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Overview
Clarissa, the young wife of a foreign office diplomat, delights in tweaking the sensibilities of her more serious friends by playing a game she calls "supposing"—imagining a difficult situation and finding out how people would respond. But Clarissa's lighthearted games becomes deadly serious when she discovers the body of an unknown person in her own drawing room. If that weren't bad enough, her husband is on the way home with an important foreign politician. Clarissa decides to dispose of the body and persuades her three houseguests to help. But before she can get the corpse off the premises, a policeman knocks at her front door. Now Clarissa must keep the body hidden, convince the skeptical police inspector that there has been no murder, and, in the meantime, find out who has been murdered, why, and what the body is doing in her house...
Synopsis
Opened December 13, 1954 at the Savoy Theatre, London. This lighthearted comedy-thriller was written expressly for then-popular British actress Margaret Lockwood. Lockwood played the role of a diplomat's wife who finds she has to dispose of an unexpected corpse in the library before her husband brings an important foreign politician home to dinner.
Publishers Weekly
Osborne completes his homage to Christie with this third and final adaptation of an original Christie play, following Black Coffee (1998) and The Unexpected Guest (1999). Though the play was written in 1954, the story suffers little from the passage of time, and aside from the static setting, reads well as a novel. Christie's exquisite timing and clever sleight-of-mind tricks are a delight, while Osborne has the good sense not to embroider the tale. A typical closed cast of characters occupies the temporary country home of Henry and Clarissa Hailsham-Brown: the seemingly scatterbrained Clarissa; her stepdaughter, Pippa; the odious Oliver Costello, who has married Pippa's mother; Sir Rowland Delahaye, Clarissa's godfather and a man of honor; an outspoken gardener; a butler; a cook; and Inspector Lord, the rather diffident policeman. When Clarissa discovers a body in the drawing room, she decides that it mustn't be found there. Her plans to dispose of the body are interrupted by the arrival of a rather diffident policeman, Inspector Lord, who has come to check out an anonymous tip that a murder has been committed. Christie's bag of tricks includes hidden doorways, secret drawers, French windows and concealed identities--all used to amusing effect. As with Osborne's previous novelizations, this is a welcome addition to the Christie canon and is sure to reach mystery bestseller lists. The cover, with a spider in a web against a green faux-marble background, is as catchy as they come. (Nov.) Copyright 2000 Cahners Business Information.
Editorials
From Barnes & Noble
Clarissa Hailsham-Brown loves to pretend. She's pretended that her husband was secretly married to another woman. She's pretended to be a great actress whose world is a stage. She's even pretended that she's had to choose between betraying her country and seeing her husband shot before her eyes. But when Clarissa stumbles upon a dead body in the drawing room, there's no pretending about the mess she'll be in if she can't hide the body before her husband comes home, and convince the police that there's been no murder….From the Publisher
"Christie's exquisite timing and clever sleight-of-hand tricks are a delight...this is a welcome addition to the Christie cannon."—Publishers Weekly
"Great fun. The perfect way to distract you from the cares of the day."—Arizona Daily Star
"Agatha Christie is the champion deceiver of our time."—The New York Times