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Overview
It is a very short list of 20th-century American plays that continue to have the same power and impact as when they first appeared—57 years after its Broadway premiere, Tennessee Williams' A Streetcar Named Desire
is one of those plays. The story famously recounts how the faded and promiscuous Blanche DuBois is pushed over the edge by her sexy and brutal brother-in-law, Stanley Kowalski. Streetcar launched the careers of Marlon Brando, Jessica Tandy, Kim Hunter and Karl Malden,
and solidified the position of Tennessee Williams as one of the most important young playwrights of his generation, as well as that of Elia Kazan as the greatest American stage director of the '40s and '50s.
Who better than America's elder statesman of the theater, Williams'
contemporary Arthur Miller, to write as a witness to the lightning that struck American culture in the form of A Streetcar Named Desire?
Miller's rich perspective on Williams' singular style of poetic dialogue, sensitive characters, and dramatic violence makes this a unique and valuable new edition of A Streetcar Named Desire.
This definitive new edition will also include Williams' essay "The World I Live In," and a brief chronology of the author's life.
Synopsis
The Pulitzer Prize and Drama Critics Circle Award winning play—reissued with an introduction by Arthur Miller (Death of a Salesman and The Crucible), and Williams' essay "The World I Live In."
Publishers Weekly
Williams's classic play begins with Blanche DuBois's arrival in New Orleans to stay with her sister and brother-in-law, Stella and Stanley Kowalski. The determinedly genteel Blanche is shocked by their lower-class lifestyle-and by Stanley's frequently aggressive behavior. As Blanche's secrets catch up with her, a seedy reality trumps her love for romance. Rosemary Harris embodies Blanche with all the flare, attitude and Southern drawl commonly associated with the cultural icon. The role of Stanley is so physical that his presence is diminished by the lack of a visual performance, but James Farentino's Stanley is excellent. The overall production quality is excellent with musical segues and sound effects that enhance without distracting the listeners. This recording captures the cast of the 1973 Broadway revival (which won Harris a Drama Desk award and Farentino a Theatre World award). (Feb.)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.Editorials
Echo Magazine
The introductions, by playwrights as illustrious as Williams himself, are the gem of these new editions.— Ken FurtadoThe New Yorker
Blanche is the Everest of modern American drama, a peak of psychological complexity and emotional range.— John LahrNewsweek
In Streetcar Williams found images and rhythms that are still part of the way we think and feel and move.— Jack KrollPublishers Weekly
Williams's classic play begins with Blanche DuBois's arrival in New Orleans to stay with her sister and brother-in-law, Stella and Stanley Kowalski. The determinedly genteel Blanche is shocked by their lower-class lifestyle-and by Stanley's frequently aggressive behavior. As Blanche's secrets catch up with her, a seedy reality trumps her love for romance. Rosemary Harris embodies Blanche with all the flare, attitude and Southern drawl commonly associated with the cultural icon. The role of Stanley is so physical that his presence is diminished by the lack of a visual performance, but James Farentino's Stanley is excellent. The overall production quality is excellent with musical segues and sound effects that enhance without distracting the listeners. This recording captures the cast of the 1973 Broadway revival (which won Harris a Drama Desk award and Farentino a Theatre World award). (Feb.)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.Library Journal
Available for the first time on CD, this is a full-cast recording of Williams's famous play as performed at New York's Lincoln Center in 1973. The sound effects and music can overwhelm the production, which suffers somewhat from the lack of visuals (there is no sense of time passing, so listeners unfamiliar with the play might mistake all the action to take place over a brief period). Rosemary Harris's reading of Southern belle Blanche DuBois is excellent; her performance lends an airy, unreal quality to Blanche's follies. James Farentino plays mocking, brutal Stanley Kowalski aptly, and Patricia Connolly, too, plays Stella with suitable passivity. Better seen than heard, this is still an important recording to own. [Audio clip available through
—B. Allison Gray