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Small Things Considered: Why There Is No Perfect Design by Henry Petroski — book cover

Small Things Considered: Why There Is No Perfect Design

by Henry Petroski
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Overview

Why has the durable paper shopping bag been largely replaced by its flimsy plastic counterpart? What circuitous chain of improvements led to such innovations as the automobile cup holder and the swiveling vegetable peeler? With the same relentless curiosity and lucid, witty prose he brought to his earlier books, Henry Petroski looks at some of our most familiar objects and reveals that they are, in fact, works in progress. For there can never be an end to the quest for the perfect design.

To illustrate his thesis, Petroski tells the story of the paper drinking cup, which owes its popularity to the discovery that water glasses could carry germs. He pays tribute to the little plastic tripod that keeps pizza from sticking to the box and analyzes the numerical layouts of telephones and handheld calculators. Small Things Considered is Petroski at his most trenchant and provocative, casting his eye not only on everyday artifacts but on their users as well.

Synopsis

Why has the durable paper shopping bag been largely replaced by its flimsy plastic counterpart? What circuitous chain of improvements led to such innovations as the automobile cup holder and the swiveling vegetable peeler? With the same relentless curiosity and lucid, witty prose he brought to his earlier books, Henry Petroski looks at some of our most familiar objects and reveals that they are, in fact, works in progress. For there can never be an end to the quest for the perfect design.

To illustrate his thesis, Petroski tells the story of the paper drinking cup, which owes its popularity to the discovery that water glasses could carry germs. He pays tribute to the little plastic tripod that keeps pizza from sticking to the box and analyzes the numerical layouts of telephones and handheld calculators. Small Things Considered is Petroski at his most trenchant and provocative, casting his eye not only on everyday artifacts but on their users as well.

Publishers Weekly

"Design can be easy and difficult at the same time, but in the end, it is mostly difficult." So writes engineering professor Petroski (The Evolution of Useful Things, etc.) in his latest effort, a wide-ranging exploration of the history and design of the everyday technologies like supermarket aisles and telephone keypads that are practically invisible in their ubiquity. Petroski emphasizes that these "small things" aren't in fact the results of a smooth and simple design process, but are rather the products of a constellation of oft-conflicting constraints, frequently with unintended consequences (consider the recently redesigned, fat-handled toothbrushes that, while more ergonomic, have rendered millions of traditional toothbrush holders useless). The book meanders through this world of design, less concerned with making a direct argument than with reveling in the complexities of the ever-changing design of everyday things, such as Brita water pitchers and freeway tollbooths. The writing is engaging and approachable, and reading the book feels like sitting down for a long chat with that favorite uncle who seems to know a bit about everything and never hesitates to throw in his own take on matters. Petroski's histories of, among others, paper cups and duct tape are fascinating, and this book leaves us a little more conscious of the never-ending design process of our modern world. 22 photos. (Sept. 22) Copyright 2003 Reed Business Information.

About the Author, Henry Petroski

Henry Petroski is the Aleksandar S. Vesic Professor of Civil Engineering and a professor of history at Duke University. He is the author of ten previous books.

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Editorials

Publishers Weekly

"Design can be easy and difficult at the same time, but in the end, it is mostly difficult." So writes engineering professor Petroski (The Evolution of Useful Things, etc.) in his latest effort, a wide-ranging exploration of the history and design of the everyday technologies like supermarket aisles and telephone keypads that are practically invisible in their ubiquity. Petroski emphasizes that these "small things" aren't in fact the results of a smooth and simple design process, but are rather the products of a constellation of oft-conflicting constraints, frequently with unintended consequences (consider the recently redesigned, fat-handled toothbrushes that, while more ergonomic, have rendered millions of traditional toothbrush holders useless). The book meanders through this world of design, less concerned with making a direct argument than with reveling in the complexities of the ever-changing design of everyday things, such as Brita water pitchers and freeway tollbooths. The writing is engaging and approachable, and reading the book feels like sitting down for a long chat with that favorite uncle who seems to know a bit about everything and never hesitates to throw in his own take on matters. Petroski's histories of, among others, paper cups and duct tape are fascinating, and this book leaves us a little more conscious of the never-ending design process of our modern world. 22 photos. (Sept. 22) Copyright 2003 Reed Business Information.

Library Journal

An engineer extraordinaire on the creative effort of designing the simplest things, from paperclips to paper cups. Copyright 2003 Reed Business Information.

Kirkus Reviews

Forays taken with comfortable ease into the process of design—and the art of compromise—by someone who likes his engineering served on a bed of multiple variables. There are, Petroski (Paperboy, 2002, etc.) explains, a host of considerations in any design work, from aesthetics to effectiveness, transparency of use to manufacturing costs. It is always a matter of balance and compromise, objectives competing with one another to determine the most important at a given moment. An invention may have all the required or desirable elements and qualities, yet perfection is elusive: "The concept of comparative improvement is imbedded in the paradigm for invention, the better mousetrap." As consumers, we make design decisions every day and "understand viscerally that design must always conform to constraint, must always require choice, and thus must always involve compromise." We may embrace the minor flaws and idiosyncrasies of some designs—having to put a thumb on the lid of a Brita pitcher, for instance—because we admire other aspects of the design, though an E-Z Pass or Metrocard that doesn’t perform will make us abandon the product. With storytelling talent, as ever, Petroski walks readers through the evolution of duct tape and supermarket layout, vegetable peelers and automobile headlights, paper cups and cup dispensers and cup holders, ergonomically sound and child-pleasing toothbrush handles, and rotary telephones, the brainstorm of an undertaker who thought an operator was being bribed to direct calls to a competitor. As pleasing and effective as Petroski is, he has a few design flaws of his own, including a tendency to go on, clarifying the clarifications: "Weunderstand that we cannot watch two programs at once, unless we have more than one set or our set has a picture-in-a-picture feature." "We live in a world of imperfect things, just as we do in a world of imperfect fellow human beings." But who’d have thought the genesis of those imperfect things would be so fascinating? (22 photographs)

Book Details

Published
September 1, 2004
Publisher
Knopf Doubleday Publishing Group
Pages
288
Format
Paperback
ISBN
9781400032938

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