Scars of the Soul Are Why Kids Wear Bandages When They Don't Have Bruises
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Overview
“Lewis has composed an observant and urban B-boy’s rites of passage . . . a hiphop bildungsroman told in prose full of buoyancy and bounce.”—Greg Tate, author of Flyboy in the Buttermilk
Scars of the Soul is a confessional, stylistic account (in the Joan Didion tradition) of coming-of-age in the Bronx alongside the birth and evolution of hip-hop culture.
Miles Marshall Lewis was born in the Bronx in 1970 and currently lives in Manhattan. He is a former editor of Vibe and XXL, and his work has been published in The Nation, The Source, the Village Voice, Rolling Stone, Essence and other magazines. He holds a B.A. in sociology from Morehouse College and studied at the Fordham University School of Law.
Synopsis
A riveting hip-hop memoir with a preface by internationally acclaimed poet and actor Saul Williams.
Library Journal
In this well-intentioned but flawed debut, former Vibe editor Lewis ruminates on hip-hop culture past, present, and future. He nostalgically recalls his coming of age in the South Bronx, NY, during the 1970s and 1980s through the prism of this global phenomenon-or is it the other way around? Sometimes, it's hard to tell. The book's major flaw is its inability to decide whether it's a memoir or a serious cultural study of hip-hop figures like Afrika Bambaataa and KRS-One. The author's past personal experience and his current position as contemporary chronicler and critic are not melded together in any meaningful way. As a result, the book lacks a sustained and satisfying narrative. One hopes that Lewis, who is clearly a writer of real insight and talent, will delve deeper into both genres in the future. Not recommended.-David Valencia, King Cty. Lib. Syst., Issaquah, WA Copyright 2004 Reed Business Information.