Synopsis
Hailed by Horace and Quintilian as the greatest of Greek lyric poets, Pindar has always enjoyed a privileged position in the so-called classical tradition of the West. Given the intense difficulty of the poetry, however, Pindaric interpretation has forever grappled with the perplexing dilemma that one of the most influential poets of antiquity should prove to be so dark.
In discussing both poets and scholars from a broad historical span, with special emphasis on the German legacy of genius, Soliciting Darkness investigates how Pindar's obscurity has been perceived and confronted, extorted and exploited. As such, this study addresses a variety of pressing issues, including the recovery and appropriation of classical texts, problems of translation, representations of lyric authenticity, and the possibility or impossibility of a continuous literary tradition. The poetics of obscurity that emerges here suggests that taking Pindar to be an incomprehensible poet may not simply be the result of an insufficient or false reading, but rather may serve as a wholly adequate judgment.
Religious Studies Review
[Hamilton] controls not only German but also Greek and Latin, thus yielding a book of extraordinary interest. Hamilton is concerned largely with the reception of Pindar in Europe from Horace until Wilamowitz, with obvious emphasis on Germany and France. His lucid style avoids jargon and he has an enviable ability to translate the abstractions of Hegel, Schopenhauer and Kant into intelligible English...German and Greek passages are regularly and elegantly translated. We find welcome insights on performance. There is a fine bibliography...Teachers of Pindar will find much to enrich their lectures here. I warmly recommend their purchasing the book.
— William M. Calder II