Overview
It all started when I told my friend Art I would meet him on the corner of Fifth and Fifty-Third.
I didn't see him. So I asked a lady walking up the avenue, "Have you seen Art?"
"MoMA?" asked the lady.
"Uh . . . no, he's just a friend."
"Just down Fifty-Third Street here. In a beautiful new building. You can't miss it."
When this address turns out to be the Museum of Modern Art in New York City, confusion and hilarity ensue. As the narrator continues looking for Art inside MoMA, he is introduced to well-known pieces of art such as Van Gogh's The Starry Night, Matisse's The Red Studio, as well as works by Picasso, Klee, Lichtenstein and others.
In a dynamic collaboration that features comical text and playful illustrations alongside full-color reproductions of the artwork, Jon Scieszka and Lane Smith give readers the perfect companion for a visit to MoMA, and an introduction to some of the world's best works of modern art.
Synopsis
It all started when I told my friend Art I would meet him on the corner of Fifth and Fifty-Third.
I didn't see him. So I asked a lady walking up the avenue, "Have you seen Art?"
"MoMA?" asked the lady.
"Uh . . . no, he's just a friend."
"Just down Fifty-Third Street here. In a beautiful new building. You can't miss it."
When this address turns out to be the Museum of Modern Art in New York City, confusion and hilarity ensue. As the narrator continues looking for Art inside MoMA, he is introduced to well-known pieces of art such as Van Gogh's The Starry Night, Matisse's The Red Studio, as well as works by Picasso, Klee, Lichtenstein and others.
In a dynamic collaboration that features comical text and playful illustrations alongside full-color reproductions of the artwork, Jon Scieszka and Lane Smith give readers the perfect companion for a visit to MoMA, and an introduction to some of the world's best works of modern art.
Publishers Weekly
It all started when I told my friend Art I would meet him on the corner of Fifth and Fifty-Third," says the narrator of this homage to the redesigned Museum of Modern Art. The boy naively asks pedestrians if they have seen his friend Art, and when everyone quizzically replies, "MoMA?," he decides this "must be a secret code word." He follows their directions into a glass-and-concrete building, where he's directed through the galleries by patrons with varying definitions of "Art." Along the way, readers glimpse actual MoMA highlights, reproduced in miniature on the narrow, horizontally oriented pages by Scieszka and Smith (most recently paired for Science Verse). The boy eyeballs Van Gogh's Starry Night, then goes on a whirlwind non-chronological tour from Magritte and Dali to Klee and Calder, from Meret Oppenheim's fur teacup to Dorothea Lange's photograph Migrant Mother; he even sits on a Verner Panton chair ("Ahem. No sitting on art," says a museum guard). The narrator-a budding critic with a squiggle of hair and dots for eyes-complains that the iconic objects are "Not exactly the Art I was looking for." But by the end, his eyes look like saucers and he wears a dizzy, dazzled grin. The book design ranges from honey-toned cosmetic-counter hues to elegant grays to collage cacophony, suggesting the many moods inspired by such an overwhelming selection. The Art joke wears a bit thin, but MoMA admirers and The Stinky Cheese Man fans get a package deal. All ages. (May) Copyright 2005 Reed Business Information.
Editorials
Publishers Weekly
It all started when I told my friend Art I would meet him on the corner of Fifth and Fifty-Third," says the narrator of this homage to the redesigned Museum of Modern Art. The boy naively asks pedestrians if they have seen his friend Art, and when everyone quizzically replies, "MoMA?," he decides this "must be a secret code word." He follows their directions into a glass-and-concrete building, where he's directed through the galleries by patrons with varying definitions of "Art." Along the way, readers glimpse actual MoMA highlights, reproduced in miniature on the narrow, horizontally oriented pages by Scieszka and Smith (most recently paired for Science Verse). The boy eyeballs Van Gogh's Starry Night, then goes on a whirlwind non-chronological tour from Magritte and Dali to Klee and Calder, from Meret Oppenheim's fur teacup to Dorothea Lange's photograph Migrant Mother; he even sits on a Verner Panton chair ("Ahem. No sitting on art," says a museum guard). The narrator-a budding critic with a squiggle of hair and dots for eyes-complains that the iconic objects are "Not exactly the Art I was looking for." But by the end, his eyes look like saucers and he wears a dizzy, dazzled grin. The book design ranges from honey-toned cosmetic-counter hues to elegant grays to collage cacophony, suggesting the many moods inspired by such an overwhelming selection. The Art joke wears a bit thin, but MoMA admirers and The Stinky Cheese Man fans get a package deal. All ages. (May) Copyright 2005 Reed Business Information.Children's Literature
"It all started when I told my friend Art I would meet him on the corner of Fifth and Fifty-third . . . I didn't see him. So I asked a lady walking up the avenue, 'Have you seen Art?'" From this simple dilemma, Scieszka and Smith take the reader on a humorous, enlightening and delightful tour of the Museum of Modern Art (MoMA) in New York City. Marvelously inventive characters point the way for the boy in search of his friend, but instead of Art, the boy finds color and emotion (Munch), a lot of red in one painting (Matisse), ants attacking a gold watch in another (Dali), composition and atmosphere (Hopper), and art that is puzzling playful, provocative and powerful. Younger children may actually learn what some of these words mean by looking at the art and the expressions of both the boy and his "guides." At the end, after the boy finally connects with the Art he had been seeking all along, the MoMA art is identified by title, artist and a miniature reproduction. This captivating introduction to Art and MoMA is both silly and serious. It could be used with a wide range of ages or just as an excellent book to read in preparation for a museum trip to New York. 2005, Viking, Ages 6 up.βKaren Leggett