Stateliest Measures: Tennyson and the Literature of Greece and Rome

The great nineteenth-century English poet Alfred, Lord Tennyson received an unusually thorough education in the classical languages, and he remained an active classical scholar throughout his lifetime. His intimate knowledge of both Greek and Latin literature left an indelible stamp on his poetry, both in terms of the sound and rhythm of his verses and in the themes that inspired him. Stateliest Measures, the first full-length study of Tennyson's thematic and metrical uses of classical material, examines the profoundly important role that his classical background played as he fashioned himself into a poet in the 1820s and 30s, and as he defined himself as poet laureate as of 1850.

A.A. Markley examines Tennyson's objectives in developing the classical dramatic monologue, which, together with In Memoriam and his experiments with classical meters, indicate the degree to which he patterned himself after the Roman poet Virgil in attempting to provide modern Britain with a literature worthy of a new and rapidly expanding world empire. Stateliest Measures demonstrates that Tennyson's engagement with the long-running and complex nineteenth-century debates concerning Hellenism, Imperialism, and modern British culture was much more profound than his critics have recognized.

Markley (English, Pennsylvania State U.-Delaware County) describes how British poet Alfred Lord Tennyson (1809-92) reworked classical literature as part of a lifelong effort to provide Britain with a literature comparable to the great works of antiquity. He explores the poet's techniques and his purposes in recasting classical themes and verse forms in such monologues as Oenone, Ulysses, Tiresias, and Lucretius; and in his elegy In Memoriam A. H. H. Annotation ©2004 Book News, Inc., Portland, OR

A.A. Markley is an associate professor in the Department of English at Pennsylvania State University, Delaware County.