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Canadian Fiction, Gay & Lesbian Fiction, Multicultural Detectives - Fiction, Arts & Entertainment - Fiction
Soon to Be a Major Motion Picture by Warren Dunford β€” book cover

Soon to Be a Major Motion Picture

by Warren Dunford
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Overview

"One of the funniest and most shamelessly entertaining novels around," wrote Now Magazine about Warren Dunford's hilariously off-kilter novel of friendship, artistic ambition, and organized crime. Originally published in Canada to widespread acclaim, Dunford's Soon to Be a Major Motion Picture has finally crossed the border. Stirring elements of screenwriting, thriller fiction, ironic self-examination, and urban street smarts into an oddly invigorating postmodern stew, Dunford's novel drops the reader into the lives of Mitchell Draper, screenwriter/office temp; Ingrid Iversen, painter/coffeehouse manager; and Ramir Martinez, actor/health-food-store clerk as they come face-to-face with their dreams in the last way they expected. Mitchell's sudden and suspicious opportunity to pen the screenplay of a bad "mafia princess" movie for obnoxious film producer Carmen Denver coincides with the opening of a reluctant Ingrid's first exhibit and Ramir's one-man-show. What goes wrong? Lucky for the reader, pretty much everything as mysterious stalkers, threatening phone calls, and old secrets promise to do a lot more than just break up a friendship in what actress Anne Bancroft called "One of the best fun reads of all time!"

"Comic and unexpected ... a far more eloquent meditation on art and dreck than any 5,000-word essay in Harper's. [Dunford] can look forward to a loyal and growing audience."-Paragraph: The Canadian Fiction Review

Warren Dunford has been a professional writer for 17 years; his stories have appeared in Quickies 2, This Magazine, and The Toronto Star as well as numerous men's magazines. He is the owner of Warren DunfordCreative Services, providing copywriting services for a range of corporations. He lives in Toronto, where he is hard at work on the sequel to Soon to be a Major Motion Picture.


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Editorials

Publishers Weekly - Publisher's Weekly

Dunford's riotous and rollicking novel is infused with added wit and verve thanks to actor Mitchell Anderson's (Relax... It's Just Sex; Party of Five) virtuoso performance. Mining every comedic possibility from the smart dialogue and delightfully convoluted plot twists, Anderson plays all the characters in the book with lightning-fast agility. The novel unfolds as Mitchell Draper, a gay Toronto office temp and would-be screenwriter, sits at his typewriter chronicling his misadventures as they develop. The book's style adapts perfectly to the audio format. Mitchell's big break comes when Carmen Denver lumbers up his stairs (sounding like Mike Meyer's Linda Richmond/Cawfee Tawk character) and offers him a chance to script her top-secret blockbuster. When Mitchell's pals, coffeehouse manager/painter Ingrid and health food store clerk/actor Ramir, each experience a turn of good fortune, it looks like everyone will enjoy a happy ending. But that's when the complications start, and the laughter builds as Mitchell discovers that the Mafia Princess-like potboiler he's writing to Carmen's specifications is not fiction. Another top production from fledgling Fluid Words. Simultaneous release with the Alyson paperback original (Forecasts, Sept. 18). (Feb.) Copyright 2001 Cahners Business Information.

Kirkus Reviews

Toronto copywriter Dunford's first novel, original published in Canada in 1998, presents the allegedly hilarious misadventures of an aspiring Toronto screenwriter. Three weeks a month, Mitchell Draper labors as an office temp; the rest of the time, he slaves over pornographic sketches he sells to gay magazines and such ennobling screen projects as Hell Hole. One fine day he gets a call from nouvelle producer Carmen Denver, who thinks despite his lack of credits that he's just the guy to write the screenplay for her first film, A Time for Revenge, the saga of a Mafia princess determined to make her father pay for his misdeeds. Mitchell's ensuing roller-coaster alternation between conviction that the scenes he's writing to Carmen's measure are brilliantly successful and his certainty that her criticisms are right on target and he'll never be a screenwriter is the best thing about this Horatio Alger update. The worst is the mirror-image of Mitchell's manic-depression: Dunford's vision of Toronto as a town in which every passerby looks just like a movie star, and every coffee-shop manager is secretly waiting to break through as a painter or actor. When Mitchell's exuberant paranoia about whether Carmen is really on the up-and-up after all, and why she's being trailed by a man who's the spitting image of Antonio Banderas, combines with Dunford's split-level group portrait of Mitchell's friends Ingrid and Ramir as menials and little businesspeople just waiting for their chance to become the stars the rest of the cast so closely resembles, the result has all the coy depth of an extended game of Spot the Celebrity. Fairy-talebreakthroughsto riches and fame, on-the-spot reversals, melodramatic unmaskings, interpolated scenes written as unfailingly good-natured screen dialogue: Dunford provides everything for a sitcom pilot except the laugh trackβ€”and the laughs.

Book Details

Published
October 25, 2000
Publisher
Alyson Publications Inc
Pages
253
Format
Paperback
ISBN
9781555835828

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