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Overview
John Taylor is not a private detective per se, but he has a knack for finding lost things. That's why he's been hired to descend into the Nightside, an otherworldly realm in the center of London where fantasy and reality share renting space and the sun never shines
Synopsis
John Taylor is not a private detective per se, but he has a knack for finding lost things. That's why he's been hired to descend into the Nightside, an otherworldly realm in the center of London where fantasy and reality share renting space and the sun never shines.
For John Taylor, there's no place like home...
Editorials
From Barnes & Noble
The Barnes & Noble ReviewSimon R. Green, the British author best known for his swashbuckling Deathstalker space opera, which featured the larger-than-life characters Owen Deathstalker and Hazel d'Ark, is back with another outrageously fun series.
Something from the Nightside is the first book in Green's Nightside sequence, a hard-boiled mystery that chronicles the life of John Taylor, a down-and-out private detective with supernatural abilities who specializes in finding lost things in Nightside. The realm of Nightside is "the secret, hidden, dark heart" of London, a subterranean world where time and reality have no meaning, a place where it's always three o'clock in the morning and something dangerous is most definitely lurking right around the corner.
When a desperate blonde comes to John searching for her runaway daughter, he takes the case, although it means returning to his place of birth, Nightside. John has been living in "the real world" for five years, and returning to Nightside means being reacquainted with old friends like Razor Eddie, Punk God of the Straight Razor, and Shotgun Suzie, a leather-clad bounty hunter. But the first rule in Nightside is never trust anyone…
Like Green's popular Deathstalker novels, Something from the Nightside is thoroughly enjoyable. John Taylor and his group of homicidal friends are guaranteed to entertain (and terrify), and although this novel has a satisfying ending, it's obvious that Green is setting the table for a much bigger, more complex conclusion. Paul Goat Allen