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Fiction, American Fiction, World Literature, Fiction Subjects, Science Fiction & Fantasy

Specimen Days

by Michael Cunningham
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Overview

In each section of Michael Cunningham's bold new novel, his first since The Hours, we encounter the same group of characters: a young boy, an older man, and a young woman. "In the Machine" is a ghost story that takes place at the height of the industrial revolution, as human beings confront the alienating realities of the new machine age. "The Children's Crusade," set in the early twenty-first century, plays with the conventions of the noir thriller as it tracks the pursuit of a terrorist band that is detonating bombs, seemingly at random, around the city. The third part, "Like Beauty," evokes a New York 150 years into the future, when the city is all but overwhelmed by refugees from the first inhabited planet to be contacted by the people of Earth.

Presiding over each episode of this interrelated whole is the prophetic figure of the poet Walt Whitman, who promised his future readers, "It avails not, neither time or place . . . I am with you, and know how it is." Specimen Days is a genre-bending, haunting, and transformative ode to life in our greatest city and a meditation on the direction and meaning of America's destiny. It is a work of surpassing power and beauty by one of the most original and daring writers at work today.

Synopsis

In each section of Michael Cunningham's bold new novel, his first since The Hours, we encounter the same group of characters: a young boy, a man, and a woman. "In the Machine" is a ghost story that takes place at the height of the industrial revolution as human beings confront the alienating realities of the new machine age. "The Children's Crusade," set in the early twenty-first century, plays with the conventions of the noir thriller as it tracks the pursuit of a terrorist band that is detonating bombs, seemingly at random, around the city. The third part, "Like Beauty," evokes a New York 150 years into the future, when the city is all but overwhelmed by refugees from the first inhabited planet to be contacted by the people of Earth.

Presiding over each episode of this interrelated whole is the prophetic figure of the poet Walt Whitman, who promised his future readers, "It avails not, neither time or place . . . I am with you, and know how it is." Specimen Days is a genre-bending, haunting, and transformative ode to life in our greatest city, and a meditation on the direction and meaning of America's destiny. It is a work of surpassing power and beauty by one of the most original and daring writers at work today.

The Washington Post - Elaine Canin

It's this sense of tragedy, in fact, quietly thrumming below the racket of nuclear Winnebagos and Whitman-ejaculating memory chips, that sets this far-ranging adventure squarely in the realm of Cunningham's other painfully felt novels. The structure of Specimen Days is experimental, its plots are bizarre, and one character is literally poikilothermic, but at the same time the book concerns itself with what all his books have: human connection among misfits of every ilk, our constant pain of loss, and our equally constant striving for solace.

About the Author, Michael Cunningham

From his critically-acclaimed debut novel A Home at the End of the World to his Pulitzer Prize-winning homage to Virginia Woolf, The Hours, Michael Cunningham has earned a reputation for using his particular way with words to bring out a story's soul.

Reviews

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Editorials

From Barnes & Noble

Michael Cunningham's first novel since The Hours resembles a three-movement concerto. Each of the story/movements features the same group of characters (a little boy; an older man; and a young woman) and each tale is permeated by the spirit presence of poet Walt Whitman. Borrowing its title from the Good Gray Poet's classic prose collection, Specimen Days touches down in New York during three eras: the Industrial Revolution, the Roaring '20s, and the 22nd century. Filtered through various styles and genres, the stories nevertheless retain a haunting continuity. Like The Hours, they ensnare us in ways that we cannot explain.

From the Publisher

“Another dazzling tour de force.” —Library Journal

“[Walt Whitman’s] boundless spirit . . . imbues Specimen Days with a sense of wonder and magic.” —Elissa Schappel, Vanity Fair Praise for The Hours:

"A smashing literary tour de force and an utterly invigorating reading experience. If this book does not make you jump up from the sofa, looking at life and literature in new ways, check to see if you have a pulse." —USA Today

Elaine Canin

It's this sense of tragedy, in fact, quietly thrumming below the racket of nuclear Winnebagos and Whitman-ejaculating memory chips, that sets this far-ranging adventure squarely in the realm of Cunningham's other painfully felt novels. The structure of Specimen Days is experimental, its plots are bizarre, and one character is literally poikilothermic, but at the same time the book concerns itself with what all his books have: human connection among misfits of every ilk, our constant pain of loss, and our equally constant striving for solace.
— The Washington Post

Publishers Weekly

Engaging Walt Whitman as his muse (and borrowing the name of Whitman's 1882 autobiography for his title), Cunningham weaves a captivating, strange and extravagant novel of human progress and social decline. Like his Pulitzer Prize-winning The Hours, the novel tells three stories separated in time. But here, the stage is the same (the "glittering, blighted" city of Manhattan), the actors mirror each other (a deformed, Whitman-quoting boy, Luke, is a terrorist in one story and a teenage prophet in another; a world-weary woman, Catherine, is a would-be bride and an alien; and a handsome young man, Simon, is a ghost, a business man and an artificial human) and weighty themes (of love and fear, loss and connection, violence and poetry) reverberate with increasing power. "In the Machine," set during the Industrial Revolution, tells the story of 12-year-old Luke as he falls in love with his dead brother's girlfriend, Catherine, and becomes convinced that the ghost of his brother, Simon, lives inside the iron works machine that killed him. The suspenseful "The Children's Crusade" explores love and maternal instinct via a thrilleresque plot, as Cat, a black forensic psychologist, draws away from her rich, white and younger lover, Simon, and toward a spooky, deformed boy who's also a member of a global network committed to random acts of terror. And in "Like Beauty," Simon, a "simulo"; Catareen, a lizard-like alien; and Luke, an adolescent prophet, strike out for a new life in a postapocalyptic world. With its narrative leaps and self-conscious flights into the transcendent, Cunningham's fourth novel sometimes seems ready to collapse under the weight of its lavishness and ambition-but thrillingly, it never does. This is daring, memorable fiction. Agent, Gail Hochman. (June) Copyright 2005 Reed Business Information.

Library Journal

Just as Virginia Woolf haunts Cunningham's The Hours, Walt Whitman colors the novelist's latest effort. Specimen Days tells three stories, all set in Manhattan from different time periods, linked by characters with the same names and by Whitman's poetry. Whitman himself appears briefly in the 19th-century episode, the most moving and evocative of the three, in which a 13-year-old boy, the son of Irish immigrants, works in a factory. The second is set in the present and follows a police psychologist as she investigates a series of bizarre murder-suicides. The last occurs 150 years in the future: Manhattan has become a theme park, and tourists pay to be assaulted. Cunningham's themes never quite come into focus, despite his lyrical writing. Each section illustrates a genre (ghost story, police procedural, and sf) with which the author is not completely comfortable. On the other hand, Alan Cumming gives a brilliant and heartfelt, though never sentimental, reading. Recommended.-Michael Adams, CUNY Graduate Ctr. Copyright 2005 Reed Business Information.

School Library Journal

Adult/High School-Billed as a novel, this Walt Whitman-inspired genre bender works more as three novellas, each one tackling a different form. "In the Machine" is a ghost story of sorts set in mid-1800s New York City. Young Luke takes a job at the factory where his older brother was killed. He falls in love with Simon's girlfriend and begins to hear his dead brother's voice speaking to him through the violent poundings, whirrings, and clankings. While the 19th-century style of writing evokes a dark, spooky atmosphere, some readers may be put off a little by the slow pace. "The Children's Crusade" carries readers to post-9/11 New York. Cat, a forensic psychologist, investigates a network of terrorists who use children to commit attacks. Suspenseful and exciting, the tale moves beyond the norms of the typical thriller by dredging up deep issues from Cat's past. "Like Beauty" takes place 150 years into the future. There, the simulo, or android, Simon and the lizardlike alien Catareen join in a bizarre and terrifying road trip from New York City to Denver. Cunnigham does a wonderful job of creating a postapocalyptic society that's frightening and surreal, but also surprisingly believable. The three stories don't connect so much as reflect off one another by way of reusing characters' names and descriptions and revisiting locales. Cunningham's fans might be a little disconcerted by the content at first, but they will find the same flair for language, skillfully developed characters, and themes of identity and longing that make the author's other works so successful.-Matthew L. Moffett, Northern Virginia Community College, Annandale Copyright 2005 Reed Business Information.

Book Details

Published
June 1, 2005
Publisher
Farrar, Straus and Giroux
Pages
320
Format
Hardcover
ISBN
9780374299620

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