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Shoedog by George Pelecanos β€” book cover

Shoedog

by George Pelecanos
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Overview

Like the kind of cars they don't make anymore and the kind of songs they don't sing, the novels of George Pelecanos have the style, rhythm and muscle of classics. SHOEDOG is vintage Pelecanos: a tale that throbs with soul and pulsates with menace.

Constantine was born in D.C., and has been traveling the world ever since-finding everything but a home. Randolph has stayed in this city every day, selling shoes in a downtown store, taking care of ladies who lie about their sizes and sometimes fit him into their beds. Now these two strangers, one white, one black, have come together in a criminal's audacious plan. With five partners and the hit ready to go down, Constantine doesn't understand the treacheries, feuds and fantasies swirling around him-and he's fallen for a woman who only doubles his risk. But Randolph, a self-confessed "shoedog," can smell trouble a mile away. And when the shooting starts, he'll give Constantine a chance to live-or die where he was born.

About the Author, George Pelecanos

George Pelecanos is the author of several highly praised and bestselling novels, including The Cut, What It Was, The Way Home, The Turnaround, and The Night Gardener. He is also an independent-film producer, an essayist, and the recipient of numerous international writing awards. He was a producer and Emmy-nominated writer for The Wire and currently writes for the acclaimed HBO series Treme. He lives in Maryland.

Biography

Few writers have employed the mean streets of Washington, D.C. as effectively as George Pelecanos, the award-winning author of two acclaimed detective series and several standalone noirs of exceptional quality.

Pelecanos debuted in 1992, with A Firing Offense, a fast-paced crime novel that introduced Nick Stefanos, a Greek-American advertising executive for an electronics chain who is reluctantly drawn into investigative work when a stock boy at his company goes missing. By book's end, Nick has lost his job and applied for his P.I. license, paving the way for further (mis)adventures. Neverthless, the series has proved anything but predictable. Some books move forward in time to reveal Nick's sad descent into alcoholism; others flash back to investigate his family's past—with Nick relegated to cameo appearances in stories that span several generations and feature a cast of interrelated characters. Beloved by readers and critics alike, the Stefanos books cast unsparing light on a city tragically mired in crime, poverty, and racism.

In his Derek Strange and Terry Quinn series, Pelecanos delves further into the racial and cultural divide between white and black. Beginning with 2001's Right as Rain, these novels feature a "salt and pepper" team of ex-cops turned detectives who forge an uneasy friendship as they investigate cases in the blighted heart of D.C. The very model of noir, the stories are steeped in the violence, brutality, and despair of urban life, but the dynamic between the tough but sensitive Strange and his younger, more volatile partner offers a hopeful and humanizing counterbalance.

A distinguishing characteristic of Pelecanos's writing is an inclusion of musical references to create atmosphere, anchor period settings, and develop his characters' personalities. (His 2004 novel Hard Revolution, a prequel to the Strange/Quinn books, was packaged in limited quantity with a CD of '70s soul music.) Pelecanos has also published mysteries and thrillers, short fiction, reviews and essays, and screenplays for film and television—most notably HBO's superb urban procedural The Wire.

Good To Know

In our interview, Pelecanos shared some interesting anecdotes about past gigs:

"I began to work at my father's lunch counter in downtown D. C. when I was 11 years old, the summer after the riots of April 1968. It was the single most influential experience of my life. Everything I've written about since has seeds in that summer."

"Another good job I had was selling women's shoes, for obvious reasons. Writing for a living isn't bad, either. It beats digging ditches or washing dishes. I know, because I've done those things, too."

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Editorials

Publishers Weekly - Publisher's Weekly

Sixty years ago, in The Postman Always Rings Twice , James M. Cain established the drifter as a dark knight of American crime fiction. Pelecanos ( Nick's Trip ) continues that tradition here, following Constantine, an enigmatic wanderer who falls into a den of thieves and disproves the adage that there's no honor among them. Hitchhiking south from Maryland to nowhere, Constantine takes a lift from an old man who stops at a country mansion to get some money. There Grimes, an equally old but wealthy man who organizes heists as a hobby, invites the pair to help rob two D.C. liquor stores. Swayed by ``the Beat'' (``the Beat was knowing that he was into something wrong, and the fear of it, and the point when the fear was no longer there. It was a hot buzz . . .''), Constantine signs on as a driver. He and his colleagues, who are all being blackmailed by Grimes, drink, plan and pick up women, with Constantine dangerously zeroing in on Grimes's young lover (``there was a freshness in her like newly printed money''). The robberies themselves, marred by a doublecross, go down fast and bad, leading Constantine to avenge his fallen partners by taking justice into his own hands. All sinners, none saints, the small-time hoods in this authentic world are crisply limned here in their fallible humanity. (May)

Book Details

Published
August 6, 2013
Publisher
Little, Brown & Company
Pages
320
Format
Paperback
ISBN
9780316246569

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