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Book cover of Saints and the Audience in Middle English Biblical Drama
General Christianity, Drama - Literary Criticism, Theater - History & Criticism, General & Miscellaneous Literary Criticism, English Literature

Saints and the Audience in Middle English Biblical Drama

by Chester N. Scoville
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Overview

The study of saints in medieval biblical drama has often been neglected in favour of the study of sinners—the villains and the rogues. In Saints and the Audience in Middle English Biblical Drama, Chester N. Scoville takes a different tack, examining the language and rhetoric of saintly characters in Middle English biblical plays. Scoville contends that the plays focus attention on the interaction between the divine realm and the human realm, that the saintly characters are key to seeing this interaction, and that the overall function of the plays is to instill in the audience a shared point of view defined both by doctrine and by experience.

By placing the rhetoric of the plays at the centre of his study, Scoville incorporates performative practices and historical contexts into the argument. Language, text, and persuasion are central in the rhetorical experience, as are non-verbal elements such as costume, movement, gesture, and scenery. Saints and the Audience in Middle English Biblical Drama fully and assiduously explains how biblical drama functioned in the society that experienced it.

Synopsis

When the actor playing Diabolus shouldered his way through a medieval audience and accused them of being hapless victims or passive observers, incapable of language, he was probably fortunate not to lose a limb or two. Scoville (English, U. of Toronto) explains how such an audience was in the center of the biblical drama of Middle English, caught between the divine and the human, and how the characters of the saints, rather than Diabolus and the like, were more powerful in reaching the faithful because the authors were careful to consider the individuality and spiritual journeys of that audience. Scoville explains how medieval drama took into account community identity, how various saints (Thomas, Mary Magdalene, Joseph, and Paul) came packed with their own tropes, and how the audience participated in their own learning and became empowered by their choices. Annotation ©2004 Book News, Inc., Portland, OR

About the Author, Chester N. Scoville

Chester N. Scoville is a lecturer in the Department of English at the University of Toronto at Mississauga.

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Book Details

Published
October 1, 2004
Publisher
University of Toronto Press, Scholarly Publishing Division
Pages
280
Format
Hardcover
ISBN
9780802089441

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