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Rising Sun by Michael Crichton — book cover

Rising Sun

by Michael Crichton
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Overview

From the author of Jurassic Park, Timeline, and Sphere comes this riveting thriller of corporate intrigue and cutthroat competition between American and Japanese business interests.
 
#1 NEW YORK TIMES BESTSELLER
 
“As well built a thrill machine as a suspense novel can be.”—The New York Times Book Review
 
On the forty-fifth floor of the Nakamoto tower in downtown Los Angeles—the new American headquarters of the immense Japanese conglomerate—a grand opening celebration is in full swing.
 
On the forty-sixth floor, in an empty conference room, the corpse of a beautiful young woman is discovered.
 
The investigation immediately becomes a headlong chase through a twisting maze of industrial intrigue, a no-holds-barred conflict in which control of a vital American technology is the fiercely coveted prize—and in which the Japanese saying “Business is war” takes on a terrifying reality.
 
“A grand maze of plot twists . . . Crichton’s gift for spinning a timely yarn is going to be enough, once again, to serve a current tenant of the bestseller list with an eviction notice.”—New York Daily News
 
“The action in Rising Sun unfolds at a breathless pace.”—Business Week

About the Author, Michael Crichton

Michael Crichton’s novels include The Andromeda Strain, The Great Train Robbery, Congo, Jurassic Park, Rising Sun, Disclosure, and The Lost World. He was as well the creator of the television series ER. Crichton died in 2008.

Biography

Michael Crichton's oeuvre is so vivid and varied that it hard to believe everything sprang from the mind of a single writer. There's the dino-movie franchise and merchandising behemoth Jurassic Park; the long-running, top-rated TV series ER, which Crichton created; and sci-fi tales so cinematic a few were filmed more than once. He's even had a dinosaur named after him.

Ironically, for someone who is credited with selling over 150 million books, Crichton initially avoided writing because he didn't think he would make a living at it. So he turned to medical school instead, graduating with an M.D. from Harvard in 1969. The budding doctor had already written one award-winning novel pseudonymically (1968's A Case of Need) to help pay the bills through school; but when The Andromeda Strain came out in the same year of his med school graduation, Crichton's new career path became obvious.

The Andromeda Strain brilliantly and convincingly sets out an American scientific crisis in the form of a deadly epidemic. Its tone -- both critical of and sympathetic toward the scientific community -- set a precedent for Crichton works to come. A 1970 nonfiction work, Five Patients offers the same tone in a very different form, that being an inside look at a hospital.

Crichton's works were inspired by a remarkably curious mind. His plots often explored scientific issues -- but not always. Some of his most compelling thrillers were set against the backdrop of global trade relations (Rising Sun), corporate treachery (Disclosure) and good old-fashioned Victorian-era theft (The Great Train Robbery). The author never shied away from challenging topics, but it's obvious from his phenomenal sales that he never waxed pedantic. Writing about Prey, Crichton's cautionary tale of nanotech gone awry, The New York Times Book Review put it this way: "You're entertained on one level and you learn something on another."

On the page, Crichton's storytelling was eerily nonfictional in style. His journalistic, almost professorial, and usually third-person narration lent an air of credibility to his often disturbing tales -- in The Andromeda Strain, he went so far as to provide a fake bibliography. Along the way, he revelled in flouting basic, often subconscious assumptions: Dinosaurs are long-gone; women are workplace victims, not predators; computers are, by and large, predictable machines.

The dazzling diversity of Crichton's interests and talents became ever more evident as the years progressed. In addition to penning bestselling novels, he wrote screenplays and a travel memoir, directed several movies, created Academy Award-winning movie production software, and testified before Congress about the science of global warming -- this last as a result of his controversial 2004 eco-thriller State of Fear, a novel that reflected Crichton's own skepticism about the true nature of climate change. His views on the subject were severely criticized by leading environmentalists.

On November 4, 2008, Michael Crichton died, following a long battle against cancer. Beloved by millions of readers, his techno-thrillers and science-inflected cautionary tales remain perennial bestsellers and have spawned a literary genre all its own.

Good To Know

Some interesting outtakes from our 2005 interview with Crichton:

"I'm very interested in 20th-century American art."

"I have always been interested in movies and television as well as books. I see all these as media for storytelling, and I don't discriminate among them. At some periods of my life I preferred to work on movies, and at others I preferred books."

"In the early 1990s, interviewers began calling me ‘the father of the techno-thriller.' Nobody ever had before. Finally I began asking the interviewers, ‘Why do you call me that?' They said, ‘Because Tom Clancy says you are the father of the techno-thriller.' So I called Tom up and said, ‘Listen, thank you, but I'm not the father of the techno-thriller.' He said, ‘Yes you are.' I said, ‘No, I'm not, before me there were thrillers like Failsafe and Seven Days in May and The Manchurian Candidate that were techno-thrillers.' He said, ‘No, those are all political. You're the father of the techno-thriller.' And there it ended."

"My favorite recreation is to hike in the wilderness. I am fond of Hawaii."

"I used to scuba dive a lot, but haven't lately. For a time I liked to photograph sharks but like anything else, the thrill wears off. Earlier in my life I took serious risks, but I stopped when I became a parent."

"I taught myself to cook by following Indian and Szechuan recipes. They each have about 20 ingredients. I used to grind my own spices, I was really into it. Now I don't have much time to cook anymore. When I do, I cook Italian food."

"I read almost exclusively nonfiction. Most times I am researching some topic, which may or may not lead to a book. So my reading is pretty focused, although the focus can shift quickly."

"I have always been interested in whatever is missing or excluded from conventional thought. As a result I am drawn to writers who are out of fashion, bypassed, irritating, difficult, or excessive. I also like the disreputable works of famous writers. Thus I end up reading and liking Paul Feyerabend (Against Method), G. K. Chesterton (Orthodoxy, What's Wrong with the World), John Stuart Mill, Hemingway (Garden of Eden), Nietzsche, Machiavelli, Alain Finkielkraut (Defeat of the Mind), Anton Ehrenzweig (Hidden Order of Art), Arthur Koestler (Midwife Toad, Beyond Reductionism), Ian McHarg (Design with Nature), Marguerite Duras, Jung, late James M. Cain (Serenade), Paul Campos.

"Because I get up so early to work, I tend to go to bed early, around 10 or 11. So I don't go out much. I suppose I am borderline reclusive. I don't care."

Reviews

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Editorials

Publishers Weekly - Publisher's Weekly

A young American model is murdered in the corporate boardroom of Los Angeles's Nakomoto Tower on the new skyscraper's gala opening night. Murdered, that is, unless she was strangled while enjoying sadomasochistic sex that went too far. Nakomoto, a Japanese electronics giant, tries to hush up the embarrassing incident, setting in motion a murder investigation that serves Crichton ( Jurassic Park ) as the platform for a clever, tough-talking harangue on the dangers of Japanese economic competition and influence-peddling in the U.S. Divorced LAPD lieutenant Peter Smith, who has custody of his two-year-old daughter, and hard-boiled detective John Connor, who says things like ``For a Japanese, consistent behavior is not possible,'' pursue the killer in a winding plot involving Japan's attempt to gain control of the U.S. computer industry. Although Crichton's didactic aims are often at cross-purposes with his storytelling, his entertaining, well-researched thriller cannot be easily dismissed as Japan-bashing because it raises important questions about that country's adversarial trade strategy and our inadequate response to it. He also provides a fascinating perspective on how he thinks the Japanese view Americans--as illiterate, childish, lazy people obsessed with TV, violence and aggressive litigation. 225,000 first printing; BOMC main selection. (Mar.)

School Library Journal

YA-- The celebrity-studded opening of a huge Japanese office building is marred by the murder of a beautiful American woman. Lt. Peter Smith is called in to investigate and is requested to bring along John Connor, an expert on Japanese culture and fluent in the language. So begins a riveting tale that combines suspense, technology, and a full-scale economic battle for survival. YAs will have no problem following the complex corporate business schemes described by Crichton, whose loyalties are obviously with America. Readers who fear that the Japanese are taking over the U. S. economy will not be reassured.-- Katherine Fitch, Lake Braddock Secondary School, Burke, VA

Kirkus Reviews

The Yellow Menace returns in Crichton's shocking, didactic, enormously clever new mystery-thriller—only now he wears a three- piece suit and aims to dominate America through force of finance, not arms. "The Japanese can be tough," says one character here. "They say `business is war,' and they mean it." How much they mean it Lt. Peter J. Smith, LAPD, learns when he's assigned to the murder of an American call-girl at the gala opening of the L.A. high-rise headquarters of the Japanese conglomerate Nakamoto. There, Smith butts heads with men whose alien mannerisms he can't interpret and who insist on their own "private inquiry." Fortunately, he's joined by legendary Japan-savvy cop John Connor, the real hero here, a Holmes to narrator Smith's Watson. At the crime scene and thereafter, Connor, whose love/hate for the Japanese stems from years lived in their land, interprets Japanese ways to Smith: "Control your gestures. Keep your hands at your sides. The Japanese find big arm movements threatening..." Connor's commentary is always fascinating but, as the serpentine case coils on, numerous instances of Japanese financial dirty dealing are cited by characters who disparage the Japanese sufficiently ("The Japanese don't believe in fair trade at all"; "Japanese corporations in America...think they're surrounded by savages") to bathe Smith—and the novel—in xenophobic paranoia: It's not by chance that the only likable Japanese here is a crippled beauty who fled to America because "to the Japanese, deformity is shameful." Crichton's coup is to preach within a breathtakingly supple plot hinging on doctored Nakamoto security videotapes that caught the killer at work, thedeciphering of which takes place in lab-set scenes as technologically riveting as the best in Jurassic Park. And as suspenseful—for as Smith closes in on the killer and the huge-money stakes behind the crime, Nakamoto agents threaten his family, his career, and his life. Brilliantly calculated Japan-bashing that's bound, for better or for worse, to attract controversy and a huge readership. (Book- of-the-Month Dual Selection for Spring)

Book Details

Published
August 28, 2012
Publisher
Random House Publishing Group
Pages
384
Format
Hardcover
ISBN
9780345538970

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