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Overview
SHAKESPEARE SHAPIRO HAS ALWAYS hated his name. His parents bestowed it on him as some kind of sick joke when he was born, and his life has gone downhill from there, one embarrassing incident after another. Entering his senior year of high school, Shakespeare has never had a girlfriend, his younger brother is cooler than he is, and his best friend's favorite topic of conversation is his bowel movements.
But Shakespeare will have the last laugh. He is chronicling every mortifying detail in his memoir, the writing project each senior at Shakespeare's high school must complete. And he is doing it brilliantly. And, just maybe, a prize-winning memoir will bring him respect, admiration, and a girlfriend . . . or at least a prom date.
Synopsis
Shakespeare Shapiro has always hated his name. His parents bestowed it on him as some kind of sick joke when he was born, and since then his life has been one embarrassing incident after another. As he enters his senior year of high school, Shakespeare s love life is nonexistent, his younger brother is maddeningly popular, and his best friend talks nonstop about his bowel movements. But Shakespeare will have the last laugh. He is chronicling every mortifying detail in his memoir, the writing project each senior must complete. And he is doing it brilliantly. For as much as he hates his name, Shakespeare is a good writer. And just maybe a prizewinning memoir will bring him respect, admiration, and a girlfriend or at least a prom date.
Publishers Weekly
This bold and bawdy first novel introduces Shakespeare Shapiro, whose very name seems to destine him for a life of farce (that his parents offer changing but invariably embarrassing explanations for his whacko moniker merely compounds matters). Now that he's taking the memoir-writing class required of all seniors at Ernest Hemingway High, he seizes the chance to frame his life as a darkly comedic series of humiliations, from being born on Hitler's birthday ("Whenever I did anything wrong, my father would call me Adolf") to his father's blackmail techniques ("I'm about ten seconds away from telling you things [about our sex life] that will haunt you for the rest of your life," his father cheerfully threatens an 11-year-old Shakespeare) to his misadventures in masturbating. Wizner knows just how to set up his outrageous jokes and how far to push most (not all) of them; and nothing seems off-limits, neither religion nor sex nor bowel movements. This author demonstrates an equally sure approach to sober themes: as his memoir assignments win him increasing respect and interest from his classmates, Shakespeare slowly realizes that the role of comic victim is one he has chosen in order to avoid challenging himself. Exceptionally funny and smart. Ages 14-up. (Sept.)
Copyright 2007 Reed Business InformationEditorials
Publishers Weekly
This bold and bawdy first novel introduces Shakespeare Shapiro, whose very name seems to destine him for a life of farce (that his parents offer changing but invariably embarrassing explanations for his whacko moniker merely compounds matters). Now that he's taking the memoir-writing class required of all seniors at Ernest Hemingway High, he seizes the chance to frame his life as a darkly comedic series of humiliations, from being born on Hitler's birthday ("Whenever I did anything wrong, my father would call me Adolf") to his father's blackmail techniques ("I'm about ten seconds away from telling you things [about our sex life] that will haunt you for the rest of your life," his father cheerfully threatens an 11-year-old Shakespeare) to his misadventures in masturbating. Wizner knows just how to set up his outrageous jokes and how far to push most (not all) of them; and nothing seems off-limits, neither religion nor sex nor bowel movements. This author demonstrates an equally sure approach to sober themes: as his memoir assignments win him increasing respect and interest from his classmates, Shakespeare slowly realizes that the role of comic victim is one he has chosen in order to avoid challenging himself. Exceptionally funny and smart. Ages 14-up. (Sept.)
Copyright 2007 Reed Business InformationChildren's Literature
It seems unfair that the years in which kids are most sensitive to anxiety and humiliation, rage and depression, isolation and boredom, are the very years those emotions tend to be most brutally provoked, largely by the chemistry of changing bodies but all too often by parents, peers and teachers. That is what makes high school so awful. This is a self-consciously ironic story about the awfulness of high school, the emptiness of fantasy, the frustrations of family, and how all of these trials are experienced by a boy whose first name is Shakespeare. Like most high schoolers, he takes himself much too seriously, wallows in self-pity, and never opens himself to another person. Unlike most, he likes to write. The story is told in the first person and divided into sections of narrative interspersed with sections representing his written work. Often funny, the book is also at times irritating (at least to this old man who attended high school so long ago he has forgotten why he hated it). It is Jake Wizner’s first book. He has a wonderful voice and, while he depends more than he needs to on vulgarity and devices like an unusually named hero, one character in particular gives us reason to look forward to his next book. She’s the daughter of a suicide victim whose father is only half a father and whose younger brother’s behavior nearly prevents her graduation. The contrast between her very real difficulties and the hero’s largely imagined problems, yield a soft and engaging insight into how and why so many survive such awful years. Reviewer: Michael ChabinVOYA
In his senior memoir for Hemingway High, Shakespeare Shapiro casts himself as the hapless victim of dysfunctional parents, humiliating school incidents, a virile libido frustrated by social inhibitions, and his socially savvy, popular younger brother, Gandhi. With spring's project deadline looming, Shakespeare drafts personal essays that appear interspersed with the academic year's narrative. Wizner's witty, poignant first novel recounts Shakespeare's angst-laden story of college applications (twenty-three, ranging from unrealistic to safety schools), potential love interests (including safeties), and friendships (two: Neil, a self-absorbed, scatological conversationalist, and Katie, cynical and verbally abusive). From the wry opening-"consider the implications of a name like Shakespeare"-through parental trials and finally graduation, where his memoir 17 Down receives a coveted honorable mention, it is a hilarious read. A high school freshman "test driving" the book for this reviewer observed, "This is an embarrassing book to read," and then resisted all attempts to pry him from its pages. Recommended for older teens and even adults, it is extremely well-suited to boys, although that same freshman reader thinks that girls would also appreciate it. Baby boomers on down will relish Shakespeare's one experience with marijuana, getting high for the first time and having forgotten the family gathering scheduled for that evening. When his bizarre behavior prompts his mother to ask if he is high and he answers truthfully, he suddenly gains prestige in Gandhi's eyes. Raw, sexual, cynical, and honest, this book belongs on library shelves and gift lists.School Library Journal
Gr 10 Up After 17 years with an awful name, little luck, and a nonexistent love life, Shakespeare Shapiro hopes to win a coveted writing award and finally get laid. Wizner endows his narrator with a hilarious, self-deprecating comedic voice that makes readers forgive traces of self-pity. The teen's humor finds resonance in reality, as he airs dirty adolescent laundry for laughs. He offers an unshirking satire of tipsy parents, bowel-obsessed friends, erections, porn, bong hits, drunken mistakes, and unfortunate dates. Angst-riddled teens, particularly boys, will find mortifying situations to which they can intimately relate and a bit of absolution. Clever readers will see two tables of contents and realize that the book alternates between Shakespeare's contest submission and another novel covering his senior year. Other imaginative embellishments in format make Shakespeare, an already wonderfully developed character, feel all the more real. Gray smudges and the ghostly image of plastic spiral binding suggest that the teen slaved over a copy machine to create the book. It is easy to picture him obsessing over binding his publication, as he focuses on himself for the entire novel. When he falls for another finalist, however, a girl whose world poses very real, very tough challenges, his life suddenly doesn't seem so bad. Laughs alone make this effort successful, but Wizner allows Shakespeare to grow and learn just a little, too-an extraordinary feat for such a raucous read.-Shelley Huntington, New York Public Library