Richard Temple

The protagonist of this World War II novel is a prisoner of the German army in France. In order to keep himself sane while denying the charges and absorbing the beatings of his captors, Richard Temple conducts a minute examination—one might almost call it a prosecution—of his own life.

Temple escapes from a blighted childhood and his widowed, alcoholic mother thanks to an artistic gift, the one thing of value he has to his name. His life as a painter in London of the '30s is cruelly deprived. In order to eat, he squanders this one asset by becoming a forger of art, specializing in minor works by Utrillo. He is rescued by the love of a beautiful and wealthy woman, and it is the failure of this relationship and the outbreak of war that propel him into the world of espionage.

Patrick O'Brian wrote many novels, including the extraordinarily popular Aubrey/Maturin series about the Royal Navy in the time of Nelson. He died in 2000.

Biography

Patrick O'Brian was one of the great authors of the twentieth century, whose novels were often compared by critics to the work of Jane Austen and even Homer. A writer of breathtaking erudition, Mr. O'Brian evoked in complete and dazzling detail an entire world -- that of the British Navy during the Napoleonic Wars. In addition to formidable scholarship, Mr. O'Brian brought to his work keen psychological insights, a sharp wit, and fast-paced, heart-stopping action.

In a cover story in The New York Times Book Review published on January 6, 1991, nine years to the day before Mr. O'Brian's death, Richard Snow wrote that Patrick O'Brian's Aubrey/Maturin naval adventure novels are "the best historical novels ever written. On every page Mr. O'Brian reminds us with subtle artistry of the most important of all historical lessons: that times change but people don't, that the griefs and follies and victories of the men and women who were here before us are in fact the maps of our own lives." In a Washington Post article published August 2, 1992, Ken Ringle wrote, "The Aubrey/Maturin series far beyond any episodic chronicle, ebbs and flows with the timeless tide of character and the human heart."

W.W. Norton & Company began publishing Patrick O'Brian's books in 1990. The previous year, Norton's editor-in-chief, Starling Lawrence, had read The Reverse of the Medal on a trans-Atlantic flight, fallen hard for the series, and had become convinced that Norton ought to publish Mr. O'Brian's works in the U.S. Norton decided to publish each new book in hardcover as it was completed and to bring out the earlier books in the series in paperback until they had caught up. The first season, Norton published The Letter of Marque (# 12) in hardcover and Master and Commander (# 1) and Post Captain (# 2) in paperback. Most recently, Norton published Blue at the Mizzen (# 20) in hardcover in 1999 and in paperback in 2000. At present, Norton has all of the books in the series available in uniform hardcover and paperback editions.

In addition to the twenty books in the Aubrey/Maturin series, Norton has published a short story collection (The Rendezvous and Other Stories) and three of Mr. O'Brian's other novels: Testimonies, The Golden Ocean, and The Unknown Shore. O'Brian has also written acclaimed biographies of Pablo Picasso and Sir Joseph Banks and has translated many works from the French, among them the novels and memoirs of Simone de Beauvoir and Jean Lacouture's biography of Charles de Gaulle. In April of 2000, Norton published Caesar: The Life Story of a Panda-Leopard, his very first book, begun when he was just twelve, and Hussein: An Entertainment, written when he was about twenty years old. Both of these books had long been out of print.

Starting in the early 1990s, Mr. O'Brian achieved, at long last, the critical and popular recognition that was his due. All of his new books published since 1993 have appeared on national bestseller charts, and his books have sold well over three million copies in the U.S. alone.

Mr. O'Brian once said, "Obviously, I have lived very much out of the world: I know little of present-day Dublin or London or Paris, even less of post-modernity, post-structuralism, hard rock or rap, and I cannot write with much conviction about the contemporary scene." [Patrick O'Brian: Critical Essays and a Bibliography, edited by Arthur Cunningham]. In fact, Mr. O'Brian often seemed to have walked out of another era, and in his interactions with his publisher, he displayed a level of courtesy and civility rarely seen in our times.

Author biography courtesy of W.W. Norton & Company.