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Sky Boys: How They Built the Empire State Building by James E. Ransome β€” book cover

Sky Boys: How They Built the Empire State Building

by James E. Ransome, James Ransome
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Overview

The unbeatable team of Deborah Hopkinson and James E. Ransome present a riveting brick-by-brick account of how one of the most amazing accomplishments in American architecture came to be. Join a young boy as he watches the Empire State Building being constructed from scratch, then travels to the top to look down on all of New York City in 1931. Hopkinson, a master of historical fiction, and Ransome, an award-winning illustrator, dazzle us with this ALA Notable and a Boston Globe-Horn Book Honor Book.

In 1931, a boy and his father watch as the world's tallest building, the Empire State Building, is constructed, step-by-step, near their Manhattan home.

Synopsis

The acclaimed team that brought readers the IRA Children’s Book Award—winning Sweet Clara and the Freedom Quilt is back with a riveting brick-by-brick account of how one of the most amazing accomplishments in American architecture came to be. It’s 1930 and times are tough for Pop and his son. But look! On the corner of 34th Street and 5th Avenue, a building straight and simple as a pencil is being built in record time. Hundreds of men are leveling, shoveling, hauling. They’re hoisting 60,000 tons of steal, stacking 10 million bricks, eating lunch in the clouds. And when they cut ribbon and the crowds rush in, the boy and his father will be among the first to zoom up to the top of the tallest building in the world and see all of Manhattan spread at their feet.

Publishers Weekly

A second-person narrative voice places readers at the construction site of (at that time) the world's tallest skyscraper. From the first line, "It's the end of winter,/ and your pop's lost his job," the grim realities of the Depression form the story's backdrop. Opening spreads show a boy collecting firewood from "that old hotel/ they tore down at/ Thirty-fourth and Fifth." Hopkinson (Fannie in the Kitchen) infuses an emotional charge in her dramatization of the building's erection ("a symbol of hope/ in the darkest of times"), while also folding technical details into lyrical prose: "First come rumbling flatbed trucks,/ bundles of steel on their backs,/ like a gleaming, endless river/ surging through/ the concrete canyons of Manhattan." Ransome's oil paintings, in hues of blue, gray and russet brown, capture the scale and increasing elevation at which the "sky boys" worked. Framed against white clouds, men stand precariously on steel scaffolding. One spread, divided into vertical quarters, shows the building's progress in June, July, August and November; the next, a climactic vertical spread, boldly labeled "5:42 pm March 18, 1931," depicts workers stationed on the pinnacle mast, an American flag billowing behind them. Photographs of the site's actual construction decorate the endpapers, and an endnote offers even more details. The subplot about the father and son (who tour the completed building at the book's close) seems tacked on, but the drama of the building's rise makes for a literally riveting account. Ages 4-9. (Feb.) Copyright 2006 Reed Business Information.

About the Author, James E. Ransome

Deborah Hopkinson's most recent book is the ALA Award-Winning Apples to Oregon. Her other titles include Under the Quilt of NIght (Also illustrated by James E. Ransome) and Fannie in the Kitchen. She lives in Oregon.

James E. Ransome is the illustrator of many highly acclaimed titles including Creation, which won a Coretta Scott King Award for illustration; Major Taylor by Lesa Cline-Ransome; and Let My People Go by Patricia McKissack, winner of an NAACP Image Award. He lives in New York.

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Editorials

Publishers Weekly

A second-person narrative voice places readers at the construction site of (at that time) the world's tallest skyscraper. From the first line, "It's the end of winter,/ and your pop's lost his job," the grim realities of the Depression form the story's backdrop. Opening spreads show a boy collecting firewood from "that old hotel/ they tore down at/ Thirty-fourth and Fifth." Hopkinson (Fannie in the Kitchen) infuses an emotional charge in her dramatization of the building's erection ("a symbol of hope/ in the darkest of times"), while also folding technical details into lyrical prose: "First come rumbling flatbed trucks,/ bundles of steel on their backs,/ like a gleaming, endless river/ surging through/ the concrete canyons of Manhattan." Ransome's oil paintings, in hues of blue, gray and russet brown, capture the scale and increasing elevation at which the "sky boys" worked. Framed against white clouds, men stand precariously on steel scaffolding. One spread, divided into vertical quarters, shows the building's progress in June, July, August and November; the next, a climactic vertical spread, boldly labeled "5:42 pm March 18, 1931," depicts workers stationed on the pinnacle mast, an American flag billowing behind them. Photographs of the site's actual construction decorate the endpapers, and an endnote offers even more details. The subplot about the father and son (who tour the completed building at the book's close) seems tacked on, but the drama of the building's rise makes for a literally riveting account. Ages 4-9. (Feb.) Copyright 2006 Reed Business Information.

Children's Literature

This interesting picture book tells the story of the building of the Empire State Building in New York through free verse. While poetry and rhyme is not unusual in picture books, in this one, it creates a different feel as it shifts from 3rd person (omniscient) to 2nd person focus (through the eyes of a young boy). The illustrations use vivid color with blurred details to create a sense of the immensity of the building, from its incarnation to its completion. The focus on the "Sky Boys," those men who actually walked around on the girders, provides the tension and the adventure of the story, but the author nicely balances this with the more challenging issue of out-of-work men who were willing to put their lives on the line--literally--to get a job. A final "Note about the Story" provides additional details that avid readers will certainly want to know after reading this book. This picture book is a definite winner. 2006, Schwartz & Wade Books/Random House, Ages 5 to 10.
β€”Jean Boreen, Ph.D.

School Library Journal

K-Gr 4-Hopkinson and Ransome chronicle the construction of this famous building through the eyes of a young boy. The present-tense text gives the book a true "You are there" feel as the author describes both the actual building process and its significance as a symbol of hope during the Depression era. The pacing is never rushed, but at the same time it moves along at an energetic clip that matches the speed that characterized the construction of this National Historic Landmark. Ransome's stunning oil paintings vary in perspective as readers look up at what was once the tallest building in the world, and then down from dizzying heights as workers perch on girders on the 47th floor, feeding pigeons while taking a break for beef stew and coffee. An author's note reflects the painstaking and careful research done by both author and illustrator to ensure as authentic a presentation as possible. This is a fascinating look at a slice of American history and a worthwhile addition to any collection.-Grace Oliff, Ann Blanche Smith School, Hillsdale, NJ Copyright 2006 Reed Business Information.

Book Details

Published
February 1, 2006
Publisher
Random House Children's Books
Pages
48
Format
Hardcover
ISBN
9780375836107

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