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Shakespeare's Freedom by Stephen Greenblatt — book cover

Shakespeare's Freedom

by Stephen Greenblatt
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Overview

Shakespeare lived in a world of absolutes—of claims for the absolute authority of scripture, monarch, and God, and the authority of fathers over wives and children, the old over the young, and the gentle over the baseborn. With the elegance and verve for which he is well known, Stephen Greenblatt, author of the best-selling Will in the World, shows that Shakespeare was strikingly averse to such absolutes and constantly probed the possibility of freedom from them. Again and again, Shakespeare confounds the designs and pretensions of kings, generals, and churchmen. His aversion to absolutes even leads him to probe the exalted and seemingly limitless passions of his lovers.

Greenblatt explores this rich theme by addressing four of Shakespeare’s preoccupations across all the genres in which he worked. He first considers the idea of beauty in Shakespeare’s works, specifically his challenge to the cult of featureless perfection and his interest in distinguishing marks. He then turns to Shakespeare’s interest in murderous hatred, most famously embodied in Shylock but seen also in the character Bernardine in Measure for Measure. Next Greenblatt considers the idea of Shakespearean authority—that is, Shakespeare’s deep sense of the ethical ambiguity of power, including his own. Ultimately, Greenblatt takes up Shakespearean autonomy, in particular the freedom of artists, guided by distinctive forms of perception, to live by their own laws and to claim that their creations are singularly unconstrained.

A book that could only have been written by Stephen Greenblatt, Shakespeare’s Freedom is a wholly original and eloquent meditation by the most acclaimed and influential Shakespearean of our time.

About the Author, Stephen Greenblatt

 

Stephen Greenblatt is the John Cogan University Professor of the Humanities at Harvard University. He is the author of Will in the World: How Shakespeare Became Shakespeare; Hamlet in Purgatory; and the groundbreaking Renaissance Self–Fashioning, the latter book published by the University of Chicago Press.


 

Biography

Stephen Greenblatt is the John Cogan University Professor of the Humanities at Harvard University, editor of The Norton Shakespeare, and prizewinning author of many academic books, including Hamlet in Purgatory.

Author biography courtesy of W. W. Norton & Company.

Good To Know

Some interesting outtakes from our interview with Greenblatt:

"As a child, I loved to read so much so that I can remember my mother calling to me, ‘Stevie, you'll ruin your eyes. Put down that book and come watch I Love Lucy.' "

"My father was a marvelous, virtually obsessive storyteller."

"Though I have spent much of my adult life thinking about Shakespeare, my first encounter with Shakespeare was a disaster. In junior high school, I found As You Like It quite possibly the most tedious and annoying thing I had ever read."

"I have interests and hobbies outside my work, of course, but the crucial thing to say is that I don't experience a great divide between my work and my pleasure. On the contrary."

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Editorials

From Barnes & Noble

"My deep, ongoing interest," writes Stephen Greenblatt, "is in the relation between literature and history, the process through which certain remarkable works of arts are at once embedded in a highly specific life-world and seem to pull free of that life-world." In Shakespeare's Freedom, that interest manifests itself in a probing examination of how the Bard of Stratford challenged the absolute authorities that surrounded him on every side. A major work by one of the most influential literary scholars and critics of our time.

Financial Times

“In this short collection of essays, Stephen Greenblatt’s analysis of both Shakespeare and the Renaissance is informative and often original. He argues that Shakespeare’s genius lay in embracing and subverting the norms of his age. . . . Yet, the book’s real lesson is Shakespeare’s awareness of the human condition in all its complexity.”

New Statesman

“Stephen Greenblatt is one of America’s most elegant and inventive literary critics. He writes with panache as he spins intriguing yarns from surprising materials. He has a gift as a reader of Shakespeare for noticing details that others have tended to overlook and using them as a prism to refract the plays in new ways.”

Times Literary Supplement

“It is good, at a time when there is danger of seeing Shakespeare too exclusively as an entertainer, to find an acknowledgement of the intellectual powers that pervade his work, and Greenblatt brings his formidable critical expertise to bear on the writings in this deeply thoughtful . . . study.”

Library Journal

In this articulate and insightful book based on his guest lectures at Rice University, Greenblatt (John Cogan University Professor of the Humanities, Harvard; Will in the World) explores Shakespeare's relation to his era's view on the absolute, vis à vis beauty, hatred of the other, the ethics of authority, and autonomy. Thus against a Renaissance ideal of pure form, Shakespeare played extensively with bodily defects or blemishes to create characters, whether playing against the Petrarchian conceit in Love's Labour's Lost, or in his treatment of Richard III. Shakespeare rubbed up against autonomy, both in the sense of being self-made or above the law, as in Coriolanus, and in the sense of being a poet creating at one's will, as in A Midsummer Night's Dream, and always showing skeptical fascination. Greenblatt writes with authority, leavened with narrative skill, ranging over the whole body of Shakespeare's work. Verdict Shakespeare's Freedom offers stimulating and sophisticated textual readings for scholars, while written in a manner profitable for the committed general reader. Highly recommended for both.—T.L. Cooksey, Armstrong Atlantic State Univ., Savannah, GA

Book Details

Published
January 2, 2012
Publisher
University of Chicago Press
Pages
168
Format
Paperback
ISBN
9780226306674

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