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Overview
This text presents the most appropriate theories and methods for analyzing contemporary America cinema. Using an innovative approach to writing about individual movies, each of the main chapters examines the assumptions behind one traditional theory of film (e.g. auteurism, narratology, psychoanalysis), distills a method of analysis from it, and then analyzes a contemporary American movie. The text then goes beyond traditional theory by analyzing the same movie using a more current theory and method (e.g. new media theory, deconstruction, cognitivism).
Synopsis
What are the most appropriate theories and methods for analyzing contemporary America cinema? This book answers this question by taking an innovative approach to writing about individual movies: in each of the main chapters the authors examine the assumptions behind one traditional theory of film (e.g. auteurism, narratology, psychoanalysis), distil a method of analysis from it, and then analyze a contemporary American movie. They then go beyond the traditional theory by analyzing the same movie using a more current theory and method (e.g. new media theory, deconstruction, cognitivism).