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Room for Doubt

by Wendy Lesser
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Overview

Room for Doubt is Wendy Lesser’s account of three separate but interlocking occasions for doubt: her stay in Berlin, a city she had never expected to visit; her unwritten book on the philosopher David Hume; and her long friendship with the writer Leonard Michaels, which constantly broke down and yet endured. Through this unusual journey, Lesser in the end shows us how, once examined, things are never quite what she thought they were.

Synopsis

Room for Doubt is Wendy Lesser’s account of three separate but interlocking occasions for doubt: her stay in Berlin, a city she had never expected to visit; her unwritten book on the philosopher David Hume; and her long friendship with the writer Leonard Michaels, which constantly broke down and yet endured. Through this unusual journey, Lesser in the end shows us how, once examined, things are never quite what she thought they were.

Publishers Weekly

Lesser (Nothing Remains the Same) divides her newest book into three parts, in which she describes a stint at the American Academy in Berlin, her writing (or not writing) a book there about David Hume and what she calls "difficult friends." In the first part, "Out of Berlin," the music she hears there provides a structural motif; a self-described "excessively linear personality," Lesser moves by associative glides as she turns thoughts about all sorts of things (the loss of what might have been, the acquisition of self-knowledge, religion, goodness) into absorbing narrative. In revisiting her "book that [didn't] see the light of day," Lesser offers a lively portrait of Hume and a disquieting sense that "if he had anything to teach me at all, it was the value of not arriving at a firm conclusion." The rich details from music she heard in Berlin and the book she thought she might write there provoke, but are sadly missing from, the third essay, an extended memoir of the "difficult friend," the writer Leonard Michaels). Borderline banality (quarrels and making up) engulfs the deeply felt personal loss. Readers who value lucidity, sophistication and all the elements of "intelligent conversation" will enjoy the first two essays and, perhaps, forgive the third as the work of a "difficult friend." (Jan.) Copyright 2006 Reed Business Information.

About the Author, Wendy Lesser

Wendy Lesser is the founding editor of The Threepenny Review and the author of six previous books. Her reviews and essays appear in major newspapers and magazines across the country. Her awards and fellowships include membership in the American Academy of Arts & Sciences, fellowships from the Guggenheim Foundation and the National Endowment from the Humanities, and the Morton Dauwen Zabel Award for Criticism from the American Academy of Arts & Letters. Currently, she is a Fellow at the New York Public Library's Cullman Center for Scholars and Writers.

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Editorials

Publishers Weekly

Lesser (Nothing Remains the Same) divides her newest book into three parts, in which she describes a stint at the American Academy in Berlin, her writing (or not writing) a book there about David Hume and what she calls "difficult friends." In the first part, "Out of Berlin," the music she hears there provides a structural motif; a self-described "excessively linear personality," Lesser moves by associative glides as she turns thoughts about all sorts of things (the loss of what might have been, the acquisition of self-knowledge, religion, goodness) into absorbing narrative. In revisiting her "book that [didn't] see the light of day," Lesser offers a lively portrait of Hume and a disquieting sense that "if he had anything to teach me at all, it was the value of not arriving at a firm conclusion." The rich details from music she heard in Berlin and the book she thought she might write there provoke, but are sadly missing from, the third essay, an extended memoir of the "difficult friend," the writer Leonard Michaels). Borderline banality (quarrels and making up) engulfs the deeply felt personal loss. Readers who value lucidity, sophistication and all the elements of "intelligent conversation" will enjoy the first two essays and, perhaps, forgive the third as the work of a "difficult friend." (Jan.) Copyright 2006 Reed Business Information.

Kirkus Reviews

Three loosely connected essays by Threepenny Review founder and author Lesser (The Pagoda in the Garden, 2005) explore her concern with the connection between art and experience. A recent trip to Berlin, Germany, informs these three reflections by Lesser, a self-described atheist and secular Jew who never expected in her lifetime to set foot in Germany. As a fellow in 2003 at the American Academy in Berlin, Lesser overcame her aversion to things German and writes in the first essay, "Out of Berlin," of her recognition of how deeply Jewish the city still is, especially in terms of its passion for art and culture. The rigorous self-examination undergone by Germans since World War II suggests "a nation of people who are very much alive to their own capacity for unforgivable behavior." And this darkness attracts Lesser, who, at 51, is at the "Mittelweg" of her life and prone to feelings of regret, as she delineates more fully in the last essay, "Difficult Friends," about the recent death by cancer of her dear friend, writer Leonard Michaels. Sharing with Lenny, as she calls him, a quick temper and little moderation for passions, she quarreled often with him during the years of their long friendship over issues of loyalty. In the end, his death robbed her of a sizable part of her intellectual life at Berkeley, where she lives. The middle essay, however, is the most toothsome, examining her failure to write her intended book about Scottish Enlightenment philosopher David Hume, whose work she first encountered at Cambridge 25 years ago. A kindred figure and fellow atheist until the end, Hume strikes her as "someone to be carried through life as a sort of talisman against non-sense." Although sheshares his literary bent and admires his personal benevolence toward others, his class snobbery dooms him. A personality-driven, authoritative, sometimes circuitous work.

Book Details

Published
January 1, 2007
Publisher
Knopf Doubleday Publishing Group
Pages
224
Format
Hardcover
ISBN
9780375424007

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