Overview
Hope for Nature has created a ground swell of enthusiasm at Chelsea Green. An earlier, self-published version of this new edition was sent to our office by a friend. The book's quiet, black-and-white cover led it to overlooked at first among proposals with more superficial sizzle.The first editor to read it (Rachael Cohen) gave Krafel's work a glowing review. Soon, the other members of the editorial department were lined up to read our single copy. The recommendations were unanimous: This book needs to be read. Along with the accolades were comparisons to The Little Prince, Annie Dillard's Pilgrim at Tinker Creek, and Giono's The Man Who Planted Trees.
Hope for Nature is a series of brief stories or parables that offer "ools for seeing" the natural world in new and surprising ways. Most of the stories take the reader to wild locations, including canyons, tundra, mountain ridges, and Indian caves, yet some are concerned with contemplating the human-made: water-diversion trenches or supermarket check-out lines. In one of Krafel's parables, he meditates upon a one-inch-square patch of ordinary ground.
Synopsis
Hope for Nature has created a ground swell of enthusiasm at Chelsea Green. An earlier, self-published version of this new edition was sent to our office by a friend. The book's quiet, black-and-white cover led it to overlooked at first among proposals with more superficial sizzle.
The first editor to read it (Rachael Cohen) gave Krafel's work a glowing review. Soon, the other members of the editorial department were lined up to read our single copy. The recommendations were unanimous: This book needs to be read. Along with the accolades were comparisons to The Little Prince, Annie Dillard's Pilgrim at Tinker Creek, and Giono's The Man Who Planted Trees.
Hope for Nature is a series of brief stories or parables that offer "ools for seeing" the natural world in new and surprising ways. Most of the stories take the reader to wild locations, including canyons, tundra, mountain ridges, and Indian caves, yet some are concerned with contemplating the human-made: water-diversion trenches or supermarket check-out lines. In one of Krafel's parables, he meditates upon a one-inch-square patch of ordinary ground.
Publishers Weekly
Krafel gets his insights while exploring granite basins deep in the Rockies that once cradled Ice Age glaciers, or while watching a million heliotropic buttercups' synchronized turning toward the sun on the Arctic tundra, or while climbing into an ancient cliff dwelling that housed the Hopis' ancestors. His deeply personal, lyrical meditation beckons readers to see the world as a spiral of coevolution, whereby life forms grow symbiotically through small, accumulating changes, rather than in linear cause-and-effect fashion. A former park ranger and naturalist with the National Park Service for eight years, Krafel is now a teacher in Northern California, where he and his wife founded Chrysalis, a chartered public school operating out of a natural science museum, with emphasis on nature study outdoors. Originally self-published 10 years ago under the title Shifting, this quietly ambitious book is an individualistic attempt to reorient everyday observation along the lines of the Gaia hypothesis formulated by scientists James Lovelock and Lynn Margulis, who envision Earth as a single, gigantic, self-regulating organism. The book unfolds as a series of perceptual exercises and intense interactions with the natural world. Though Krafel seems to aspire to the soaring lyricism of Annie Dillard or Loren Eiseley, he seldom achieves their profundity, and while some of his examples are illuminating, others are murky or pedestrian. Nevertheless, his inquiry beautifully underscores his central message that we tend to become what we practice: hope spirals into new possibilities, while cynicism restricts one's range of vision and begets more cynicism. Line drawings. (Jan.) Copyright 1999 Cahners Business Information.