilogy (Garnethill; Exile), the sense of everydayness renders the horrors Mina's Glaswegians confront even more terrible. Forced prostitution, child sexual abuse, alcoholism, dysfunctionality of every kindall are not so much spotlighted as they are integral parts of the fabric of the characters' lives. But for Maureen O'Donnell, whose continued existence is a triumph of will, there's also a strong sense of family and friendships forged in the crucible of survival. Maureen and her friends Leslie and Kilty are as unlikely a trio of dragon-slayers as one might find. With trepidation, Maureen awaits the trial of her lover's murderer, Angus Farrell, whose evil threatens her even while he's in jail. And Maureen's abusive father, Michael, has returned to Glasgow and she fears for her sister's soon-to-be-born baby. Maureen's efforts to help an illiterate old woman fill out a legal complaint against her son lead her into more danger and ugliness. The sordidness and the seemingly insuperable odds Maureen faces make her retreat into alcoholism seem appropriate. Thanks to Mina's considerable narrative skills, the Glasgow of Paddy's flea market, Albert Hospital and the area near the bus station where street prostitutes hang out emerges in gritty clarity. The novel culminates in a startling crescendo of violence, vengeance and resolution. (June 7) Forecast: Blurbs from some big American mystery/thriller names could give this author a lift, but even with them her realistic, unglamorous characters and setting are likely to keep her out of bestseller territory. Copyright 2002 Cahners Business Information.

Library Journal

On the average day, Glaswegian Maureen O'Donnell is disheveled, mumbling to herself, and drunk by noon someone to ignore on the street. Mina's achievement here as in Garnethill and Exile, the first two volumes of this trilogy is to transform a trampled spirit into a person to whom attention must be paid. In this work, Maureen is coping with the aftermath of events in Exile. Not only must she testify at the trial of her boyfriend's murderer, psychologist Angus Farrell, but she must also protect her pregnant sister from their father, who has returned to town. As if that weren't enough, Maureen is approached by one of the other stall-holders at a flea market for help in suing her son. When that woman dies of an apparent heart attack, Maureen finds herself involved in trying to unravel a Poland-based prostitution ring. (Things were so much simpler in Miss Marple's day!) Once again, Mina delivers a Scottish blend of Thomas Harris, George Pelecanos, and Oprah-style reading that is uniquely her own and goes down very smoothly. For most public libraries. Bob Lunn, Kansas City P.L., MO Copyright 2002 Cahners Business Information.

Kirkus Reviews

"Everything was coming to an end," thinks Maureen O'Donnell glumly, and no wonder. As she waits for Angus Farrell, the psychologist who murdered her married lover, to come to trial, she's uneasily aware that he's smarter than her even when she's sober, and certain he's got some scheme cooked up to get off and perhaps convict her of assault for the LSD she slipped into his coffee. And Mauri can't afford to get jailed and leave the baby her sister Una is expecting to the tender mercies of their abusive father Michael and their alcoholic mother Winnie, who's still deep in denial about what Michael did to Mauri. Laboring to make the most of the few days before Una's confinement, Mauri stumbles onto another equally dysfunctional family when she reluctantly agrees to help Ella McGee, a retired prostitute who shares space at the flea market where Mauri makes money toward her crushing bill for back taxes by selling contraband cigarettes. All Ella wants is a signature on the small-claims action she's filing against the son and daughter who threw her off her job at their health club. But when Ella ends up in the hospital, badly beaten, Mauri realizes that Simon McGee is quite as dangerous, if not quite as cunning, as Angus Farrell. Mina's canvas is so broad, so teeming, and so relentlessly sordid that the biggest surprise in this final chapter in Mina's not-to-be-missed Glasgow trilogy (Garnethill, 1999; Exile, 2001) is that she can pull off the climax her title promises.

Book Details

Published
November 1, 2007
Publisher
Little, Brown & Company
Pages
448
Format
Paperback
ISBN
9780316016827

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