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Return to Paradise by Breyten Breytenbach β€” book cover

Return to Paradise

by Breyten Breytenbach
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Overview

Breyten Breytenbach is one of South Africa's foremost but for years he has had a complex and painful relationship with his home country. In 1973, after thirteen years in exile, he was permitted a three-month visit there. A Season in Paradise, the first part of his triptych about South Africa, is an account of that bittersweet trip: "A spiritual journey, an earthly travelog, a poet's chronicle of his soul, the mythic biography of a country, an exotic picture album, a revolutionary treatise, a wrenching lament for a dying species, the book is all of these" (Andrei Codrescu).

In 1975, Breytenbach returned to South Africa illegally. He was arrested, tried for "terrorism, " and served seven years in prison, two of them in solitary confinement. On his release, he recounted his harrowing experiences in The True Confessions of an Albino Terrorist: "It is a reasonable metaphor to describe this book as an explosive device ticking away at the very foundations of the idea of a white nationalism in Africa" (The New York Times Book Review, front page).

In 1991, after Nelson Mandela had been freed and the ban on the African National Congress (ANC) had been lifted, Breytenbach returned to South Africa for yet another three-month-long foray. For his account of that third trip, Return to Paradise, he was awarded the prestigious Alan Paton Prize.

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Editorials

Hazel Rochman

The radical Afrikaans writer who spent seven years in prison in South Africa for terrorism now lives in exile in Paris with his Vietnamese wife. Here he describes his 1991 three-month return journey to South Africa to lecture, travel, see friends and family, and take part in the debate on the future. He finds himself, as always, "a foreigner at home." Once an ANC activist, he rejoices at Mandela's release, but he's heartbroken to find a land awash in blood. Looping back in time and place from Paris to West Africa to Pretoria and Cape Town, he sometimes gets lost in detail, but he reaches from the immediate and political to the surrealist images in all our dreams. With raging fury, he attacks the apartheid killers, but his prose becomes plain and quiet when he writes with almost unbearable tenderness of his late father ("I remember the rhythm but not the words"). In the landscape he can't forget, the names of places become a litany. There's no self-importance or heroics: his surprise encounter in a roadhouse with his prison torturer leaves him shaken with impotent rage and terror. A lesser writer would have exploited the drama of the confrontation; Breytenbach makes it almost bathetic. He knows only that, like cockroaches, the evil will survive all cataclysms. He's a drifter, a nomad. With echoes of Eliot, he hears "the tragic mumbling of the broken waves at night."

Book Details

Published
January 1, 1996
Publisher
Harcourt
Format
Hardcover
ISBN
9780151002160

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