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Stories I Stole by Wendell Steavenson β€” book cover

Stories I Stole

by Wendell Steavenson
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Overview

Wendell Steavenson spent two years in the former Soviet republic of Georgia. Stories I Stole captures the exuberance of a fledgling nation of local despots, mountain tribes, blood feuds, and an unlimited flow of red wine. From President Shevardnadze's rigged elections to horse races high in the mountains; from the eerie roadside artifacts of the Soviet era to the farcical power outages in the dead of winter, here is Georgia: weird, invigorating, and still coming to grips with the legacy of its most famous son, Stalin. Stories I Stole is a candid, engaging, and quietly lyrical book about a land and people unlike any other.

Synopsis

Fed up with working for Time magazine in London, Wendell Steavenson spent two years in the former Soviet republic of Georgia. Stories I Stole captures the exuberance of a fledgling nation of local despots, mountain tribes, blood feuds, and an unlimited flow of red wine. From President Shevardnadze's rigged elections to horse races high in the mountains; from the eerie roadside artifacts of the Soviet era to the farcical power outages in the dead of winter, here is Georgia: weird, invigorating, and still coming to grips with the legacy of its most famous son, Joseph Stalin. Far more than a travel book, this is a scintillating menagerie of true stories peopled by vivid — and sometimes insane — characters. In the beach resort of Sukhumi, once the destination of every fashionable Russian but now wracked by civil war, Wendell plays hangman with a secret policeman. In the capital Tbilisi — ensconced in Levan's Magic Room or lounging in the steam baths — she hears about the latest duel or kidnapping. In Khevsureti, the meadows are dotted with blue-painted beehives and yellow flowers, while just over the border, there is war in Chechnya.

Publishers Weekly

In this collection of wine-soaked stories, former Time journalist Steavenson recounts her adventurous two years living in the former Soviet republic of Georgia. Few journalists would have the gumption to do on assignment what the now 32-year-old Steavenson did on a whim-leave a job in Time's London office in the late 1990s for the relatively volatile region of the Caucasus. Her reward is a book, her first, that Chekhov himself would have admired. With a keen journalistic eye and a poetic flair for capturing every detail of her surroundings, Steavenson adeptly renders a vibrant if rather depressed culture amid the detritus of a collapsed superpower. The book is replete with harsh winters, hot summers, rolling blackouts from a shortage of electricity and a crumbling infrastructure, plentiful vodka and bad cigarettes, hearty friends, and an endless number of LAOs (large abandoned objects): bits of rusting pipeline, tractors, half-built bridges, "the debris of the Soviets, the husk of an empire." While each story seems to contain within it several others, most compelling are Steavenson's encounters with Chechen refugees and fighters after the second Russian war in Chechnya broke out. A chapter on the fixed election of "career communist" turned "western media darling" Eduard Shevardnadze is also insightful. Despite its title, it's clear these stories are anything but stolen. And Steavenson returns the favor. After turning down a marriage proposal from her boyfriend, a photographer, he sends her 1,000 roses-a stunning gesture that is surely still recalled among Georgians. This is a remarkable first effort from a writer to watch. (Mar.) Copyright 2003 Reed Business Information.

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Editorials

Publishers Weekly

In this collection of wine-soaked stories, former Time journalist Steavenson recounts her adventurous two years living in the former Soviet republic of Georgia. Few journalists would have the gumption to do on assignment what the now 32-year-old Steavenson did on a whim-leave a job in Time's London office in the late 1990s for the relatively volatile region of the Caucasus. Her reward is a book, her first, that Chekhov himself would have admired. With a keen journalistic eye and a poetic flair for capturing every detail of her surroundings, Steavenson adeptly renders a vibrant if rather depressed culture amid the detritus of a collapsed superpower. The book is replete with harsh winters, hot summers, rolling blackouts from a shortage of electricity and a crumbling infrastructure, plentiful vodka and bad cigarettes, hearty friends, and an endless number of LAOs (large abandoned objects): bits of rusting pipeline, tractors, half-built bridges, "the debris of the Soviets, the husk of an empire." While each story seems to contain within it several others, most compelling are Steavenson's encounters with Chechen refugees and fighters after the second Russian war in Chechnya broke out. A chapter on the fixed election of "career communist" turned "western media darling" Eduard Shevardnadze is also insightful. Despite its title, it's clear these stories are anything but stolen. And Steavenson returns the favor. After turning down a marriage proposal from her boyfriend, a photographer, he sends her 1,000 roses-a stunning gesture that is surely still recalled among Georgians. This is a remarkable first effort from a writer to watch. (Mar.) Copyright 2003 Reed Business Information.

Library Journal

Steavenson, a former journalist for Time magazine, left London to satisfy an inexplicable curiosity about Georgia by living in Tbilisi for two years. From that experience comes this captivating mix of personal and political anecdotes cleverly woven into an entertaining whole in which the bleak chaos of post-Soviet Georgia is related with warmth and a puzzled, often frustrated, affection. By living in Tbilisi rather than simply traveling through it, Steavenson was able to build a large and eclectic social circle whose unique, often fablelike stories she has "stolen" to create this book. Never stooping to pathos, the sometimes tragic but more often triumphant tales of refugees and impoverished Georgians surviving severe winters with little in the way of electricity, heat, or food are juxtaposed against the schemes and brazen corruption of power-hungry politicians. The prose is clean, crisp, and always frank, cleverly reflecting the nature of the Georgians that populate the narrative. This vivid portrait is recommended for public libraries.-Rebecca Bollen, North Bergen, NJ Copyright 2003 Cahners Business Information.

Kirkus Reviews

Harsh, lovely prose chronicles the author's two years in post-Soviet Georgia. Steavenson adheres to a rough chronology in this collection of animated snapshots of a region devastated by war, political sleaze, poverty, greed, and graft. She begins in a remote village with the story of a man assembling a Stalin theme park and ends by expressing the almost featherless hope that "the best we can do is respect our family, love our friends, open a bottle of wine, drink it, and then open another one." In between are moments of wonder, weirdness, wisdom, and terror. Coming off a stint writing for Time magazine, the author was between lives in the Georgian town of Tbilisi. She drank a lot, waited for the power to go on (it was off most of the time), frequented the public baths, and took trips with friends to places that offered the prospect of wine or wonder-usually both. She slept in the Gorbachevs' bed in their former dacha; she ate fried brains and explored the story of a ruinous lovers' duel; she hiked high in the mountains to witness a horse race; she painted Eduard Shevardnadze in dark, unflattering colors (she shook his hand and found it limp); she chatted and drank with work crews exploding some 15,000 land mines lying along the Gumista. She also nursed a broken heart after falling in love with "Thomas," who dumped her and then returned nine months later to propose marriage. (She declined.) She shows us a landscape so cluttered with debris and decay (not unexpectedly, she alludes to "Ozymandias") that by the end we think almost lovely a description of a cow urinating in the marketplace mud. What appears to appeal to Steavenson-and to keep her in Georgia (she was born in the US and grew upin London)-is the candor, kindness, and daffy equanimity of the people. A useful "Ethnic Glossary" helps with the history. In the ruins, stories that stun.

Book Details

Published
March 1, 2004
Publisher
Grove/Atlantic, Inc.
Pages
277
Format
Paperback
ISBN
9780802140678

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