Slan
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Overview
In the 1940s, the Golden Age of science fiction flowered in the magazine Astounding. Editor John W. Campbell, Jr., discovered and promoted great new writers such as A.E. van Vogt, whose novel Slan was one of the works of the era.
Slan is the story of Jommy Cross, the orphan mutant outcast from a future society prejudiced against mutants, or slans. Throughout the forties and into the fifties, Slan was considered the single most important SF novel, the one great book that everyone had to read. Today it remains a monument to pulp SF adventure, filled with constant action and a cornucopia of ideas. This edition has a new introduction by Kevin J. Anderson.
Synopsis
The Slans, a superior race of telepaths, are isolated and persecuted by the "normal" humans. The young Jommy Cross's mother dies in a pogrom and he struggles to survive. With its obvious evocation of the Holocaust, this novel, first published in 1941, made an enormous impression. Van Vogt (1912-2000) was an SFFWA Grand Master.
Gale Research
Slan, is the story of a young mutant who can read minds, among other powers, fleeing persecution by the society that killed his parents. Although other writers had previously used the superman motif in science fiction stories, declares Sam Moskowitz in Seekers of Tomorrow: Masters of Modern Science Fiction," Van Vogt seems to have been the first science-fiction author with the courage to explore the sociological implications of the superhuman race living in and among humans." Slan "is still, after forty years, widely regarded as a classic, and continues the mainstay of [Van Vogt's] fame," says Dictionary of Literary Biography contributor Arthur Jean Cox. "By any standard," Moskowitz concludes, "it was a milestone in science fiction."
Editorials
From the Publisher
"Over fifty years on from when it first saw print, van Vogt's Slan is still one of the quintessential classics of the field that other SF novels will inevitably be measured against." —Charles de Lint"Van Vogt was creating the mythology of science, writing stories of science as magic or magic as science." —James Gunn
"Along with Isaac Asimov and Robert A. Heinlein—and to a lesser extent L. Sprague de Camp and L. Ron Hubbard—he seemed nearly to create, by writing what Campbell wanted to publish, the first genuinely successful period of U.S. SF; only in this 'Golden Age' did it begin to achieve [success], in literary terms...." —The Encyclopedia of Science Fiction