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Book cover of Sophie
Teen Fiction

Sophie

by Guy Burt
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Overview

“[Sophie] combines the creepy narrative power of a young William Golding with the disturbingly accurate memory of what it is like to be a child. . . . So good that one can only wonder what [Burt] will do next.”
—The Times (London)

In a dark room of a dilapidated house, as a storm rages outside, Matthew lights a candle and places it in the center of the floor. Its light spreads across the wall and illuminates Sophie, tied up in a chair facing him. She is frightened, fearful of what he might do next. But for now, it seems, all Matthew wants to do is talk. Talk about the events of nearly twenty years ago, about their strange childhood, and about the summer when Sophie grew up and everything changed . . . forever.

Young Mattie and Sophie lived in a world seemingly without constraints. Their cold mother barely paid attention to her children. Their father, a mere shadow in their lives, was never home. So Mattie and Sophie had the run of the gardens and the woods beyond. They played youthful games, but Sophie was extraordinarily intelligent, a fact she took great pains to hide from her teachers, so as not to stand out. Sophie was everything to Mattie, and he worshiped her. He wanted to know her secrets, the things that went on inside her brilliant mind. But Sophie was changing. And the summer before she went away to boarding school, the things she had worked so hard to conceal would come spilling out—and Mattie would have to live with the shocking consequences.

Now he’s all grown up, too, and Matthew wants answers to the questions that still darken his mind—no matter what the cost. . . .

Synopsis

[Sophie] combines the creepy narrative power of a young William Golding with the disturbingly accurate memory of what it is like to be a child. . . . So good that one can only wonder what [Burt] will do next.

Publishers Weekly

Haunting, enigmatic and suspenseful, Burt's second novel (after The Hole) is a tightly woven tale of psychological horror, in which two children shape and destroy their small world. Sophie and Matthew live in a large house in rural England with a distant, mentally ill mother and a father who comes and goes. The remoteness of both of their caretakers allows the children complete freedom to fill their days as they wish, usually with long rambling walks in the woods, digging in the nearby abandoned quarry and exploring abandoned farms. Sophie's extraordinary brilliance means she can easily manipulate the adults in her life-at school, on tests and at home. Over the course of six years-from the time Sophie is seven and Mattie five-Burt tantalizes the reader with unsettling glimpses of Sophie's cunning, disturbing plans and shows how Mattie follows Sophie's lead with the love and admiration of a younger sibling. Narrated in part by an adult Sophie and Mattie 20 years later, the novel cleverly shifts perspective more than once, leading up to an explosive series of final twists. Mattie is forced to see Sophie for who she was as a child and himself for the adult he has become. At the dark denouement, the reader will be tempted to start the book over again to see just how Burt wrought this ingenious tale. (July) Forecast: Prolific as well as precocious, Burt wrote The Hole at 18 and Sophie at 19. Fans of William Golding and J.G. Ballard might profitably be steered to his novels. Copyright 2003 Reed Business Information.

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Editorials

Publishers Weekly

Haunting, enigmatic and suspenseful, Burt's second novel (after The Hole) is a tightly woven tale of psychological horror, in which two children shape and destroy their small world. Sophie and Matthew live in a large house in rural England with a distant, mentally ill mother and a father who comes and goes. The remoteness of both of their caretakers allows the children complete freedom to fill their days as they wish, usually with long rambling walks in the woods, digging in the nearby abandoned quarry and exploring abandoned farms. Sophie's extraordinary brilliance means she can easily manipulate the adults in her life-at school, on tests and at home. Over the course of six years-from the time Sophie is seven and Mattie five-Burt tantalizes the reader with unsettling glimpses of Sophie's cunning, disturbing plans and shows how Mattie follows Sophie's lead with the love and admiration of a younger sibling. Narrated in part by an adult Sophie and Mattie 20 years later, the novel cleverly shifts perspective more than once, leading up to an explosive series of final twists. Mattie is forced to see Sophie for who she was as a child and himself for the adult he has become. At the dark denouement, the reader will be tempted to start the book over again to see just how Burt wrought this ingenious tale. (July) Forecast: Prolific as well as precocious, Burt wrote The Hole at 18 and Sophie at 19. Fans of William Golding and J.G. Ballard might profitably be steered to his novels. Copyright 2003 Reed Business Information.

VOYA

A suspenseful atmosphere of dread and mystery propels Burt's disturbing and often confusing psychological thriller. As the story opens, a young woman called Sophie is being held prisoner by her younger brother, Matthew, in their childhood home. As children, Sophie and Matthew were inseparable. Brilliant Sophie cared for Matthew and protected him from their distant and cruel mother, but now, Matthew is distraught and dangerous. He desperately seeks answers to the questions raised by the traumas of their childhood. Who was Ol' Grady, who terrorized Matthew's dreams, and how did Sophie put a stop to him? What strange power did Sophie have over their mother? What really happened to their younger brother, who died as an infant? The narrative alternates between present-day Sophie's first-person account of her captivity and Matthew's recollections of their childhood. Once hooked, readers will want to rush to the end to discover Matthew's and Sophie's secrets. Although the ending is full of shocking revelations, the plot unfortunately is ultimately unclear and frustrating. As long as they are up for a bleak and at times harrowing read, mature teens looking for a creepy tale of psychological horror will appreciate this gripping and original story. VOYA Codes: 4Q 3P S A/YA (Better than most, marred only by occasional lapses; Will appeal with pushing; Senior High, defined as grades 10 to 12; Adult-marketed book recommended for Young Adults). 2003 (orig. 1994), Ballantine, 218p., Trade pb. Ages 15 to Adult.
—Amy Luedtke

Library Journal

Burt's first novel, The Hole, published when he was 18, delved into the emotional lives of five teens trapped together for days. In Sophie, he embarks on a similar exploration with sibling protagonists who are trapped in a relationship as claustrophobic as it is protective and loving. As the book opens, an adult Mattie is holding Sophie captive. Incapable of moving on with his life, Mattie needs Sophie to listen as he attempts to piece together and understand the life-altering events of their childhood. Because Sophie is two years older, all Mattie's memories are of their lives in tandem. From as far back as he can remember, Sophie was there, guiding, protecting, and controlling him. In a spare and subtle style, Burt ratchets up the suspense, already inherent in Sophie's immediate danger, with a dreamlike narration that takes the reader deeper into Mattie's tainted and troubling childhood. This psychological thriller is recommended for most public libraries.-Jane Jorgenson, Madison P.L., WI Copyright 2003 Reed Business Information.

Kirkus Reviews

From the British author of The Hole (2001): a first US appearance of a slim, taut, creepy psychological thriller, written when Burt was 19. Mattie is five and his sister Sophie seven in Mattie’s earliest memories of their gothic English country-house childhood, at first somewhat normal in the telling, but not enough to hide the fact that something--or everything--is just not right. We see the young Sophie through Mattie’s eyes as he recounts key details from their closed and obsessively secretive world. And we see Mattie, in the present, through the eyes of the novel’s narrator as, one night some twenty years later, he struggles to address those memories. Mattie has brought "Sophie" to the now-abandoned house in which he grew up; tied up and helpless, she tries to understand the adult Mattie as he speaks, looking for any clue that might help her. Their mother was a shadowy presence occasionally erupting in towering anger, their father almost completely absent, though he does show up to impregnate his wife: the new little brother doesn’t last long. Sophie, frighteningly intelligent, has an unexplained hold over their mother, who seems to fear her; and that fear is somehow related to Mattie’s nightmares of a terrifying figure, Ol’ Grady, creeping into his room at night and of Sophie’s protecting them. Sophie works hard to conceal her intelligence from her teachers, but the other kids know she’s not like them. When two boys make the mistake of getting into a schoolyard scuffle with Mattie, Sophie displays an almost inhuman efficiency in getting rid of them. As Mattie’s memories approach the day when 13-year-old Sophie is to go off to boarding school and leave Mattie alone with their mother,the identity of the monster in the family becomes less clear, and his captive realizes she’s not the first "Sophie" to hear the story. Slight and obliquely told, but dense with atmospherics and creeping dread.

Book Details

Published
July 1, 2003
Publisher
Random House Publishing Group
Pages
224
Format
Paperback
ISBN
9780345446596

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