Suite Francaise
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Overview
Beginning in Paris on the eve of the Nazi occupation in 1940. Suite Française tells the remarkable story of men and women thrown together in circumstances beyond their control. As Parisians flee the city, human folly surfaces in every imaginable way: a wealthy mother searches for sweets in a town without food; a couple is terrified at the thought of losing their jobs, even as their world begins to fall apart. Moving on to a provincial village now occupied by German soldiers, the locals must learn to coexist with the enemy—in their town, their homes, even in their hearts.When Irène Némirovsky began working on Suite Française, she was already a highly successful writer living in Paris. But she was also a Jew, and in 1942 she was arrested and deported to Auschwitz, where she died. For sixty-four years, this novel remained hidden and unknown.
Synopsis
By the early l940s, when Ukrainian-born Irène Némirovsky began working on what would become Suite Française—the first two parts of a planned five-part novel—she was already a highly successful writer living in Paris. But she was also a Jew, and in 1942 she was arrested and deported to Auschwitz: a month later she was dead at the age of thirty-nine. Two years earlier, living in a small village in central France—where she, her husband, and their two small daughters had fled in a vain attempt to elude the Nazis—she’d begun her novel, a luminous portrayal of a human drama in which she herself would become a victim. When she was arrested, she had completed two parts of the epic, the handwritten manuscripts of which were hidden in a suitcase that her daughters would take with them into hiding and eventually into freedom. Sixty-four years later, at long last, we can read Némirovsky’s literary masterpiece
The first part, “A Storm in June,” opens in the chaos of the massive 1940 exodus from Paris on the eve of the Nazi invasion during which several families and individuals are thrown together under circumstances beyond their control. They share nothing but the harsh demands of survival—some trying to maintain lives of privilege, others struggling simply to preserve their lives—but soon, all together, they will be forced to face the awful exigencies of physical and emotional displacement, and the annihilation of the world they know. In the second part, “Dolce,” we enter the increasingly complex life of a German-occupied provincial village. Coexisting uneasily with the soldiers billeted among them, the villagers—from aristocrats to shopkeepers to peasants—cope as best they can. Some choose resistance, others collaboration, and as their community is transformed by these acts, the lives of these these men and women reveal nothing less than the very essence of humanity.
Suite Française is a singularly piercing evocation—at once subtle and severe, deeply compassionate and fiercely ironic—of life and death in occupied France, and a brilliant, profoundly moving work of art.
From the Hardcover edition.
The Washington Post - Ruth Kruger
While diaries give us a day-to-day record, their very inclusiveness can lead to tedium; memoirs, on the other hand, written at a later date, search for highlights and illuminate the past from the vantage point of the present. In Némirovsky's Suite Française we have the perfect mixture: a gifted novelist's account of a foreign occupation, written while it was taking place, with history and imagination jointly evoking a bitter time, correcting and enriching our memory.
Editorials
From Barnes & Noble
With these two novellas, Holocaust victim Irène Némirovsky accomplished the daunting task of translating the unspeakable horror and chaos of war -- at the precise moment it was exploding all around her -- into luminous, coherent, and masterfully crafted fiction. Conceived by the author as two parts in a series, the stories of Suite Française were preserved by Némirovsky's daughters after the author was deported to Auschwitz in 1942. A literary treasure of enormous magnitude, these powerful tales of grace and disgrace in the midst of crisis have, at last, found a grateful audience.From the Publisher
“Stunning. . . . A tour de force.” —The New York Times Book Review“Remarkable.” —Newsweek“[Némirovsky] sees the fullness of humanity. . . . A lost masterpiece.” —O, the Oprah Magazine“Gripping. . . . Brilliant. . . . Endlessly fascinating.” —The Nation“Transcendent, astonishing. . . . The last great fiction of the war.” —The Pittsburgh Post-Gazette“Superb.” —The Washington Post Book World“Extraordinary. . . . A work of Proustian scope and delicacy, by turns funny and deeply moving.” —TimePaul Gray
The improbable survival of her two novellas is a cause for celebration and also for grief at another reminder of the horrors of the Holocaust. She wrote what may be the first work of fiction about what we now call World War II. She also wrote, for all to read at last, some of the greatest, most humane and incisive fiction that conflict has produced.— The New York Times
Ruth Kruger
While diaries give us a day-to-day record, their very inclusiveness can lead to tedium; memoirs, on the other hand, written at a later date, search for highlights and illuminate the past from the vantage point of the present. In Némirovsky's Suite Française we have the perfect mixture: a gifted novelist's account of a foreign occupation, written while it was taking place, with history and imagination jointly evoking a bitter time, correcting and enriching our memory.— The Washington Post