Join Books.org — it's free

Book cover of Shining
Fiction - African, Fiction - Social Issues, Fiction - Miscellaneous People, Places & Cultures, Fiction - General & Miscellaneous, Fiction - People with Special Needs

Shining

by Julius Lester, John Clapp
Write a review
Log in to track your reading progress.

Overview

In a small mountain village, a young girl named Shining is born. As she grows, Shining runs, plays, and smiles like other children, but she does so silently. The villagers fear and shun her, but Shining remains silent and waits for the right moment, and for the right sound, to comeβ€”a sound so true, it will win the hearts of her people . . . and win Shining her rightful place as their leader.
Newbery Honor author Julius Lester has created a powerful tale about the importance of remaining true to one's self and finding one's voice. John Clapp's luminous paintings add a breathtaking dimension to Shining, a character as distinct and enchanting as the world she inhabits.
Notes by the author and the illustrator supplement the text.

A young girl who has not uttered a sound since birth is shunned by the people in her village, until they realize how special she is.

Synopsis

This dramatic original tale set in in African village evokes the Ugly Ducking story in this telling of a girl who is rejected by her people, but returns to become their leader.

Publishers Weekly

As he writes in an introductory note, Lester (To Be a Slave) explains that just as a composer creates variations around a musical theme, this story is "a set of variations around the theme of the color black," and that he has aimed to create figures of speech that associate black with "goodness and beauty." In this goal he succeeds; however, his story feels more cryptic than intriguing. In a mountain village, a baby is born who is "black as wisdom." Since "she is so black her skin shines bright like the sun," she is called Shining. But the baby makes no sounds at all and remains silent as she grows older. Fearing that "an evil spirit has taken her voice," Shining's mother carries her into the forest to find "The One." The latter whispers to Shining that she will meet her "on the other side of Silence." Much later, after the village has punished the mute girl, The One anoints Shining as her successor, whereupon the girl utters a "wordless song as soft as blackness." Making striking use of light, shadow and splashes of vivid color, Clapp (The Prince of Butterflies) mixes abstract and realistic styles to capture the tale's mystery and emotion. Some of Clapp's work demonstrates extraordinary proficiency, e.g., a portrait of tiny Shining held by her mother as they make their way through an almost pitch-black forest. But there is little in either the art or the text to welcome a child's imagination. Ages 6-9. (Oct.) Copyright 2003 Reed Business Information.

About the Author, Julius Lester

JULIUS LESTER is the author of more than twenty books for young readers. He writes and teaches in western Massachusetts.

Reviews

There are no reviews yet. Log in to write one.

Editorials

From the Publisher

"This elemental tale has power."β€”The Horn Book

Publishers Weekly

As he writes in an introductory note, Lester (To Be a Slave) explains that just as a composer creates variations around a musical theme, this story is "a set of variations around the theme of the color black," and that he has aimed to create figures of speech that associate black with "goodness and beauty." In this goal he succeeds; however, his story feels more cryptic than intriguing. In a mountain village, a baby is born who is "black as wisdom." Since "she is so black her skin shines bright like the sun," she is called Shining. But the baby makes no sounds at all and remains silent as she grows older. Fearing that "an evil spirit has taken her voice," Shining's mother carries her into the forest to find "The One." The latter whispers to Shining that she will meet her "on the other side of Silence." Much later, after the village has punished the mute girl, The One anoints Shining as her successor, whereupon the girl utters a "wordless song as soft as blackness." Making striking use of light, shadow and splashes of vivid color, Clapp (The Prince of Butterflies) mixes abstract and realistic styles to capture the tale's mystery and emotion. Some of Clapp's work demonstrates extraordinary proficiency, e.g., a portrait of tiny Shining held by her mother as they make their way through an almost pitch-black forest. But there is little in either the art or the text to welcome a child's imagination. Ages 6-9. (Oct.) Copyright 2003 Reed Business Information.

Children's Literature

"Once upon a time and long, long ago, in a mountain village far away..." begins this strange, mystical tale of a girl called Shining, who can hear but makes no sound. Her troubled mother takes her to The One who guards and tends souls, who tells Shining that she will meet her on "the other side of Silence." When she is twelve, Shining is not allowed to join the other girls of her age in The Parting, when they go away for a year to learn to become women. She falls into a sort of coma. When the girls return, everyone is astounded at the arrival of The One, who calls for her "daughter." Shining comes forth, to be embraced by The One. A wordless song comes from Shining, telling the people "she was there to listen." She is robed in "red like love" and declared The One who will be, as she and The One walk off to the mountains. However odd the story, Clapp's imagination visualizes it naturalistically using graphite, charcoal, chalk and pastels in misty tints with occasional red accents, enveloping the double pages with emotion-stirring imagery. Shining herself seems very real, her face and others sometimes emerging from the mist. Lengthy notes by both the author and the illustrator help somewhat to understand the story. Although the characters are black, the story aims to be universal. 2003, Silver Whistle/Harcourt, Ages 6 to 9.
β€” Ken Marantz and Sylvia Marantz

School Library Journal

Gr 3-5-This is the tale of a girl "as black and silent as wonder" who is born in a nameless, timeless village "far, far away." The preternaturally quiet baby, named Shining because her skin is so black that it "shines bright like the sun," grows into an elective mute, able but not willing to speak. Her silence elicits fear and worry in her parents, who take her to see the mystical "One," who guards the souls of the living and the dead. The One says that, for Shining, the failure to talk, cry, and laugh is normal, and she vows to meet the girl "on the other side of Silence." Years pass, and on the day 12-year-old Shining is to begin preparing for the ceremonial training that will teach her the ways of women, the townspeople tell her that she can no longer live among them. Shining slumps to the ground "as if killed by a knife as sharp as a lie." A year goes by, and when she finally awakens, she is greeted by The One, who announces that the girl is "The One who will be." The illustrations, done in graphite, charcoal, chalk, pastels, and various types of paint, are dark and haunting. The book is filled with Lester's striking similes and use of language, but its somber, moody appearance and puzzling and sober text make for a work that does not have great child appeal.-Anna DeWind Walls, Milwaukee Public Library Copyright 2003 Reed Business Information.

Kirkus Reviews

Lester looks to the silence that gives meaning to the noise all around us in this powerfully told original tale, as deep-eyed faces alive with character peer from Clapp's sweeping, shadowy accompanying art. In a tribal setting evoked rather than specified, an utterly silent child, named "Shining" for her skin, grows up and is refused ritual admission to the society of women for her strangeness. But after offering a wordless song of forgiveness that tells her people that she has been listening to them all along, hearing their joys, sorrows, and fears, Shining goes on to become designated successor to The One, a regal deity charged with guarding all souls living and dead. In a long preface that adds more weight than height, Lester explains that he not only explores his own relationship with music and listening here, but is intent on linking blackness with strong, positive images. Like a piece of sophisticated music, this will engender profound emotional responses-but younger readers may have trouble grasping its subtler themes. (illustrator note) (Picture book. 9-12)

Book Details

Published
October 1, 2007
Publisher
Houghton Mifflin Harcourt
Pages
32
Format
Paperback
ISBN
9780152060770

More by Julius Lester

Similar books